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_a809.3 _223 |
049 | _aMAIN | ||
100 | 1 |
_aMorson, Gary Saul, _d1948- _eauthor. _928284 |
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245 | 1 | 0 |
_aProsaics and other provocations : _bempathy, open time, and the novel / _cGary Saul Morson. |
264 | 1 |
_aBoston : _bAcademic Studies Press, _c2013. |
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300 | _a1 electronic resource (xxiii, 274 pages). | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aArs Rossica | |
504 | _aIncludes bibliographical references and index. | ||
588 | _aDescription based on print version record; resource not viewed. | ||
505 | 0 | _aPart one: Overture -- What is Prosaics? -- Part two: Narrativeness -- The Prosaics of process -- The vision of poetics and product -- The counter-tradition: presentness and process -- Outlining a Prosaics of process -- Part three: What is Misanthropology? -- Misanthropology: Voyeurism and human nature / Alicia Chudo -- Misanthropology, continued: disgust, violence, and more on voyeurism / Alicia Chudo -- Another look at voyeurism -- Identification -- Laughter and disgust -- Misanthropology in verse: an onegin of our times / Alicia Chudo -- Part four: What is literary Education? -- Novelistic empathy, and how to teach it -- Part five: What is wit? -- Contingency, games, and wit. | |
520 | _aGary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a "field of possibilities," he maintains that contingency and freedom are real. To represent open time, some masterpieces have developed an alternative to structure and require a "prosaics of process." Morson's curmudgeonly alter ego, Alicia Chudo, invents the discipline of misanthropology," which explores human voices from voyeurism to violence. Reflecting on his legendarily popular courses, Morson argues that what literature teaches better than anything else is empathy. Himself an aphorist, Morson offers a witty approach to literature's shortest genres and to quotation in general. | ||
542 | 1 |
_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttps://creativecommons.org/licenses/by-nc/4.0/legalcode |
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546 | _aEnglish. | ||
590 | _aMaster record variable field(s) change: 050, 082, 650 | ||
650 | 0 |
_aFiction _xHistory and criticism. |
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650 | 0 |
_aProse literature _xHistory and criticism _xTheory, etc. _928285 |
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650 | 0 |
_aEvents (Philosophy) in literature _xHistory and criticism. _928286 |
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650 | 0 |
_aEmpathy in literature. _928287 |
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_aFICTION _xGeneral. _2bisacsh |
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_aLITERARY CRITICISM _xRussian & Former Soviet Union. _2bisacsh _915808 |
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650 | 7 |
_aFICTION _vGeneral. _2bisacsh _928288 |
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650 | 7 |
_aEmpathy in literature. _2fast _0(OCoLC)fst00908892 _928287 |
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650 | 7 |
_aEvents (Philosophy) in literature. _2fast _0(OCoLC)fst01903167 _928289 |
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650 | 7 |
_aFiction. _2fast _0(OCoLC)fst00923709 |
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655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
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_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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_iPrint version: _tProsaics and other provocations _dBoston : Academic Studies Press, 2013. _z9781618111616 (hardback) _w(DLC) 2013498610 |
830 | 0 |
_aArs Rossika. _928290 |
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