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245 0 0 _aOwning the Olympics :
_bnarratives of the new China /
_cMonroe E. Price and Daniel Dayan, editors.
264 1 _aAnn Arbor :
_bUniversity of Michigan Press :
_c[2008]
264 1 _bUniversity of Michigan Library,
_c[2008]
264 4 _c©2008
300 _a1 online resource (416 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
490 1 _aThe new media world
504 _aIncludes bibliographical references and index.
505 0 0 _tOne world, different dreams: the contest to define the Beijing Olympics /
_rJacques deLisle --
_tOlympic values, Beijing's Olympic Games, and the universal market /
_rAlan Tomlinson --
_tOn seizing the Olympic platform /
_rMonroe E. Price --
_tThe public diplomacy of the modern Olympic Games and China's soft power strategy /
_rNicholas J. Cull --
_tA very natural choice: the construction of Beijing as an Olympic city during the bid period /
_rHeidi Ostbo Haugen --
_tDreams and nightmares: history and U.S. visions of the Beijing games /
_rJeffrey N. Wasserstrom --
_tThe fragility of Asian national identity in the Olympic Games /
_rSandra Collins --
_tJournalism and the Beijing olympics: liminality with Chinese characteristics /
_rBriar Smith --
_tAll under Heaven: megaspace in Beijing /
_rCarolyn Marvin --
_tFrom Athens to Beijing: the closing ceremony and Olympic television broadcast narratives /
_rChristopher Kennett and Miguel de Moragas --
_tNew technologies, new narratives /
_rLee Humphreys and Christopher J. Finlay --
_tEmbracing wushu: globalization and cultural diversification of the Olympic movement /
_rHai Ren --
_tWe are the media: nonaccredited media and citizen journalists at the Olympic Games /
_rAndy Miah, Beatriz García, and Tian Zhihui --
_tDefinition, equivocation, accumulation, and anticipation: American media's ideological reading of China's Olympic Games /
_rSonja K. Foss and Barbara J. Walkosz --
_tToward the future: the new Olympic internationalism /
_rChristopher J. Finlay --
_tBeyond media events: disenchantment, derailment, disruption /
_rDaniel Dayan.
538 _aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
_uhttp://purl.oclc.org/DLF/benchrepro0212
_5MiAaHDL
583 1 _adigitized
_c2010
_hHathiTrust Digital Library
_lcommitted to preserve
_2pda
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520 _a"A major contribution to the study of global events in times of global media. Owning the Olympics tests the possibilities and limits of the concept of 'media events' by analyzing the mega-event of the information age: the Beijing Olympics. ... A good read from cover to cover."--Guobin Yang, Associate Professor, Asian/Middle Eastern Cultures & Sociology, Barnard College, Columbia University From the moment they were announced, the Beijing Games were a major media event and the focus of intense scrutiny and speculation. In contrast to earlier such events, however, the Beijing Games are also unfolding in a newly volatile global media environment that is no longer monopolized by broadcast media. The dramatic expansion of media outlets and the growth of mobile communications technology have changed the nature of media events, making it significantly more difficult to regulate them or control their meaning. This volatility is reflected in the multiple, well-publicized controversies characterizing the run-up to Beijing 2008. According to many Western commentators, the People's Republic of China seized the Olympics as an opportunity to reinvent itself as the "New China"--a global leader in economics, technology, and environmental issues, with an improving human-rights record. But China's maneuverings have also been hotly contested by diverse global voices, including prominent human-rights advocates, all seeking to displace the official story of the Games. Bringing together a distinguished group of scholars from Chinese studies, human rights, media studies, law, and other fields, Owning the Olympics reveals how multiple entities--including the Chinese Communist Party itself--seek to influence and control the narratives through which the Beijing Games will be understood. digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org
546 _aEnglish.
588 0 _aPrint version record.
506 0 _aOpen Access
_5EbpS
611 2 0 _aOlympic Games
_n(29th :
_d2008 :
_cBeijing, China)
_927100
650 0 _aOlympics
_xPolitical aspects
_zChina.
_927101
650 0 _aMass media
_zChina.
_93762
650 7 _aSPORTS & RECREATION
_xOlympics.
_2bisacsh
_927102
650 7 _aHISTORY
_xGeneral.
_2bisacsh
611 2 7 _aOlympic Games.
_2fast
_0(OCoLC)fst01408249
650 7 _aMass media.
_2fast
_0(OCoLC)fst01011219
650 7 _aOlympics
_xPolitical aspects.
_2fast
_0(OCoLC)fst01045600
_924204
651 7 _aChina.
_2fast
_0(OCoLC)fst01206073
610 1 7 _aPeking
_xOlympische Spiele (2008)
_2swd
_927103
655 4 _aElectronic books.
655 0 _aElectronic books.
700 1 _aPrice, Monroe E.,
_d1938-
_927104
700 1 _aDayan, Daniel,
_d1943-
_927105
776 0 8 _iPrint version:
_tOwning the Olympics.
_dAnn Arbor : University of Michigan Press : University of Michigan Library, ©2008
_w(DLC) 2008002887
_w(OCoLC)181142760
830 0 _aNew media world.
856 4 0 _3EBSCOhost
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