000			07313cam a2200889 i 4500
001			ocn878145065
003			OCoLC
005			20220517104312.0
006			m d
007			cr |||||||||||
008			200403t20142014enk ob 001 0 eng
010			_a 2019467794
040			_aDLC _beng _erda _epn _cDLC _dOCLCF _dN$T _dNKT _dYDXCP _dJSTOR _dCOO _dEBLCP _dCUS _dDEBSZ _dLOA _dCOCUF _dAGLDB _dPIFAG _dFIE _dVT2 _dZCU _dMERUC _dAUD _dDEBBG _dU3W _dLND _dOAPEN _dSTF _dCEF _dNRAMU _dCRU _dVTS _dNLE _dINT _dAU@ _dUKMGB _dWYU _dLVT _dTKN _dBRX _dM8D _dE7B
016	7		_a018577953 _2Uk
019			_a875999443 _a923318100 _a961625100 _a962639466
020			_a9781909254770 _q(pdf)
020			_a1909254770
020			_a9781909254787 _q(epub)
020			_a1909254789
020			_a9781909254794 _q(mobi)
020			_a1909254797
020			_z9781909254763
020			_z1909254762
020			_z9781909254756
020			_z1909254754
035			_a861435 _b(N$T)
035			_a(OCoLC)878145065 _z(OCoLC)875999443 _z(OCoLC)923318100 _z(OCoLC)961625100 _z(OCoLC)962639466
037			_a22573/ctt5qrchw _bJSTOR
042			_apcc
050	0	0	_aPN441
072		7	_aLIT _x006000 _2bisacsh
082	0	4	_a801.95 _223
049			_aMAIN
100	1		_aGoyet, Florence, _eauthor. _929312
245	1	4	_aThe Classic Short Story, 1870-1925 : _bTheory of a Genre / _cFlorence Goyet.
264		1	_aCambridge, UK : _bOpen Book Publishers, _c2014.
300			_a1 online resource (210 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references (197-206) and index.
505	0		_aTable of Contents -- Acknowledgements -- Introduction -- PART I: STRUCTURE -- 1. Paroxystic Characterisation -- Extremes in the fantastic short story -- 2. Antithetic Structure -- Secondary tensions -- Editing antithetic tension: Maupassant and James -- 3. Ending with a Twist -- The “twist-in-the-tail� and antithetic tension -- The “Twist-in-the-tail� and retroreading -- “Open� texts and tension -- 4. The Tools of Brevity -- Preconstructed material -- Character types -- Recurring characters and empty characters -- Tight focus
505	8		_aPermanence of types5. Conclusion to Part I -- Hypotyposis and schematisation -- Short stories, sensational news items and serials -- The short story: privileged object of narratology -- PART II: MEDIA -- 6. Exoticism in the Classic Short Story -- The role of the press -- Exotic subjects -- The constraints of the newspapers -- Exceptions to the rule -- 7. Short Stories and the Travelogue -- Praise of nature, criticism of culture -- From vision to judgement: guidelines for description -- PART III: READER, CHARACTER AND AUTHOR -- 8. A Foreign World
505	8		_aAn explicit distanceThe use of types: subversion or immersion? -- “Deceptive representations� of reality -- The great man -- “We are simply the case�: James and abstract entities -- Reading at face value: the double distance -- 9. Dialogue and Character Discreditation -- Direct and indirect speech: Verga�s novel versus short stories -- Dialect and distancing -- Foreign terms -- 10. The Narrator, the Reflector and the Reader -- Unreliable narrators and reflectors -- Reliable narrators and reflectors -- 11. Distance and Emotion
505	8		_aThe short story with a dilemmaReaders� emotional response to the classic short story -- 12. Conclusion to Part III: Are Dostoevsky�s Short Stories Polyphonic? -- Epilogue: Beyond the Classic Short Story -- Lengthy stories: the long Yvette after the brief Yveline -- Fantastic tales: the deconstruction of the self -- Authors at a crossroads -- Bibliography -- Index -- read -- Naturalism -- Parox -- Verga -- James1 -- Chek -- fan2 -- Mau -- Stev -- ohen -- Verg1 -- Tieck -- Akutagawa1 -- James2 -- Akutagawa2 -- Chek1 -- Mau1 -- James
505	8		_aJames3end -- Chek2 -- Mau2 -- retro -- Chek3 -- fan3 -- Mau3 -- read1 -- precon -- read2 -- type -- type1 -- read3 -- Chek5 -- prov -- Mau4 -- cyc -- emo -- James5 -- James4 -- type2 -- Mau5 -- James6 -- hyp -- fait -- novel -- news -- Mau6 -- news1 -- Gil -- Fanful -- Ver2 -- Ver3 -- Chek6 -- sat -- int -- read4 -- Joyce -- Prou -- Mau7 -- read5 -- News2
520			_a"The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular--the late nineteenth and early twentieth centuries--even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing--particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ryunosuke--Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre."--Publisher's website.
588			_aViewed on 2020-04-03.
590			_aMaster record variable field(s) change: 050
650		0	_aLiterature _xHistory and criticism _xTheory, etc. _929313
650		0	_aLiterature _xPhilosophy. _93820
650		0	_aLiterary form _xHistory. _924684
650		7	_aFiction and related items. _2bicssc _926178
650		7	_aFiction: special features. _2bicssc _929314
650		7	_aLiterary studies: fiction, novelists and prose writers. _2bicssc
650		7	_aLiterature and literary studies. _2bicssc _916223
650		7	_aLiterature: history and criticism. _2bicssc _916224
650		7	_aShort stories. _2bicssc
650		7	_aLITERARY CRITICISM _xSemiotics & Theory. _2bisacsh _912062
650		7	_aLiterary form. _2fast _0(OCoLC)fst00999924 _924684
650		7	_aLiterature _xPhilosophy. _2fast _0(OCoLC)fst01000005 _93820
650		7	_aLiterature _xTheory, etc. _2fast _0(OCoLC)fst01353577 _929315
655		4	_aElectronic books.
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
776	0	8	_z9781909254763 (hbk)
776	0	8	_z9781909254756 (pbk)
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=861435
938			_aYBP Library Services _bYANK _n11727286
938			_aOAPEN Foundation _bOPEN _n646747
938			_aEBSCOhost _bEBSC _n861435
938			_aebrary _bEBRY _nebr10852534
938			_aEBL - Ebook Library _bEBLB _nEBL3384122
942			_cEBK
994			_a92 _bN$T
999			_c5054 _d5054