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001 on1030821311
003 OCoLC
005 20210822114303.0
006 m d
007 cr un|||||||||
008 170810s2017 ne ob 001 0 eng d
010 _z 2017436818
040 _aOAPEN
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019 _a1076707022
_a1111591254
020 _a9789048527106
_q(electronic bk.)
020 _a9048527104
_q(electronic bk.)
020 _z9789089648556
020 _z9089648550
024 7 _a10.5117/9789089648556
_2doi
035 _a1815503
_b(N$T)
035 _a(OCoLC)1030821311
_z(OCoLC)1076707022
_z(OCoLC)1111591254
037 _a22573/ctv15120s
_bJSTOR
043 _ae-it---
072 7 _aPER
_x009000
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072 7 _aPER
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072 7 _aAPFA
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082 0 4 _a791.430945
_223
084 _a791.430945
_223
049 _aMAIN
245 0 0 _aEarly film theories in Italy, 1896-1922 /
_cedited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c©2017.
300 _a1 online resource (516 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aFilm theory in media history
504 _aIncludes bibliographical references (pages 490-504) and indexes.
520 _aThis collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life.
505 0 0 _tThe Throb of the Cinematograph /
_rFrancesco Casetti --
_tSection 1 --
_tCinema and Modern Life /
_rFrancesco Casetti --
_tCinematography /
_rEdipi --
_tThe Philosophy of Cinematograph /
_rGiovanni Papini --
_tSummertime Spectacles: The Cinema /
_rGaio --
_tWhy I Love the Cinema /
_rMaffio Maffii --
_tThe Movie Theatre Audience /
_rGiovanni Fosse --
_tThe Art of Celluloid /
_rCrainquebille --
_tThe Triumph of the Cinema /
_rRicciotto Canudo --
_tThe Death of the Word /
_rFausto Maria Martini --
_tSection 2 --
_tFilm in Transition /
_rFrancesco Casetti --
_tThe Museum of the Fleeting Moment /
_rLucio d'Ambra --
_tThe Woman and the Cinema /
_rHaydee --
_tDarkness and Intelligence /
_rEmanuele Toddi --
_tA Spectatrix is Speaking to You /
_rMatilde Serao --
_tMotion Pictures in Provincial Towns /
_rEmilio Scaglione --
_tCinematic Psychology /
_rEdoardo Coli --
_tThe Cinematograph Doesn't Exist /
_rSilvio d'Amico --
_tThe Cinema: School of the Will and of Energy /
_rGiovanni Bertinetti --
_tThe Close-up /
_rAlberto Orsi --
_tThe Soul of Titles /
_rErnesto Quadrone --
_tSection 3 --
_tCinema at War /
_rLuca Mazzei --
_tThe War, from Up Close /
_rNino Salvaneschi --
_tThat Poor Cinema /
_rRenato Giovannetti --
_tFamilies of Soldiers /
_rLuigi Lucatelli --
_tWar for the Profit of Industry /
_rRenato Giovannetti --
_tThe War and Cinematograph /
_rg.pr. --
_tMax Linder Dies in The War /
_rLucio d'Ambra --
_tCinema of War /
_rSaverio Procida --
_tSection 4 --
_tPolitics, Morality, Education /
_rSilvio Alovisio --
_tThe Motion Pictures and Education /
_rDomenico Orano --
_tThe Intuitive Method in Religious Education /
_rRomano Costetti --
_tThe Cinema and Its Influence on the Education of the People /
_rGiovanni Battista Avellone --
_tThe Cinematograph in the Schools /
_rFrancesco Orestano --
_tSpeech at the People's Theatre /
_rVittorio Emanuele Orlando --
_tCinema for the Cultivation of the Intellect /
_rAngelina Buracci --
_tEducational Cinema /
_rEttore Fabietti --
_tSection 5 --
_tFilm, Body, Mind /
_rSilvio Alovisio --
_tCollective Psychology /
_rPasquale Rossi --
_tAbout Some Psychological Observations Made During Film Screenings /
