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_aAspects of the performative in medieval culture / _cedited by Manuele Gragnolati, Almut Suerbaum. |
264 | 1 |
_aBerlin ; _aNew York : _bDe Gruyter, _c[2010] |
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264 | 4 | _c©2010 | |
264 | 4 | _c©2010 | |
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_a1 online resource (viii, 319 pages) : _billustrations |
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_aTrends in medieval philology, _x1612-443X ; _vv. 18 |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aCover -- Title Page -- Copyright Page -- Table of Contents -- Medieval Culture 'betwixt and between': An introduction -- I. 'Pr228;senzeffekte': Performing the Penitential Psalms in the Middle Ages -- 'Remember me in your prayers': Reading the Church Slavonic Psalter as an act of commemoration -- Performing Parliament in the Rotuli Parliamentorum -- II. Performing the self: Constructions of authorial identity -- Scurrilitas: Sex, magic, and the performance of fictionality in Anselm of Besate's Rhetorimachia -- Authorship and performance in Dante's Vita nova -- Paradoxes of performance: Autobiography in the songs of Hugo von Montfort and Oswald von Wolkenstein -- Performative desires: Sereni's re-staging of Dante and Petrarch -- III. Embodied voice: Reading and re-reading -- Singing Sweetly to the Virgin: Josquin's Inviolata -- Re-presenting set-piece description in the courtly romance: Hartmann's adaptation of Chr233;tien's Erec et Enide. -- 'Ich pin der haid Aristotiles. ein exempel nemend des': Performing Aristotle's lessons -- Dante's reception in German literature: a question of performance? -- List of abbreviations -- Selected bibliography -- Index. | |
520 | _aThe volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars. | ||
588 | 0 | _aPrint version record. | |
542 | 1 |
_fThis work is licensed under a Creative Commons license _uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
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_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
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546 | _aEnglish. | ||
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_aOpen Access _5EbpS |
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_aLiterature, Medieval _xHistory and criticism _xTheory, etc. _94168 |
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_aAuthorship _xHistory _yTo 1500. _94169 |
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650 | 0 | _aCivilization, Medieval. | |
650 | 0 | _aPhilosophy, Medieval. | |
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_aLITERARY CRITICISM _xSemiotics & Theory. _2bisacsh _912062 |
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_aAuthorship. _2fast _0(OCoLC)fst00822442 |
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_aCivilization, Medieval. _2fast _0(OCoLC)fst00863049 |
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_aLiterature, Medieval _xTheory, etc. _2fast _0(OCoLC)fst01921204 _926462 |
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_aPhilosophy, Medieval. _2fast _0(OCoLC)fst01061057 |
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_aLiteratur _2gnd _0(DE-588)4035964-5 |
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_aPerformativität. _2gnd _926464 |
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_aTo 1500 _2fast _93538 |
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655 | 0 | _aElectronic books. | |
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_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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_iPrint version: _tAspects of the performative in medieval culture. _dBerlin ; New York : De Gruyter, ©2010 _z9783110222463 _w(DLC) 2010005460 _w(OCoLC)505748732 |
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_aTrends in medieval philology ; _vv. 18. _94174 |
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