000 04685cam a2200757Ii 4500
001 ocn877868334
003 OCoLC
005 20220517104308.0
006 m d
007 cr cnu---unuuu
008 140422t20142014enk ob 001 0 eng d
010 _a 2013038497
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019 _a980574802
_a980618510
_a988499980
_a1229614004
_a1229620900
_a1235836711
020 _a9781136169489
_q(electronic bk.)
020 _a1136169482
_q(electronic bk.)
020 _a9780203080771
_q(ebook)
020 _a9781136169496
020 _a1136169490
020 _a0203080777
020 _a9780203080771
020 _z9780415642651
_q(hardcover)
020 _z0415642655
_q(hardcover)
020 _z9780415642675
_q(paperback)
020 _z0415642671
_q(paperback)
020 0 _a9781136169427
020 _a1136169423
024 8 _a40023903346
029 1 _aAU@
_b000062342272
029 1 _aNZ1
_b16231879
035 _a(OCoLC)877868334
_z(OCoLC)980574802
_z(OCoLC)980618510
_z(OCoLC)988499980
_z(OCoLC)1229614004
_z(OCoLC)1229620900
_z(OCoLC)1235836711
050 4 _aPN1996
_b.C775 2014eb
072 7 _aPER
_x009000
_2bisacsh
082 0 4 _a791.4302/3
_223
084 _aSOC052000
_2bisacsh
049 _aN$TA
100 1 _aConor, Bridget,
_d1980-
_eauthor.
_99739
245 1 0 _aScreenwriting :
_bcreative labour and professional practice /
_cBridget Conor.
264 1 _aMilton Park, Abingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2014.
264 4 _c©2014
300 _a1 online resource (vii, 155 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
520 _a"Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"--
_cProvided by publisher.
588 0 _aPrint version record.
505 0 _aIntroduction: Setting the scene -- Screenwriting histories and myths of the profession -- Screenwriting as creative labor -- Screenwriters' working lives -- Screenwriting work and the how-to-genre -- Screenwriting work: Who's in and who's out? -- Conclusion: Screenwriting as good work.
506 0 _aOpen Access
_5EbpS
650 0 _aMotion picture authorship
_vVocational guidance.
_99740
650 0 _aMotion pictures
_xProduction and direction
_xVocational guidance.
_929104
650 7 _aSOCIAL SCIENCE
_xMedia Studies.
_2bisacsh
650 7 _aPERFORMING ARTS
_xReference.
_2bisacsh
650 7 _aMotion picture authorship.
_2fast
_0(OCoLC)fst01027122
_99740
650 7 _aMotion pictures
_xProduction and direction
_xVocational guidance.
_2fast
_0(OCoLC)fst01027363
_929104
655 0 _aElectronic books.
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aConor, Bridget, 1980-
_tScreenwriting
_z9780415642651
_w(DLC) 2013038497
_w(OCoLC)853244893
830 0 _aOnline access: OAPEN Open Research Library (ORL)
830 0 _aOnline access: OAPEN DOAB Directory of Open Access Books.
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=760725
938 _aEBSCOhost
_bEBSC
_n760725
942 _cEBK
994 _aC0
_bN$T
999 _c5009
_d5009