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_aPorter, Chloe, _eauthor. _930999 |
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_aMaking and unmaking in early modern English drama : _bspectators, aesthetics and incompletion / _cChloe Porter. |
| 264 | 1 |
_aManchester : _bManchester University Press, _c2013. |
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| 264 | 2 |
_aNew York, NY : _bPalgrave Macmillan, _c[2013] |
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_a1 online resource (viii, 230 pages) : _billustrations |
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| 490 | 0 | _aKnowledge Unlatched. | |
| 490 | 0 | _aOpen Access e-Books. | |
| 520 | 8 | _aWhy are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history | |
| 504 | _aIncludes bibliographical references (pages 202-226) and index. | ||
| 588 | 0 | _aPrint version record. | |
| 505 | 0 | 0 |
_gIntroduction: speaking pictures? -- _g1. _tEarly modern English drama and visual culture -- _g2. _t'In the keeping of Paulina': the unknowable image in "The Winter's Tale" -- _g3. _t'But begun for others to end': the ends of incompletion -- _g4. _t'The brazen head lies broken': divine destruction in "Friar Bacon and Friar Bungay" -- _g5. _tGoing unseen: invisibility and erasure in "The Two Merry Milkmaids." |
| 546 | _aEnglish. | ||
| 542 | 1 |
_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttp://creativecommons.org/licenses/by-nc-nd/4.0 |
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_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttp://creativecommons.org/licenses/by-nc-nd/4.0 |
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_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttp://creativecommons.org/licenses/by-nc-nd/4.0 |
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_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttp://creativecommons.org/licenses/by-nc-nd/4.0 |
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_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttp://creativecommons.org/licenses/by-nc-nd/4.0 |
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| 542 | 1 |
_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttp://creativecommons.org/licenses/by-nc-nd/4.0 |
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_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttp://creativecommons.org/licenses/by-nc-nd/4.0 |
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_aOpen Access _5EbpS |
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_aEnglish drama _yEarly modern and Elizabethan, 1500-1600 _xHistory and criticism. _919936 |
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_aEnglish drama _y17th century _xHistory and criticism. _931000 |
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_aArt and literature _zEngland _xHistory _y16th century. _931001 |
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_aMaterial culture in literature _xHistory _y17th century. _931004 |
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_aVisual perception in literature. _931005 |
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_aArt in literature. _915389 |
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_aUnfinished works of art. _931006 |
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_aIconoclasm in literature. _931007 |
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_aLITERARY CRITICISM _xDrama. _2bisacsh _931008 |
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_aArt and literature. _2fast _0(OCoLC)fst00815400 |
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_aEnglish drama _xEarly modern and Elizabethan. _2fast _0(OCoLC)fst01710950 _919937 |
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_a1500 - 1699 _2fast _931012 |
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_iPrint version: _aPorter, Chloe. _tMaking and unmaking in early modern English drama. _dManchester : Manchester University Press, 2013 _z9780719084973 _w(OCoLC)870416507 |
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