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_aLIT _x004120 _2bisacsh |
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_a823/.087209 _222 |
049 | _aN$TA | ||
100 | 1 |
_aMiller, Elizabeth Carolyn, _d1974-, _eauthor _926388 |
|
245 | 1 | 0 |
_aFramed : _bthe new woman criminal in British culture at the Fin de Siècle / _cElizabeth Carolyn Miller. |
264 | 1 |
_aAnn Arbor : _bUniversity of Michigan Press : _c[2008] |
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264 | 1 |
_bUniversity of Michigan Library, _c[2008] |
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264 | 4 | _c©2008 | |
300 |
_a1 online resource (xii, 284 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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340 |
_gpolychrome. _2rdacc _0http://rdaregistry.info/termList/RDAColourContent/1003 |
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347 | _adata file | ||
504 | _aIncludes bibliographical references and index. | ||
504 | _aIncludes filmography. | ||
505 | 0 | 0 |
_tPrivate and public eyes : Sherlock Holmes and the invisible woman -- _tBeautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel -- _tThe limits of the gaze : class, gender, and authority in early British cinema -- _tDynamite, interrupted : gender in James's and Conrad's novels of failed terror -- _t"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative. |
520 | _aFramed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres. | ||
588 | 0 | _aPrint version record. | |
506 |
_3Use copy _fRestrictions unspecified _2star _5MiAaHDL |
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533 |
_aElectronic reproduction. _b[Place of publication not identified] : _cHathiTrust Digital Library, _d2010. _5MiAaHDL |
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538 |
_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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583 | 1 |
_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
|
546 | _aEnglish. | ||
506 | 0 |
_aOpen Access _5EbpS |
|
650 | 0 |
_aDetective and mystery stories, English _xHistory and criticism. _926389 |
|
650 | 0 |
_aEnglish fiction _y19th century _xHistory and criticism. _926390 |
|
650 | 0 |
_aFemale offenders in literature. _926391 |
|
650 | 0 |
_aTerrorism in literature. _926392 |
|
650 | 0 |
_aConsumption (Economics) in literature. _926393 |
|
650 | 0 |
_aFeminism and literature _zGreat Britain _xHistory _y19th century. _926394 |
|
650 | 0 |
_aLiterature and society _zGreat Britain _xHistory _y19th century. _926395 |
|
650 | 0 |
_aDetective and mystery films _zGreat Britain _xHistory and criticism. _926396 |
|
650 | 0 |
_aWomen in popular culture _zGreat Britain _xHistory _y19th century. _926397 |
|
650 | 7 |
_aLITERARY CRITICISM _xEuropean _xEnglish, Irish, Scottish, Welsh. _2bisacsh _93659 |
|
650 | 7 |
_aConsumption (Economics) in literature. _2fast _0(OCoLC)fst00876484 _926393 |
|
650 | 7 |
_aDetective and mystery films. _2fast _0(OCoLC)fst00891450 _926398 |
|
650 | 7 |
_aDetective and mystery stories, English. _2fast _0(OCoLC)fst00891515 _926399 |
|
650 | 7 |
_aEnglish fiction. _2fast _0(OCoLC)fst00910817 |
|
650 | 7 |
_aFemale offenders in literature. _2fast _0(OCoLC)fst00922643 _926391 |
|
650 | 7 |
_aFeminism and literature. _2fast _0(OCoLC)fst00922735 |
|
650 | 7 |
_aLiterature and society. _2fast _0(OCoLC)fst01000096 |
|
650 | 7 |
_aTerrorism in literature. _2fast _0(OCoLC)fst01148151 _926392 |
|
650 | 7 |
_aWomen in popular culture. _2fast _0(OCoLC)fst01177953 _926400 |
|
651 | 7 |
_aGreat Britain. _2fast _0(OCoLC)fst01204623 |
|
650 | 7 |
_aLiteratur _2gnd _0(DE-588)4035964-5 |
|
650 | 7 |
_aWeibliche Kriminelle _gMotiv _2gnd _0(DE-588)4465982-9 _926401 |
|
650 | 7 |
_aKultur _2gnd _0(DE-588)4125698-0 |
|
650 | 7 |
_aWeibliche Kriminelle _2gnd _0(DE-588)7539320-7 _926401 |
|
651 | 7 |
_aGroßbritannien _2gnd _0(DE-588)4022153-2 |
|
650 | 7 |
_aFrauenkriminalität _xMotiv _xRoman _zenglischer. _2idsbb _926402 |
|
650 | 7 |
_aRoman _zenglischer _xMotiv _xFrauenkriminalität. _2idsbb _926403 |
|
650 | 7 |
_aKriminalliteratur _zenglische. _2idsbb _926404 |
|
650 | 7 |
_aKriminalfilm _zGrossbritannien. _2idsbb _926405 |
|
650 | 7 |
_aKriminalliteratur _zenglische _yGeschichte 19. Jh. _2idsbb _926406 |
|
651 | 7 |
_aEnglisch. _2swd _926407 |
|
650 | 7 |
_aEnglish Literature. _2hilcc |
|
650 | 7 |
_aEnglish. _2hilcc |
|
650 | 7 |
_aLanguages & Literatures. _2hilcc |
|
648 | 7 |
_aGeschichte 1880-1900. _2swd _926408 |
|
648 | 7 |
_a1800-1899 _2fast _92423 |
|
655 | 4 | _aElectronic books. | |
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
|
655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
655 | 7 |
_aElectronic books. _2gtlm |
|
740 | 0 | _aDigitalculturebooks. | |
776 | 0 | 8 |
_iPrint version: _aMiller, Elizabeth Carolyn, 1974- _tFramed. _dAnn Arbor : University of Michigan Press : University of Michigan Library, ©2008 _z9780472070442 _w(DLC) 2008015026 _w(OCoLC)225852336 |
856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=310099 |
938 |
_aEBSCOhost _bEBSC _n310099 |
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