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001 | ocn879377176 | ||
003 | OCoLC | ||
005 | 20210822114113.0 | ||
006 | m d | ||
007 | cr cnu---unuuu | ||
008 | 140508s2013 ne af ob 001 0 eng d | ||
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_a10.26530/OAPEN_530353 _2doi |
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049 | _aMAIN | ||
245 | 0 | 0 |
_aPreserving and exhibiting media art : _bchallenges and perspectives / _cJulia Noordegraaf, Cosetta G. Saba, Barbara Le Maãitre and Vinzenz Hediger (editions.). |
264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c[2013] |
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300 |
_a1 online resource (428 pages, 16 unnumbered pages of plates) : _billustrations (some color). |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 1 | _aFraming film | |
504 | _aIncludes bibliographical references and index. | ||
520 | _aArtists have always experimented with the potentials film, video and digital technology. 'Preserving and Exhibiting Media Art' highlights the challenges these new multimedia works pose to the traditional ways of collecting, preserving and exhibiting art. In addition, it outlines several case studies through the contours of the training and education of professionals in this field. The book offers a historical and theoretical overview and makes an important contribution to the literature on archival theory and practice and is a reference point for anyone concerned with the preservation and presentation of media art. | ||
505 | 0 | 0 |
_tAcknowledgements -- _tIntroduction / _rJulia Noordegraaf -- _gPart I. _tHistory, Archaeology, Aesthetics, Archive: Theoretical Paths -- _tIntroduction / _rVinzenz Hediger -- _g1. _tBetween Art History and Media History: A Brief Introduction to Media Art / _rChris Wahl -- _g2. _tMedia Archaeology: Where Film History, Media Art, and New Media (Can) Meet / _rWanda Strauven -- _g3. _tMedia Aesthetics / _rDario Marchiori -- _g4. _tMedia Art and the Digital Archive / _rCosetta G. Saba -- _gPart II. _tAnalysis, Documentation, Archiving -- _tIntroduction / _rJulia Noordegraaf -- _g5. _tThe Analysis of the Artwork / _rDario Marchiori -- _g6. _tMethodologies of Multimedial Documentation and Archiving -- _g6.1. _tEnjoying the Gap: Comparing Contemporary Documentation Strategies / _rAnnet Dekker -- _g6.2. _tCase Study: No Ghost Just a Shell by Pierre Huyghe, Philippe Parreno, and Many Others / _rVivian Van Saaze -- _g6.3. _tThe Artist's Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an Audio-Installation by Roberto Cuoghi in the Museo Del Novecento, Milan / _rIolanda Ratti -- _g6.4. _tMAXXI Pilot Tests Regarding the Documentation of Installation Art / _rAlessandra Barbuto, Laura Barreca -- _gPart III. _tTechnological Platforms, Preservation, and Restoration -- _tIntroduction / _rCosetta G. Saba -- _g7. _tTechnological Platforms -- _tIntroduction / _rSimone Venturini -- _g7.1. _tThe History and Technological Characteristics of Cinematographic Production and Reception Devices / _rSimone Venturini, Mirco Santi -- _g7.2. _tThe History and Technological Characteristics of Video Production and Reception Devices / _rAlessandro Bordina -- _g7.3. _tComputers and Digital Reception Devices: History and Technological Characteristics / _rTabea Lurk, Jorgen Enge -- _g74. _tObsolete Equipment: Ethics and Practices of Media Art Conservation / _rGaby Wijers -- _g8. _tTheories, Techniques, Decision-making Models: The European Context -- _g8.1. _tOperational Practices for a Film and Video Preservation and Restoration Protocol / _rAlessandro Bordina, Simone Venturini -- _g8.2. _tOperational Practices for a Digital Preservation and Restoration Protocol / _rJorgen Enge, Tabea Lurk -- _g8.3. _tCase Study: The Conservation of Media Art at Tate: An Interview with Pip Laurenson (Head of Time-Based Media Conservation at Tate) / _rJulia Noordegraaf -- _gPart IV. _tAccess, Reuse, and Exhibition -- _tIntroduction / _rBarbara Le Maitre -- _g9. _tExhibition Strategies -- _tIntroduction / _rBarbara Le Maitre, Senta