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008			200408t20162016enk ob 001 0 eng
010			_a 2019452725
040			_aDLC _beng _erda _epn _cDLC _dLVT _dJSTOR _dAUD _dEBLCP _dOCLCF _dMZA _dQCL _dN$T _dVT2 _dOTZ _dORU _dIOG _dMERUC _dLOA _dSOI _dESU _dCOO _dLND _dU3W _dMERER _dAUW _dSNK _dINTCL _dDKU _dIGB _dICG _dD6H _dOAPEN _dVTS _dNLE _dINT _dEZ9 _dERL _dWYU _dG3B _dICN _dS8J _dS9I _dFIE _dSTF _dU3G _dUKMGB _dC6I _dBRX _dTXR _dCNTRU _dHS0 _dYDX
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020			_a9781783742370 _q(mobi)
020			_a1783742372
020			_a9781783742363 _q(epub)
020			_a1783742364
020			_a9781783742356 _q(pdf)
020			_a1783742356
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020			_a9781783742332
020			_z9781783742349 _q(hardback)
020			_z1783742348 _q(hardback)
024	3		_a9781783742332
035			_a1357203 _b(N$T)
035			_a(OCoLC)959535017 _z(OCoLC)959330682 _z(OCoLC)964276291 _z(OCoLC)965756150 _z(OCoLC)972011694 _z(OCoLC)1000441655 _z(OCoLC)1057430456 _z(OCoLC)1076564818 _z(OCoLC)1083329857 _z(OCoLC)1099671629
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050	0	0	_aZ105
072		7	_aANT _x000000 _2bisacsh
082	0	4	_a091 _223
049			_aMAIN
100	1		_aRudy, Kathryn M., _eauthor. _931424
245	1	0	_aPiety in pieces : _bhow medieval readers customized their manuscripts / _cKathryn M. Rudy.
264		1	_aCambridge : _bOpen Book Publishers, _c[2016]
264		4	_a©2016
300			_a1 online resource (xv, 392 pages) : _bcolor illustration
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_aIncludes bibliographical references (pages 339-353) and index.
505	0		_aNotes to the reader -- Abbreviations used in this book -- Introduction: A new approach to codicology -- Types of augmentations -- Part I: The modular method -- A. Modular and non-modular, compared -- B. The hierarchy of decoration -- C. Modules and blank space -- D. Precursors of book modules -- E. Implications of the modular method -- F. Adopters of the modular method -- G. Complicated stratigraphy -- Part II: Changes that did not require rebinding -- A. Correcting the text -- B. Adding text to the blank folios and interstices ; 1. Noting who owned, commissioned, and paid for items ; 2. Adding family information ; 3. Adding legal documents ; 4. Adding a gloss ; 5. Adding calendrical data ; 6. Changing a text to reflect updated circumstances ; 7. Adding text to make a book appropriate as a didactic tool ; 8. Adding prayers -- C. Augmenting the existing decoration -- D. Drawing or painting images directly onto bound parchment -- E. Adding physical material superficially ; 1. Attaching parchment sheets to blank areas of the book ; 2. Adding other objects to blank parchment -- Part III: Changes that required rebinding -- Rebinding -- A. Adding leaves bearing texts -- B. Adding leaves bearing images ; 1. Images for the most common offices ; 2. Images for indulgences ; 3. Portraits and personalizing details ; 4. Images for adding value ; 5. Images for missals ; 6. Other single-leaf miniatures ; 7. Packages of images ; 8. Images removed from one manuscript and inserted into another -- C. Adding quires ; 1. Adding a bifolium ; 2. Adding one or more full quires -- Part IV: Complicated interventions and complete overhauls -- Building a book out of disparate quires -- A. An atelier in Bruges -- B. Unica -- C. The convent of St. Ursula ; 1. Oxford, Bodleian Library, Ms. Rawl. Liturg. E.9* ; 2. The Hague, Koninklijke Bibliotheek, Ms. 132 G ; 3. Uppsala, Universitetsbiblioteket, Ms. C 517 k -- D. The convent of St. Agnes in Delft -- E. The Masters of the Dark Eyes ; 1. Alongside the Master of Gijsbrecht van Brederode ; 2. Leeds, Brotherton Ms. 7 with an added booklet -- Part V: Patterns of desire -- A. Desire to personalize the book -- B. Desire to commemorate a changed family situation -- C. Desire to store small precious objects -- D. Desire for more embellishment -- E. Recycling and refurbishing -- F. Desire to make foreign-produced manuscripts locally relevant -- G. Desire to incorporate new prayers -- H. Fear of hell -- I. Desire to reflect wealth -- J. Changes, social and codicological -- List of illustrations.
520			_a"Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts--that they were custom-made luxury items--even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?"--Publisher's website.
588	0		_aDescription based on online resource; title from PDF title page (Open Book Publishers, viewed on April 8, 2020).
590			_aMaster record variable field(s) change: 050, 650
650		0	_aCivilization, Medieval.
650		0	_aCodicology _xHistory _yTo 1500. _931425
650		7	_aLanguage. _2bicssc
650		7	_alinguistics. _2bicssc
650		7	_aLiteracy. _2bicssc
650		7	_aANTIQUES & COLLECTIBLES _xGeneral. _2bisacsh _931426
650		7	_aIllumination of books and manuscripts, Medieval. _2fast _0(OCoLC)fst00967326 _931427
650		7	_aCodicology. _2fast _0(OCoLC)fst00866236 _922427
650		7	_aCivilization, Medieval. _2fast _0(OCoLC)fst00863049
650		7	_aManuscripts, Medieval. _2fast _0(OCoLC)fst01008422
648		7	_aTo 1500 _2fast _93538
655		0	_aElectronic books.
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
776	0	8	_a9781783742332 (pbk.)
776	0	8	_a9781783742349 (hbk.)
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1357203
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