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082 0 4 _a791.4301
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049 _aMAIN
245 0 0 _aPreserving and exhibiting media art :
_bchallenges and perspectives /
_cJulia Noordegraaf, Cosetta G. Saba, Barbara Le Maãitre and Vinzenz Hediger (editions.).
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2013]
300 _a1 online resource (428 pages, 16 unnumbered pages of plates) :
_billustrations (some color).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aFraming film
504 _aIncludes bibliographical references and index.
520 _aArtists have always experimented with the potentials film, video and digital technology. 'Preserving and Exhibiting Media Art' highlights the challenges these new multimedia works pose to the traditional ways of collecting, preserving and exhibiting art. In addition, it outlines several case studies through the contours of the training and education of professionals in this field. The book offers a historical and theoretical overview and makes an important contribution to the literature on archival theory and practice and is a reference point for anyone concerned with the preservation and presentation of media art.
505 0 0 _tAcknowledgements --
_tIntroduction /
_rJulia Noordegraaf --
_gPart I.
_tHistory, Archaeology, Aesthetics, Archive: Theoretical Paths --
_tIntroduction /
_rVinzenz Hediger --
_g1.
_tBetween Art History and Media History: A Brief Introduction to Media Art /
_rChris Wahl --
_g2.
_tMedia Archaeology: Where Film History, Media Art, and New Media (Can) Meet /
_rWanda Strauven --
_g3.
_tMedia Aesthetics /
_rDario Marchiori --
_g4.
_tMedia Art and the Digital Archive /
_rCosetta G. Saba --
_gPart II.
_tAnalysis, Documentation, Archiving --
_tIntroduction /
_rJulia Noordegraaf --
_g5.
_tThe Analysis of the Artwork /
_rDario Marchiori --
_g6.
_tMethodologies of Multimedial Documentation and Archiving --
_g6.1.
_tEnjoying the Gap: Comparing Contemporary Documentation Strategies /
_rAnnet Dekker --
_g6.2.
_tCase Study: No Ghost Just a Shell by Pierre Huyghe, Philippe Parreno, and Many Others /
_rVivian Van Saaze --
_g6.3.
_tThe Artist's Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an Audio-Installation by Roberto Cuoghi in the Museo Del Novecento, Milan /
_rIolanda Ratti --
_g6.4.
_tMAXXI Pilot Tests Regarding the Documentation of Installation Art /
_rAlessandra Barbuto, Laura Barreca --
_gPart III.
_tTechnological Platforms, Preservation, and Restoration --
_tIntroduction /
_rCosetta G. Saba --
_g7.
_tTechnological Platforms --
_tIntroduction /
_rSimone Venturini --
_g7.1.
_tThe History and Technological Characteristics of Cinematographic Production and Reception Devices /
_rSimone Venturini, Mirco Santi --
_g7.2.
_tThe History and Technological Characteristics of Video Production and Reception Devices /
_rAlessandro Bordina --
_g7.3.
_tComputers and Digital Reception Devices: History and Technological Characteristics /
_rTabea Lurk, Jorgen Enge --
_g74.
_tObsolete Equipment: Ethics and Practices of Media Art Conservation /
_rGaby Wijers --
_g8.
_tTheories, Techniques, Decision-making Models: The European Context --
_g8.1.
_tOperational Practices for a Film and Video Preservation and Restoration Protocol /
_rAlessandro Bordina, Simone Venturini --
_g8.2.
_tOperational Practices for a Digital Preservation and Restoration Protocol /
_rJorgen Enge, Tabea Lurk --
_g8.3.
_tCase Study: The Conservation of Media Art at Tate: An Interview with Pip Laurenson (Head of Time-Based Media Conservation at Tate) /
_rJulia Noordegraaf --
_gPart IV.
_tAccess, Reuse, and Exhibition --
_tIntroduction /
_rBarbara Le Maitre --
_g9.
_tExhibition Strategies --
_tIntroduction /
_rBarbara Le Maitre, Senta Siewert --
_g9.1.
_tFrom Cinema to the Museum: A State of Affairs --
_g9.1.1.
_tA "Cinema Effect" in Contemporary Art /
_rPhilippe Dubois --
_g9.2.
_tExhibiting Images in Movement --
_g9.2.1.
