000			03213nam a22003137i 4500
005			20250805154634.0
008			250805s2024 enka|||fr|||| 001 0 eng d
020			_a9781350248786
040			_aEG-GaU‬‬ _cEG-GaU‬‬ _dEG-GaU‬‬ _erda
082	0	4	_223 _a709.2 _bI.N.S
245	1	0	_aInside/Outside Islamic Art and Architecture : _bcartography of boundaries in and of the field / _cedited by Saygin Salgirli.
250			_aPaperback edition.
264		1	_aLondon : _bBloomsbury Academic, _c2024.
300			_a278 pages : _billustrations ; _c24 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
504			_aIncludes bibliographical references and index.
505			_aIntroduction: Inside/Outside in and of Islamic Art & Architecture: Toward a Cartographical Approach -- 1. In and Out of a Local Idiom: The Story of a Siedlung in Yenimahalle, Ankara -- 2. Looking beyond the Lens' Veil: Capturing the Haram (1840-1890) -- 3. Under-Writing Beirut-Mathaf, Whose Ghosts Must be Summoned -- 4. For Close Observation: Imagery in the Architecture of Qajar Iran -- 5. Potential Worlds: Representation, Mimesis and the Demiurgic Artist in Late Timurid Painting (ca. 1470-1500) -- 6. A Collage of Projections: Exploring an Awadhi Miniature Painting's Pictorial Space Through 3D Modelling -- 7. Private and Public in Vernacular Space: The Abandoned Nubian Villages of Bigge -- 8. Singing the Song of Separation: The Nath Vairagi in Mughal Paintings -- 9. The Ubiquitous Knot: Traces of Hercules in an Unknown Candleholder from the Museum of Islamic Arts in Bursa -- Index
520			_aWhen we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet, things are often more complicated. A building defines an exterior space just as much as an interior, and what we perceive to be ornamental and marginal to a given painting may in fact be central to what it represents. In this volume, a simple question is presented: instead of dichotomous separations between inside and outside, or exterior and interior, what other relationships can we think of? The first book of its kind to grapple with this question, Inside/Outside Islamic Art and Architecture focuses on a wide spectrum of mediums and topics, including painted manuscripts, objects, architectural decoration, architecture and urban planning, and photography. Bringing together scholars with diverse methodologies-who work on a geographical span stretching from India to Spain and Nigeria, and across a temporal spectrum from the thirteenth to the twenty-first century-this original book also poses engaging questions about the boundaries of the field.
650		0	_aIslamic art _xHistory and criticism. _961450
650		0	_aArchitecture _xHistory and criticism. _961451
650		0	_aArt criticism. _961447
650		0	_aUrban planning. _961448
650		0	_aCultural boundaries. _961452
700	1		_aSalgirli, Saygin, _eeditor. _961453
942			_2ddc _cBK
999			_c11478 _d11478