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003 OCoLC
005 20220517104337.0
006 m d
007 cr |||||||||||
008 160528s2016 mau ob 001 0deng
010 _a 2019668010
040 _aDLC
_beng
_epn
_erda
_cDLC
_dIDEBK
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019 _a950904137
020 _z1618114824
_qhbk.
020 _z9781618114822
_qhbk.
020 _a9781618114839
_q(electronic bk.)
020 _a1618114832
_q(electronic bk.)
020 _a9781618116819
_q(electronic bk.)
020 _a1618116819
_q(electronic bk.)
035 _a1202937
_b(N$T)
035 _a(OCoLC)945563963
_z(OCoLC)950904137
037 _a22573/ctt1zwtk6q
_bJSTOR
037 _a101807
_bKnowledge Unlatched
050 0 0 _aPG3328.Z6
072 7 _aLIT
_x004240
_2bisacsh
072 7 _aLIT004240
_2bisacsh
082 0 4 _a891.733
_223
049 _aMAIN
100 1 _aBagby, Lewis,
_d1944-
_eauthor.
_930821
245 1 0 _aFirst words :
_bon Dostoevsky's introductions /
_cLewis Bagby.
264 1 _aBoston :
_bAcademic Studies Press,
_c2016.
300 _a1 electronic resource (xxii, 198 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aThe unknown nineteenth century
504 _aIncludes bibliographical references (pages 171-192) and index.
588 _aDescription based on print version record; resource not viewed.
505 0 _a1. Model prefaces from Russian literature -- 2. Dostoevsky's initial post-Siberian work -- 3. Playing with authorial identities -- 4. Monsters roam the text -- 5. Re-contextualizing introductions -- 6. Anxious to the end -- Conclusion.
520 _aDostoevsky attached introductions to his most challenging narratives, including Notes from the House of the Dead, Notes from Underground, The Devils, The Brothers Karamazov, and?A Gentle Creature.? Despite his clever attempts to call his readers? attention to these introductions, they have been neglected as an object of study for over 150 years. That oversight is rectified in First Words, the first systematic study of Dostoevsky?s introductions. Using Genette?s typology of prefaces and Bakhtin?s notion of multiple voices, Lewis Bagby reveals just how important Dostoevsky?s first words are to his fiction. Dostoevsky?s ruses, verbal winks, and backward glances indicate a lively and imaginative author at earnest play in the field of literary discourse.
542 1 _fThis work is licensed by Knowledge Unlatched under a Creative Commons license
_uhttps://creativecommons.org/licenses/by-nc/4.0/legalcode
590 _aMaster record variable field(s) change: 050
600 1 0 _aDostoyevsky, Fyodor,
_d1821-1881
_xCriticism and interpretation.
_930822
600 1 7 _aDostoyevsky, Fyodor,
_d1821-1881.
_2fast
_0(OCoLC)fst00032733
_920949
650 0 _aPrefaces
_xHistory and criticism.
_930823
650 7 _aLITERARY CRITICISM
_xRussian & Former Soviet Union.
_2bisacsh
_915808
650 7 _aPrefaces.
_2fast
_0(OCoLC)fst01075072
_930824
655 0 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
776 0 8 _iPrint version:
_tFirst words
_dBoston : Academic Studies Press, 2016.
_z9781618114822 (hbk.)
_w(DLC) 2015298606
830 0 _aUnknown nineteenth century.
_930825
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1202937
938 _aYBP Library Services
_bYANK
_n12900344
938 _aProQuest MyiLibrary Digital eBook Collection
_bIDEB
_ncis34210133
938 _aEBSCOhost
_bEBSC
_n1202937
938 _aEBL - Ebook Library
_bEBLB
_nEBL4454569
942 _cEBK
994 _a92
_bN$T
999 _c5300
_d5300