_tExhibiting/Editing: Dominique Pïani and Programming at the Ciénmatèhque fraçnaise at the Turn of the Centenary /
_rSétphanie-Emmanuelle Louis --
_g9.2.2.
_tThe Expanded Archive: The MindFrames exhibition /
_rClaudia D'alonzo --
_g9.2.3.
_tExhibiting Film and Reinventing the Painting /
_rBarbara Le Mîatre --
_g9.3.
_tThe Image Traveling across Territories: Cinema, Video, TV, Museum, the Web, and beyond --
_g9.3.1.
_tOn Passages Between Art and Cinema /
_rAriane No︠l De Tilly --
_g9.3.2.
_tAcross the Territories: Exhibiting Music Video /
_rSenta Siewert --
_g9.3.3.
_tDeveloping, Presenting, and Documenting Unstable Media at V2_ /
_rArie Altena --
_g9.4.
_tNew Dispositifs, New Modes of Reception --
_g9.4.1.
_tVideo Installations as Experiences in Montage /
_réTérsa Faucon --
_g9.4.2.
_tFrom the Film to the Map: Patrick Keiller and The City of the Future /
_rTeresa Castro --
_g9.4.3.
_tSite-specific Exhibition and Reexhibition Strategies: Max Neuhaus's Times Square /
_rElena Biserna --
_g9.4.4.
_tFrom Archival Model to Exhibition Platform? Video Art As a Web Resource and the imai Online Catalogue /
_rRenate Buschmann --
_g10.
_tOn Curating New Media Art /
_rSarah Cook --
_tEpilogue /
_rJulia Nooroegraaf, Ariane No︠l De Tilly --
_tList of contributors --
_tIndex.
588 0 _aPrint version record.
546 _aEnglish.
506 _aAccess restricted to authorised ANU users only.
_5ANU
506 _aOAPEN (Open Access Publishing in European Networks). All rights reserved.
590 _aMaster record variable field(s) change: 650
650 0 _aMultimedia (Art)
_xPreservation.
_99744
650 0 _aNew media art
_xPreservation.
_99745
650 0 _aComputer art
_xPreservation.
_99746
650 0 _aMotion picture film
_xPreservation.
_99747
650 0 _aArt
_xExhibition techniques.
_99748
650 7 _aFilm production: technical and background skills.
_2bicssc
_99749
650 7 _aFilm, TV and radio.
_2bicssc
_99750
650 7 _aFilms, cinema.
_2bicssc
_99751
650 7 _aThe arts.
_2bicssc
_99752
650 7 _aPERFORMING ARTS
_xReference.
_2bisacsh
_99753
650 7 _aART
_xConservation & Preservation.
_2bisacsh
_99754
650 7 _aArt
_xExhibition techniques.
_2fast
_0(OCoLC)fst00815237
_99748
650 7 _aMotion picture film
_xPreservation.
_2fast
_0(OCoLC)fst01027139
_99747
650 1 7 _aMediakunst.
_2gtt
_0(NL-LeOCL)11306151X
_99755
650 1 7 _aTentoonstellingen.
_2gtt
_0(NL-LeOCL)078686938
_99756
650 1 7 _aConservatie.
_2gtt
_0(NL-LeOCL)078474809
_99757
653 _aMedia art
653 _aPreservation
655 0 _aElectronic books.
655 4 _aElectronic books.
_99758
700 1 _aNoordegraaf, Julia,
_eeditor.
_99759
700 1 _aSaba, Cosetta G.,
_eeditor.
_99760
700 1 _aLe Maãitre, Barbara,
_eeditor.
_99761
700 1 _aHediger, Vinzenz,
_d1969-
_eeditor.
_99762
776 0 8 _iPrint version:
_tPreserving and exhibiting media art.
_dAmsterdam : Amsterdam University Press, [2013]
_z9789089642912
_w(DLC) 2013445091
_w(OCoLC)826453259
830 0 _aFraming film.
_99763
856 4 0 _3EBSCOhost
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938 _aDe Gruyter
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938 _aProQuest MyiLibrary Digital eBook Collection
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938 _aOAPEN Foundation
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938 _aYBP Library Services
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938 _aAskews and Holts Library Services
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