000 09550cam a2201381Mi 4500
001 ocn794925350
003 OCoLC
005 20220517104245.0
006 m d
007 cr |||||||nn|n
008 100312s2010 hiua obd 001 0 eng
010 _z 2010010583
040 _aNz
_beng
_epn
_erda
_cUV0
_dOCLCQ
_dP@U
_dOCLCF
_dN$T
_dYDXCP
_dOCLCO
_dE7B
_dJSTOR
_dOCLCO
_dCOO
_dEBLCP
_dOCLCQ
_dOCLCO
_dOCLCQ
_dYDX
_dLGG
_dCUS
_dOCLCA
_dAGLDB
_dOCLCQ
_dMOR
_dMERUC
_dOCLCQ
_dIOG
_dEZ9
_dDEGRU
_dVTS
_dOCLCA
_dREC
_dAU@
_dLVT
_dTKN
_dSTF
_dICN
_dUKKNU
_dU3G
_dM8D
_dOCLCE
_dVT2
_dOCLCO
_dOCLCA
_dUPM
_dOCLCO
_dOCLCQ
_dKCP
_dAUD
_dUAB
_dOCLCA
_dN$T
019 _a878146790
_a956656512
_a968915606
_a1054123791
_a1058740557
_a1086976882
_a1112357157
_a1114590178
_a1115070114
_a1117337460
_a1126037092
_a1132295895
_a1152977250
_a1154258810
_a1156793356
_a1235843796
_a1240519746
_a1253410538
020 _a9780824860660
_q(electronic bk.)
020 _a0824860667
_q(electronic bk.)
020 _a0824834178
_q(alk. paper)
020 _a9780824834173
_q(alk. paper)
020 _a0824834690
_q(pbk. ;
_qalk. paper)
020 _a9780824834692
_q(pbk. ;
_qalk. paper)
020 _a9780824870010
020 _a0824870018
024 8 _a40018199531
029 0 _aNZ1
_b14248986
029 1 _aAU@
_b000058370515
029 1 _aDEBBG
_bBV043168500
029 1 _aDEBSZ
_b421213035
029 1 _aGBVCP
_b1003703313
029 1 _aAU@
_b000054188322
029 1 _aCHVBK
_b569637783
029 1 _aCHNEW
_b001057410
029 1 _aAU@
_b000066532515
035 _a(OCoLC)794925350
_z(OCoLC)878146790
_z(OCoLC)956656512
_z(OCoLC)968915606
_z(OCoLC)1054123791
_z(OCoLC)1058740557
_z(OCoLC)1086976882
_z(OCoLC)1112357157
_z(OCoLC)1114590178
_z(OCoLC)1115070114
_z(OCoLC)1117337460
_z(OCoLC)1126037092
_z(OCoLC)1132295895
_z(OCoLC)1152977250
_z(OCoLC)1154258810
_z(OCoLC)1156793356
_z(OCoLC)1235843796
_z(OCoLC)1240519746
_z(OCoLC)1253410538
037 _a22573/ctt62nk1q
_bJSTOR
037 _a102975
_bKnowledge Unlatched
042 _adlr
043 _aa-cc---
050 4 _aPL2368.T44
_bZ46 2010
072 7 _aPER
_x009000
_2bisacsh
072 7 _aSOC052000
_2bisacsh
082 0 4 _a791.45/70951
_222
049 _aN$TA
100 1 _aZhong, Xueping,
_d1956-
_eauthor.
_928700
245 1 0 _aMainstream culture refocused :
_btelevision drama, society, and the production of meaning in reform-era China /
_cZhong Xueping.
264 1 _aHonolulu :
_bUniversity of Hawaiʻi Press,
_c[2010]
264 4 _c©2010
300 _a1 online resource (x, 219 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references (pages 201-213) and index.
588 0 _aPrint version record.
505 0 _aMainstream culture refocused: toward an understanding of Chinese television drama -- Looking through the negative filmic-televisual intertextuality and ideological renegotiations -- Re-collecting "history" on television: "emperor dramas," national identity, and the question of historical consciousness -- In whose name? "Anticorruption dramas" and their ideological implications -- Boyond romance: "youth drama," social change, and the postrevolution search for idealism -- Also beyond romance: women, desire, and the ideology of happiness in "family-marriage drama" -- Listening to popular poetics: watching songs composed for television dramas -- Epilogue: intellectuals, mainstream culture, and social transformation.
520 _aSerialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping's timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju's melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture.Mainstream Culture Refocused opens with an examination of television as a narrative motif in three contemporary Chinese art-house films. Zhong then turns her attention to dianshiju's most important subgenres. "Emperor dramas" highlight the link between popular culture's obsession with emperors and modern Chinese intellectuals' preoccupation with issues of history and tradition and how they relate to modernity. In her exploration of the "anti-corruption" subgenre, Zhong considers three representative dramas, exploring their diverse plots and emphases. "Youth dramas'" rich array of representations reveal the numerous social, economic, cultural, and ideological issues surrounding the notion of youth and its changing meanings. The chapter on the "family-marriage" subgenre analyzes the ways in which women's emotions are represented in relation to their desire for "happiness." Song lyrics from music composed for television dramas are considered as "popular poetics." Their sentiments range between nostalgia and uncertainty, mirroring the social contradictions of the reform era. The Epilogue returns to the relationship between intellectuals and the production of mainstream cultural meaning in the context of China's post-revolutionary social, economic, and cultural transformation.Provocative and insightful, Mainstream Culture Refocused will appeal to scholars and students in studies of modern China generally and of contemporary Chinese media and popular culture specifically.