_rMario Ponzo --
_tConcerning the Effects of Film Viewing on Neurotic Individuals /
_rGiuseppe d'Abundo --
_tThe Ongoing Battle between Gesture and Word /
_rMariano Luigi Patrizi --
_tThe Cinematograph in the Field of Mental Illness and Criminality: Notes /
_rGiuseppe Vidoni --
_tCinema and Juvenile Delinquency /
_rMario Ponzo --
_tSection 6 --
_tThe Aesthetic Side /
_rLuca Mazzei --
_tProblems of Art: Expression and Movement in Sculpture /
_rCorrado Ricci --
_tScenic Impressionism /
_rSebastiano Arturo Luciani --
_tThe Aesthetics of Cinema /
_rGoffredo Bellonci --
_tThe Poetics of Cinema /
_rSebastiano Arturo Luciani --
_tManifesto for a Cinematic Revolution /
_rGoffredo Bellonci --
_tTheatre and the Cinema /
_rAntonio Gramsci --
_tThe Futurist Cinematography /
_rRemo Chiti --
_tIn the Beginning Was Sex /
_rAntonio Gramsci --
_tRectangle-Film (25 x 19) /
_rEmanuele Toddi --
_tThe Proscenium Arch of My Cinema /
_rAnton Giulio Bragaglia --
_tMy Views on the Cinematograph /
_rLucio d'Ambra --
_tMeditations in the Dark /
_rMichele Biancale --
_tSection 7 --
_tTheory in a Narrative Form /
_rLuca Mazzei --
_tColour Film /
_rRoberto Tanfani --
_tAt the Cinema /
_rLuigia Cortesi --
_tA Phantom Pursued /
_rAlberto Lumbroso --
_tMiopetti's Duel /
_rAldo Borelli --
_tPamela-Films /
_rGuido Gozzano --
_tFeature Film /
_rPio Vanzi --
_tMe, Riri, and Love in Slippers /
_rLuciano Doria --
_tA Cinematic Performance /
_rFederigo Tozzi --
_tLife, a Glass Theatre /
_rPier Maria Rosso di San Secondo --
_tThe Shears' Reflection /
_rGuido Gozzano.
546 _aUndetermined.
590 _aMaster record variable field(s) change: 072
650 0 _aMotion pictures
_zItaly
_xHistory.
_916021
650 0 _aMotion pictures
_zItaly
_xPhilosophy.
_916022
650 0 _aMotion pictures
_zItaly
_xAesthetics.
_916023
650 0 _aMotion pictures
_xSocial aspects
_zItaly.
_916024
650 0 _aMotion pictures and the arts
_zItaly.
_916025
651 0 _aItaly
_xIntellectual life
_y20th century.
_916026
650 7 _aFilm theory and criticism.
_2bicssc
_916027
650 7 _aFilm, TV and radio.
_2bicssc
_99750
650 7 _aFilms, cinema.
_2bicssc
_99751
650 7 _aThe arts.
_2bicssc
650 7 _aPERFORMING ARTS
_xReference.
_2bisacsh
_99753
650 7 _aPERFORMING ARTS
_xFilm & Video
_xGeneral.
_2bisacsh
_916028
650 7 _aIntellectual life.
_2fast
_0(OCoLC)fst00975769
650 7 _aMotion pictures.
_2fast
_0(OCoLC)fst01027285
650 7 _aMotion pictures
_xAesthetics.
_2fast
_0(OCoLC)fst01027288
_916029
650 7 _aMotion pictures and the arts.
_2fast
_0(OCoLC)fst01027422
_96295
650 7 _aMotion pictures
_xPhilosophy.
_2fast
_0(OCoLC)fst01027348
_916030
650 7 _aMotion pictures
_xSocial aspects.
_2fast
_0(OCoLC)fst01027384
_916031
651 7 _aItaly.
_2fast
_0(OCoLC)fst01204565
648 7 _a1900-1999
_2fast
653 _aCinema and philosophy
653 _aCinema and psychology
653 _aCinema and war
653 _aEarly film theories
653 _aSocial impact of cinema
655 4 _aElectronic books.
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
_9961
700 1 _aCasetti, Francesco,
_eeditor.
_916032
700 1 _aAlovisio, Silvio,
_d1968-
_eeditor.
_916033
700 1 _aMazzei, Luca,
_eeditor.
_916034
830 0 _aFilm theory in media history.
_916035
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1815503
938 _aEBSCOhost
_bEBSC
_n1815503
938 _aOAPEN Foundation
_bOPEN
_n633213
938 _aYBP Library Services
_bYANK
_n15448430
938 _aProject MUSE
_bMUSE
_nmuse76482
942 _cEBK
994 _a92
_bN$T
999 _c2237
_d2237