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035 _a640302
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035 _a(OCoLC)861532765
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082 0 0 _a809.3
_223
049 _aMAIN
100 1 _aMorson, Gary Saul,
_d1948-
_eauthor.
_928284
245 1 0 _aProsaics and other provocations :
_bempathy, open time, and the novel /
_cGary Saul Morson.
264 1 _aBoston :
_bAcademic Studies Press,
_c2013.
300 _a1 electronic resource (xxiii, 274 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aArs Rossica
504 _aIncludes bibliographical references and index.
588 _aDescription based on print version record; resource not viewed.
505 0 _aPart one: Overture -- What is Prosaics? -- Part two: Narrativeness -- The Prosaics of process -- The vision of poetics and product -- The counter-tradition: presentness and process -- Outlining a Prosaics of process -- Part three: What is Misanthropology? -- Misanthropology: Voyeurism and human nature / Alicia Chudo -- Misanthropology, continued: disgust, violence, and more on voyeurism / Alicia Chudo -- Another look at voyeurism -- Identification -- Laughter and disgust -- Misanthropology in verse: an onegin of our times / Alicia Chudo -- Part four: What is literary Education? -- Novelistic empathy, and how to teach it -- Part five: What is wit? -- Contingency, games, and wit.
520 _aGary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a "field of possibilities," he maintains that contingency and freedom are real. To represent open time, some masterpieces have developed an alternative to structure and require a "prosaics of process." Morson's curmudgeonly alter ego, Alicia Chudo, invents the discipline of misanthropology," which explores human voices from voyeurism to violence. Reflecting on his legendarily popular courses, Morson argues that what literature teaches better than anything else is empathy. Himself an aphorist, Morson offers a witty approach to literature's shortest genres and to quotation in general.
542 1 _fThis work is licensed by Knowledge Unlatched under a Creative Commons license
_uhttps://creativecommons.org/licenses/by-nc/4.0/legalcode
546 _aEnglish.
590 _aMaster record variable field(s) change: 050, 082, 650
650 0 _aFiction
_xHistory and criticism.
650 0 _aProse literature
_xHistory and criticism
_xTheory, etc.
_928285
650 0 _aEvents (Philosophy) in literature
_xHistory and criticism.
_928286
650 0 _aEmpathy in literature.
_928287
650 7 _aFICTION
_xGeneral.
_2bisacsh
650 7 _aLITERARY CRITICISM
_xRussian & Former Soviet Union.
_2bisacsh
_915808
650 7 _aFICTION
_vGeneral.
_2bisacsh
_928288
650 7 _aEmpathy in literature.
_2fast
_0(OCoLC)fst00908892
_928287
650 7 _aEvents (Philosophy) in literature.
_2fast
_0(OCoLC)fst01903167
_928289
650 7 _aFiction.
_2fast
_0(OCoLC)fst00923709
655 0 _aElectronic books.
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
776 0 8 _iPrint version:
_tProsaics and other provocations
_dBoston : Academic Studies Press, 2013.
_z9781618111616 (hardback)
_w(DLC) 2013498610
830 0 _aArs Rossika.
_928290
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