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245 0 0 _aAspects of the performative in medieval culture /
_cedited by Manuele Gragnolati, Almut Suerbaum.
264 1 _aBerlin ;
_aNew York :
_bDe Gruyter,
_c[2010]
264 4 _c©2010
264 4 _c©2010
300 _a1 online resource (viii, 319 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aTrends in medieval philology,
_x1612-443X ;
_vv. 18
504 _aIncludes bibliographical references and index.
505 0 _aCover -- Title Page -- Copyright Page -- Table of Contents -- Medieval Culture 'betwixt and between': An introduction -- I. 'Pr228;senzeffekte': Performing the Penitential Psalms in the Middle Ages -- 'Remember me in your prayers': Reading the Church Slavonic Psalter as an act of commemoration -- Performing Parliament in the Rotuli Parliamentorum -- II. Performing the self: Constructions of authorial identity -- Scurrilitas: Sex, magic, and the performance of fictionality in Anselm of Besate's Rhetorimachia -- Authorship and performance in Dante's Vita nova -- Paradoxes of performance: Autobiography in the songs of Hugo von Montfort and Oswald von Wolkenstein -- Performative desires: Sereni's re-staging of Dante and Petrarch -- III. Embodied voice: Reading and re-reading -- Singing Sweetly to the Virgin: Josquin's Inviolata -- Re-presenting set-piece description in the courtly romance: Hartmann's adaptation of Chr233;tien's Erec et Enide. -- 'Ich pin der haid Aristotiles. ein exempel nemend des': Performing Aristotle's lessons -- Dante's reception in German literature: a question of performance? -- List of abbreviations -- Selected bibliography -- Index.
520 _aThe volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars.
588 0 _aPrint version record.
542 1 _fThis work is licensed under a Creative Commons license
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
542 1 _fThis work is licensed by Knowledge Unlatched under a Creative Commons license
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546 _aEnglish.
506 0 _aOpen Access
_5EbpS
650 0 _aLiterature, Medieval
_xHistory and criticism
_xTheory, etc.
_94168
650 0 _aAuthorship
_xHistory
_yTo 1500.
_94169
650 0 _aCivilization, Medieval.
650 0 _aPhilosophy, Medieval.
650 7 _aLITERARY CRITICISM
_xSemiotics & Theory.
_2bisacsh
_912062
650 7 _aAuthorship.
_2fast
_0(OCoLC)fst00822442
650 7 _aCivilization, Medieval.
_2fast
_0(OCoLC)fst00863049
650 7 _aLiterature, Medieval
_xTheory, etc.
_2fast
_0(OCoLC)fst01921204
_926462
650 7 _aPhilosophy, Medieval.
_2fast
_0(OCoLC)fst01061057
650 7 _aSachtext
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650 7 _aAutorschaft
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_0(DE-588)4130545-0
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650 7 _aLiteratur
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650 7 _aPerformativität.
_2gnd
_926464
648 7 _aTo 1500
_2fast
_93538
653 _aLiterature.
655 0 _aElectronic books.
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
700 1 _aGragnolati, Manuele.
_94172
700 1 _aSuerbaum, Almut.
_94173
776 0 8 _iPrint version:
_tAspects of the performative in medieval culture.
_dBerlin ; New York : De Gruyter, ©2010
_z9783110222463
_w(DLC) 2010005460
_w(OCoLC)505748732
830 0 _aTrends in medieval philology ;
_vv. 18.
_94174
856 4 0 _3EBSCOhost
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