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082 0 4 _a070.18
049 _aN$TA
100 1 _aImesch, Kornelia,
_eauthor
_931521
245 1 0 _aConstructions of Cultural Identities in Newsreel Cinema and Television after 1945.
264 1 _btranscript Verlag,
_c2016.
300 _a1 online resource (250 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aMediaAnalysis ;
_vvolume 17
588 0 _aPrint version record.
505 0 _aCover. Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 ; Contents ; Constructions of Cultural Identities in Newsreel Cinema and Television after 1945. Introduction; PART 1: CONSTRUCTIONS OF CULTURAL IDENTITIES IN NEWSREEL ; The Politics of Archives. Media, Power, and Identity.
505 8 _aThe Visual Memory of the Cold War. The Long Afterlife of the FOX TÖNENDE WOCHENSCHAU Newsreels on the Building of the Berlin Wall Art Exhibitions through Newsreels. An Avatar for Identity Politics (1945-1960) ; PART 2: ART AND CULTURE IN NEWSREEL, CINEMA, AND TELEVISION.
505 8 _aJean Tinguely and Le Corbusier in Swiss Weekly Film Newsreels and Television. Medial Rhetorics-Medial Discourses Fiction and Newsreel Documentary in Godard's Cinema ; Between Migration and Integration. Representing Religious Boundaries in Swiss Documentaries.
505 8 _aRe-marking of Differences: Culture Television and Art interplaying. Variability of Cultural Magazines and their Heterogeneous Dispositions Constructing an Emancipated Culture of Art Spectatorship? The Ambiguity of Ben Lewis's Reportage-Series ART SAFARI (2003-2006) ; Authors.
520 _aNewsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a "biopic of the nation", and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel.
504 _aIncludes bibliographical references.
542 1 _fThis work is licensed under a Creative Commons license
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
546 _aEnglish.
542 1 _fThis work is licensed by Knowledge Unlatched under a Creative Commons license
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
506 0 _aOpen Access
_5EbpS
650 0 _aMotion picture theaters.
_931522
650 7 _aMedia studies.
_2bicssc
650 7 _aSociety and culture: general.
_2bicssc
650 7 _aSociety and social sciences Society and social sciences.
_2bicssc
650 7 _aPERFORMING ARTS
_xReference.
_2bisacsh
650 7 _aSOCIAL SCIENCE
_xMedia Studies.
_2bisacsh
650 7 _aMotion picture theaters.
_2fast
_0(OCoLC)fst01027261
_931522
653 _aMedia & Communications.
653 _aNewsreel.
653 _aFilm.
653 _aTelevision.
653 _aArchive.
653 _aNational Identity.
653 _aCultural Identity.
653 _aContemporary Art.
653 _aMedia.
653 _aCultural History.
653 _aMedia History.
653 _aMedia Studies.
655 0 _aElectronic books.
655 4 _aElectronic books.
655 7 _aConference papers and proceedings.
_2fast
_0(OCoLC)fst01423772
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
655 7 _aConference papers and proceedings.
_2lcgft
776 0 8 _iPrint version:
_z9783837629750
_z3837629759
_w(DLC) 2016592559
_w(OCoLC)962484124
830 0 _aMedienAnalysen ;
_vBd. 17.
_931523
856 4 0 _3EBSCOhost
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