542 1 _fThis work is licensed under a Creative Commons license
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
506 _3Use copy
_fRestrictions unspecified
_2star
_5MiAaHDL
533 _aElectronic reproduction.
_b[S.l.] :
_cHathiTrust Digital Library,
_d2011.
_5MiAaHDL
538 _aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
_uhttp://purl.oclc.org/DLF/benchrepro0212
_5MiAaHDL
583 1 _adigitized
_c2011
_hHathiTrust Digital Library
_lcommitted to preserve
_2pda
_5MiAaHDL
542 1 _fThis work is licensed under a Creative Commons license
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
506 0 _aOpen Access
_5EbpS
650 0 _aPopular culture
_zChina.
_928701
650 0 _aTelevision
_xSocial aspects
_zChina.
_928702
650 0 _aTelevision plays, Chinese
_xHistory and criticism.
_928703
650 7 _aPERFORMING ARTS
_xReference.
_2bisacsh
650 7 _aSOCIAL SCIENCE
_xMedia Studies.
_2bisacsh
650 7 _aPopular culture.
_2fast
_0(OCoLC)fst01071344
650 7 _aTelevision plays, Chinese.
_2fast
_0(OCoLC)fst01146993
_928704
650 7 _aTelevision
_xSocial aspects.
_2fast
_0(OCoLC)fst01146618
_928705
651 7 _aChina.
_2fast
_0(OCoLC)fst01206073
650 7 _aFernsehspiel
_2gnd
_0(DE-588)4016843-8
_928706
650 7 _aFernsehserie
_2gnd
_0(DE-588)4154072-4
_928707
650 7 _aMassenkultur
_2gnd
_0(DE-588)4125858-7
_928708
650 7 _aMeinungsbildung
_2gnd
_0(DE-588)4038461-5
_928709
650 7 _aSoziokultureller Wandel
_2gnd
_0(DE-588)4227561-1
_926350
651 7 _aChina
_2gnd
_0(DE-588)4009937-4
650 7 _aFernsehspiel
_zChina.
_2idsbb
_928710
650 7 _aFernsehen
_xGesellschaft
_zChina.
_2idsbb
_928711
650 7 _aMedien
_zChina.
_2idsbb
_928712
650 7 _aFernsehen.
_2idszbz
_928713
650 7 _aDrama.
_2idszbz
650 7 _aChinesisch.
_2idszbz
_919650
650 7 _aGesellschaft.
_2idszbz
650 7 _aMassenkultur.
_2idszbz
_928708
651 7 _aChina.
_2idszbz
650 7 _aTv-teater
_xhistoria
_zKina.
_2sao
_928714
650 7 _aPopulärkultur
_zKina.
_2sao
_928715
650 7 _aPERFORMING ARTS
_xReference.
_2bisacsh.
650 7 _aSOCIAL SCIENCE
_xMedia Studies.
_2bisacsh.
650 7 _aFernsehspiel
_2gnd.
_928706
650 7 _aFernsehserie
_2gnd.
_928707
650 7 _aMassenkultur
_2gnd.
_928708
650 7 _aMeinungsbildung
_2gnd.
_928709
650 7 _aSoziokultureller Wandel
_2gnd.
_926350
651 7 _aChina
_2gnd.
650 7 _aFernsehspiel
_zChina.
_2idsbb.
_928710
650 7 _aFernsehen
_xGesellschaft
_zChina.
_2idsbb.
_928711
650 7 _aMedien
_zChina.
_2idsbb.
_928712
650 7 _aFernsehen.
_2idszbz.
_928713
650 7 _aDrama.
_2idszbz.
650 7 _aChinesisch.
_2idszbz.
_919650
650 7 _aGesellschaft.
_2idszbz.
650 7 _aMassenkultur.
_2idszbz.
_928708
651 7 _aChina.
_2idszbz.
650 7 _aTv-teater
_xhistoria
_zKina.
_2sao.
_928714
650 7 _aPopulärkultur
_zKina.
_2sao.
_928715
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 0 _aElectronic books.
776 0 8 _iPrint version:
_aZhong, Xueping, 1956-
_tMainstream culture refocused.
_dHonolulu : University of Hawaiʻi Press, ©2010
_z9780824834173
_w(DLC) 2010010583
_w(OCoLC)564132816
776 0 8 _iOnline version:
_aZhong, Xueping, 1956-
_tMainstream culture refocused.
_dHonolulu : University of Hawaiʻi Press, ©2010
_w(OCoLC)1114590178
830 0 _aUPCC book collections on Project MUSE.
_928716
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=750579
938 _aEBSCOhost
_bEBSC
_n750579
942 _cEBK
994 _aC0
_bN$T
999 _c4800
_d4800