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_aRidout, Nicholas Peter, _eauthor _928486 |
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_aPassionate amateurs : _btheatre, communism, and love / _cNicholas Ridout. |
264 | 1 |
_aAnn Arbor : _bThe University of Michigan Press, _c[2013] |
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300 | _a1 online resource (206 pages) | ||
336 |
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490 | 1 | _aTheater: theory/text/performance | |
504 | _aIncludes bibliographical references and index. | ||
588 | 0 | _aPrint version record. | |
505 | 0 | _aTheatre and communism after Athens -- Of work and time -- All theatre, all the time -- Of work, time, and revolution -- Of work, time, and (telephone) conversation -- Solitude in relation. | |
520 | _aPassionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater's potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater - Chekhov's Uncle Vanya in Moscow - and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin's "Program for a Proletarian Children's Theatre," the first major consideration of Godard's La chinoise as a "theatrical" work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene. Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world | ||
542 | 1 |
_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttp://creativecommons.org/licenses/by-nc-nd/4.0 |
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546 | _aEnglish. | ||
506 | 0 |
_aOpen Access _5EbpS |
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650 | 0 | _aTheater and society. | |
650 | 0 | _aCommunism and culture. | |
650 | 7 |
_aThe arts. _2bicssc |
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650 | 7 |
_aTheatre studies. _2bicssc _928487 |
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650 | 7 |
_aPERFORMING ARTS _xTheater _xGeneral. _2bisacsh _913247 |
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650 | 7 |
_aPERFORMING ARTS _xTheater _xHistory & Criticism. _2bisacsh _928488 |
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650 | 7 |
_aCommunism and culture _2fast _0(OCoLC)fst00870489 |
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650 | 7 |
_aTheater and society _2fast _0(OCoLC)fst01149315 |
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653 | _aliterature. | ||
653 | _atheatre studies. | ||
655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
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_aElectronic books. _2lcgft |
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773 | 0 | _tKnowledge Unlatched | |
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_iPrint version: _tPassionate amateurs. _dAnn Arbor : The University of Michigan Press, [2013] _z9780472119073 _w(DLC) 2013015596 |
830 | 0 | _aTheater--theory/text/performance. | |
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