Siewert -- _g9.1. _tFrom Cinema to the Museum: A State of Affairs -- _g9.1.1. _tA "Cinema Effect" in Contemporary Art / _rPhilippe Dubois -- _g9.2. _tExhibiting Images in Movement -- _g9.2.1. _tExhibiting/Editing: Dominique Pïani and Programming at the Ciénmatèhque fraçnaise at the Turn of the Centenary / _rSétphanie-Emmanuelle Louis -- _g9.2.2. _tThe Expanded Archive: The MindFrames exhibition / _rClaudia D'alonzo -- _g9.2.3. _tExhibiting Film and Reinventing the Painting / _rBarbara Le Mîatre -- _g9.3. _tThe Image Traveling across Territories: Cinema, Video, TV, Museum, the Web, and beyond -- _g9.3.1. _tOn Passages Between Art and Cinema / _rAriane No︠l De Tilly -- _g9.3.2. _tAcross the Territories: Exhibiting Music Video / _rSenta Siewert -- _g9.3.3. _tDeveloping, Presenting, and Documenting Unstable Media at V2_ / _rArie Altena -- _g9.4. _tNew Dispositifs, New Modes of Reception -- _g9.4.1. _tVideo Installations as Experiences in Montage / _réTérsa Faucon -- _g9.4.2. _tFrom the Film to the Map: Patrick Keiller and The City of the Future / _rTeresa Castro -- _g9.4.3. _tSite-specific Exhibition and Reexhibition Strategies: Max Neuhaus's Times Square / _rElena Biserna -- _g9.4.4. _tFrom Archival Model to Exhibition Platform? Video Art As a Web Resource and the imai Online Catalogue / _rRenate Buschmann -- _g10. _tOn Curating New Media Art / _rSarah Cook -- _tEpilogue / _rJulia Nooroegraaf, Ariane No︠l De Tilly -- _tList of contributors -- _tIndex. |
588 | 0 | _aPrint version record. | |
546 | _aEnglish. | ||
506 |
_aAccess restricted to authorised ANU users only. _5ANU |
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506 | _aOAPEN (Open Access Publishing in European Networks). All rights reserved. | ||
590 | _aMaster record variable field(s) change: 650 | ||
650 | 0 |
_aMultimedia (Art) _xPreservation. _99744 |
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650 | 0 |
_aNew media art _xPreservation. _99745 |
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650 | 0 |
_aComputer art _xPreservation. _99746 |
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650 | 0 |
_aMotion picture film _xPreservation. _99747 |
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650 | 0 |
_aArt _xExhibition techniques. _99748 |
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650 | 7 |
_aFilm production: technical and background skills. _2bicssc _99749 |
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650 | 7 |
_aFilm, TV and radio. _2bicssc _99750 |
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650 | 7 |
_aFilms, cinema. _2bicssc _99751 |
|
650 | 7 |
_aThe arts. _2bicssc _99752 |
|
650 | 7 |
_aPERFORMING ARTS _xReference. _2bisacsh _99753 |
|
650 | 7 |
_aART _xConservation & Preservation. _2bisacsh _99754 |
|
650 | 7 |
_aArt _xExhibition techniques. _2fast _0(OCoLC)fst00815237 _99748 |
|
650 | 7 |
_aMotion picture film _xPreservation. _2fast _0(OCoLC)fst01027139 _99747 |
|
650 | 1 | 7 |
_aMediakunst. _2gtt _0(NL-LeOCL)11306151X _99755 |
650 | 1 | 7 |
_aTentoonstellingen. _2gtt _0(NL-LeOCL)078686938 _99756 |
650 | 1 | 7 |
_aConservatie. _2gtt _0(NL-LeOCL)078474809 _99757 |
653 | _aMedia art | ||
653 | _aPreservation | ||
655 | 0 | _aElectronic books. | |
655 | 4 |
_aElectronic books. _99758 |
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700 | 1 |
_aNoordegraaf, Julia, _eeditor. _99759 |
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700 | 1 |
_aSaba, Cosetta G., _eeditor. _99760 |
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700 | 1 |
_aLe Maãitre, Barbara, _eeditor. _99761 |
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700 | 1 |
_aHediger, Vinzenz, _d1969- _eeditor. _99762 |
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776 | 0 | 8 |
_iPrint version: _tPreserving and exhibiting media art. _dAmsterdam : Amsterdam University Press, [2013] _z9789089642912 _w(DLC) 2013445091 _w(OCoLC)826453259 |
830 | 0 |
_aFraming film. _99763 |
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856 | 4 | 0 |
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