| 000 | 05404cam a2200829Ii 4500 | ||
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| 001 | ocn953603302 | ||
| 003 | OCoLC | ||
| 005 | 20220517104339.0 | ||
| 006 | m d | ||
| 007 | cr |n||||||||| | ||
| 008 | 160715s2016 gw a ob 000 0 eng d | ||
| 010 | _a 2016418357 | ||
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_a9783839429549 _q(electronic bk.) |
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| 020 | _a9783837629545 | ||
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_a10.14361/9783839429549 _2doi |
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_a101249 _bKnowledge Unlatched |
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| 082 | 1 | 4 | _a770.1 |
| 049 | _aN$TA | ||
| 100 | 1 |
_aSchwärzler, Monika, _eauthor _930911 |
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| 245 | 1 | 0 |
_aAt face value & beyond : _bphotographic constructions of reality / _cMonika Schwärzler. |
| 246 | 3 |
_aAt face value and beyond : _bphotographic constructions of reality |
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| 264 | 1 |
_a[Bielefeld] : _bTranscript Verlag, _c2016. |
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| 300 |
_a1 online resource (187 pages) : _billustrations (some color) |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 | _atext file | ||
| 347 | _bPDF | ||
| 490 | 1 |
_aImage ; _vvolume 75 |
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| 588 | 0 | _aPrint version record. | |
| 520 |
_aHow to account for the peculiar attraction of certain photos? How to pinpoint the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis, as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.-- _cProvided by publisher. |
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| 504 | _aIncludes bibliographical references (pages 181-187). | ||
| 546 | _aIn English; one paper translated from the original German. | ||
| 505 | 0 | 0 |
_tFrontmatter -- _tAcknowledgment -- _tInhalt -- _tIntroductory Remarks -- _tConscious and Semi-Conscious States of the Camera: Comments on a History of Photographic Parapraxes -- _tDressed to Suffer and Redeem: Staged Photography Featuring Biblical Narratives -- _tBlocked View and Impeded Vision: An Affective Response to the Photographs of Maria Hahnenkamp and Thomas Struth -- _tUnedited Glamor: The Vienna Opera Ball and Its Rendition by Network Cameras -- _tLost in Pleasure: Mad Joy in Images of Youth Culture -- _tDeath Can Wait: Images of Old Age and Dying in Austrian Hospice Campaigns -- _t"The Beast": On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Center in Geneva -- _tDenigrative Views: On the Deconstruction of Visages in Print Media -- _tThe White Handbag: Photography and Ownership -- _tReferences. |
| 506 | 0 |
_aOpen Access _5EbpS |
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| 650 | 0 |
_aPhotography _xAppreciation. _930912 |
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| 650 | 0 |
_aVisual communication in art. _930913 |
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| 650 | 0 |
_aPhotography, Artistic. _930914 |
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| 650 | 7 |
_aPHOTOGRAPHY _xCriticism. _2bisacsh _930915 |
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| 650 | 7 |
_aMedia studies. _2bicssc |
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| 650 | 7 |
_aSociety and culture: general. _2bicssc |
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| 650 | 7 |
_aSociety and social sciences Society and social sciences. _2bicssc |
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| 650 | 7 |
_aPhotography _xAppreciation. _2fast _0(OCoLC)fst01751992 _930912 |
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| 650 | 7 |
_aPhotography, Artistic. _2fast _0(OCoLC)fst01061964 _930914 |
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| 650 | 7 |
_aVisual communication in art. _2fast _0(OCoLC)fst01168010 _930913 |
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| 600 | 1 | 7 |
_aStruth, Thomas _d1954- _2gnd _0(DE-588)118840592 _930916 |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aSchwärzler, Monika. _tAt face value & beyond. _d[Bielefeld] : Transcript Verlag, 2016 _w(DLC) 2016418357 |
| 830 | 0 |
_aImage (Transcript (Firm)) ; _vv. 75. _930917 |
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| 856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1237858 |
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