000 | 06259cam a2200877Ii 4500 | ||
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001 | ocn794698071 | ||
003 | OCoLC | ||
005 | 20220517104224.0 | ||
006 | m d | ||
007 | cr cnu---unuuu | ||
008 | 120508s2011 enka ob 001 0 eng d | ||
040 |
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020 | _z1906924368 | ||
020 | _z9781906924379 | ||
020 | _z1906924376 | ||
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043 | _ae------ | ||
050 | 4 |
_aPS2124 _b.H463 2011eb online |
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_a813.4 _223 |
049 | _aMAIN | ||
245 | 0 | 0 |
_aHenry James's Europe : _bheritage and transfer / _cedited by Dennis Tredy, Annick Duperray and Adrian Harding. |
264 | 1 |
_aCambridge : _bOpen Book Publishers, _c2011. |
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300 |
_a1 online resource (xxiv, 292 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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380 | _aBibliography | ||
500 | _aDirectory of Open Access Books: DOAB. | ||
504 | _aIncludes bibliographical references (pages 273-286) and index. | ||
520 | _a"As an American author who chose to live in Europe, Henry James frequently wrote about cultural differences between the Old and New World. The plight of bewildered Americans adrift on a sea of European sophistication became a regular theme in his fiction. This collection of twenty-four papers from some of the worlds leading James scholars offers a comprehensive picture of the authors cross-cultural aesthetics. It provides detailed analyses of James's perception of Europe -- of its people and places, its history and culture, its artists and thinkers, its aesthetics and its ethics -- which ultimately lead to a profound re-evaluation of his writing"--Publisher's description. | ||
505 | 0 | 0 |
_tPreface / _rDennis Tredy -- _tOn 'The European Society of Jamesian Studies' / _rAdrian Harding -- _gI: _tEthics and Aesthetics. _tHenry James on Opening the Door to the Devil / _rJean Gooder -- _tFrom Romance to Redemption: James and the Ethics of Globalization / _rRoxana Oltean -- _tJames's Sociology of Taste: The Ambassadors, Commodity Consumption and Cultural Critique / _rEsther Sánchez -Pardo -- _tBad Investments / _rEric Savoy -- _gII: _tFrench and Italian Hours. _t'The Crash of Civilization': James and the Idea of France, 1914-15 / _rHazel Hutchison -- _tThe Citizens of Babylon and the Imperial Imperative: Henry James's Modern Parisian Women / _rClaire Garcia -- _tFrench as the Fantasmal Idiom of Truth in What Maisie Knew / _rAgnès Derail-Imbert -- _tFigures of Fulfilment: James and 'a Sense of Italy' / _rJacek Guthorow -- _tThe Aspern Papers : From Florence to an Intertexual City, Venice / _rRosella Mamoli Zorzi -- _tThe Wavering Ruins of The American / _rEnrico Botta -- _gIII: _tAppropriating European Thematics. _tBalzacian Intertextuality and Jamesian Autobiography in The Ambassadors / _rKathleen Lawrence -- _tA Discordance Between the Self and the World: The Collector in Balzac's Cousin Pons and James's 'Adina' / _rSimone Francescato -- _tThe 'déjà vu' in 'The Turn of the Screw' / _rMax Duperray -- _gIV: _tAllusion. _tSome Allusions in the Early Stories / _rAngus Wrenn -- _tC'est strictement confidentiel : Buried Allusions in Confidence (1879) / _rRebekah Scott -- _tJames and the Habit of Allusion / _rOliver Herford -- _gV: _tPerformance. _tThe Absent Writer in The Tragic Muse / _rNelly Valtat-Comet -- _tJames and the 'Paradox of the Comedian' / _rRichard Anker -- _tBenjamin Britten's Appropriation of James in Owen Wingrave / _rHubert Teyssandier -- _gVI: _tAuthorship and Self-Representation. _tNarrative Heterogeneity as an Adjustable Fictional Lens in The American Scene / _rEleftheria Arapoglou -- _tJames's Faces: Appearance, Absorption and the Aesthetic Significance of the Face Jakob / _rStougaard-Nielsen -- _tFrom Copying to Revision: The American to The Ambassadors / _rPaula Marantz Cohen -- _tFriction with the Publishers, or How James Manipulated his Editors in the Early 1870's / _rPierre A. Walker -- _tLosing Oneself: Autobiography, Memory, Vision / _rJohn Holland -- _tBibliography of Works Cited Index. |
588 | 0 | _aPrint version record. | |
590 | _aMaster record variable field(s) change: 072 | ||
600 | 1 | 0 |
_aJames, Henry, _d1843-1916 _xCriticism and interpretation. _927847 |
600 | 1 | 4 |
_aJames, Henry, _d1843-1916 _xKnowledge _xEurope. _927848 |
600 | 1 | 7 |
_aJames, Henry, _d1843-1916. _2fast _0(OCoLC)fst00028686 _927849 |
650 | 7 |
_aLITERARY CRITICISM _xAmerican _xGeneral. _2bisacsh _91929 |
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653 | 1 | _aHenry James | |
653 | 0 | _aEuropean reception of Henry James | |
653 | 0 | _aAuthorship | |
653 | 6 | _aEnglish literature | |
653 | 0 | _aAmericans in Europe | |
653 | 6 | _aAmerican literature | |
653 | 0 | _aThe Ambassadors, What Maisie Knew | |
653 | 0 | _aThe American | |
653 | 0 | _aPortrait of a Lady | |
653 | 0 | _aNovel | |
653 | 2 | _aEuropean Society of Jamesian Studies | |
655 | 4 | _aElectronic books. | |
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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700 | 1 |
_aTredy, Dennis. _927850 |
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700 | 1 |
_aDuperray, Annick. _927851 |
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700 | 1 |
_aHarding, Adrian. _927852 |
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776 | 0 | 8 |
_iPrint version: _tHenry James's Europe. _dCambridge : OpenBook Publishers, 2011 _z9781906924362 _w(OCoLC)742018148 |
856 | 4 | 0 |
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