000 | 06144cam a2201009Mi 4500 | ||
---|---|---|---|
001 | ocn966359171 | ||
003 | OCoLC | ||
005 | 20220517104348.0 | ||
006 | m d | ||
007 | cr |n||||||||| | ||
008 | 161216s2016 xx ob 000 0 eng d | ||
010 | _a 2016592559 | ||
040 |
_aIDEBK _beng _epn _erda _cIDEBK _dEBLCP _dOCLCQ _dIDEBK _dOCLCO _dUAB _dCSAIL _dMERUC _dOCLCF _dOCLCQ _dDEGRU _dOAPEN _dYDX _dN$T _dSNK _dDKU _dAUW _dINTCL _dIGB _dD6H _dELW _dJSTOR _dICN _dVLB _dERL _dRRP _dVT2 _dAGLDB _dLOA _dMERER _dBTN _dMHW _dINT _dOTZ _dEZ9 _dUKKNU _dOCLCQ _dU3W _dLVT _dS8J _dTKN _dS9I _dOCLCQ _dG3B _dOCLCQ _dSTF _dBRX _dC6I _dOCLCO _dTXR _dLEAUB _dOCLCO _dUPM _dOCLCO _dDKC _dAU@ _dOCLCO _dOCLCQ _dOCLCO _dOCL _dOCLCQ _dK6U _dOCLCO _dOCLCQ _dSFB _dDIPCC _dN$T |
||
016 | 7 |
_a1062731883 _2DE-101 |
|
016 | 7 |
_a1062731883 _2GyFmDB |
|
019 |
_a990123324 _a1048175282 _a1049849269 _a1050109781 _a1055256409 _a1076658822 _a1078457084 _a1085659148 _a1107356676 _a1115070772 _a1119039995 _a1125736815 _a1146658523 _a1224916793 _a1235829844 |
||
020 |
_a3839429757 _q(electronic bk.) |
||
020 |
_a9783839429754 _q(electronic bk.) |
||
020 | _a3837629759 | ||
020 | _a9783837629750 | ||
024 | 3 | _a9783837629750 | |
024 | 7 |
_a10.14361/9783839429754 _2doi |
|
035 |
_a(OCoLC)966359171 _z(OCoLC)990123324 _z(OCoLC)1048175282 _z(OCoLC)1049849269 _z(OCoLC)1050109781 _z(OCoLC)1055256409 _z(OCoLC)1076658822 _z(OCoLC)1078457084 _z(OCoLC)1085659148 _z(OCoLC)1107356676 _z(OCoLC)1115070772 _z(OCoLC)1119039995 _z(OCoLC)1125736815 _z(OCoLC)1146658523 _z(OCoLC)1224916793 _z(OCoLC)1235829844 |
||
037 |
_a978507 _bMIL |
||
037 |
_a22573/ctv1wm8g7 _bJSTOR |
||
037 |
_a101261 _bKnowledge Unlatched |
||
043 |
_ae-gx--- _ae-sz--- |
||
050 | 4 | _aPN4784.M6 | |
072 | 7 |
_aPN _2lcco |
|
072 | 7 |
_aPER _x009000 _2bisacsh |
|
072 | 7 |
_aSOC _x052000 _2bisacsh |
|
072 | 7 |
_aJFD _2bicssc |
|
082 | 0 | 4 | _a070.18 |
049 | _aN$TA | ||
100 | 1 |
_aImesch, Kornelia, _eauthor _931521 |
|
245 | 1 | 0 | _aConstructions of Cultural Identities in Newsreel Cinema and Television after 1945. |
264 | 1 |
_btranscript Verlag, _c2016. |
|
300 | _a1 online resource (250 pages) | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
490 | 1 |
_aMediaAnalysis ; _vvolume 17 |
|
588 | 0 | _aPrint version record. | |
505 | 0 | _aCover. Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 ; Contents ; Constructions of Cultural Identities in Newsreel Cinema and Television after 1945. Introduction; PART 1: CONSTRUCTIONS OF CULTURAL IDENTITIES IN NEWSREEL ; The Politics of Archives. Media, Power, and Identity. | |
505 | 8 | _aThe Visual Memory of the Cold War. The Long Afterlife of the FOX TÖNENDE WOCHENSCHAU Newsreels on the Building of the Berlin Wall Art Exhibitions through Newsreels. An Avatar for Identity Politics (1945-1960) ; PART 2: ART AND CULTURE IN NEWSREEL, CINEMA, AND TELEVISION. | |
505 | 8 | _aJean Tinguely and Le Corbusier in Swiss Weekly Film Newsreels and Television. Medial Rhetorics-Medial Discourses Fiction and Newsreel Documentary in Godard's Cinema ; Between Migration and Integration. Representing Religious Boundaries in Swiss Documentaries. | |
505 | 8 | _aRe-marking of Differences: Culture Television and Art interplaying. Variability of Cultural Magazines and their Heterogeneous Dispositions Constructing an Emancipated Culture of Art Spectatorship? The Ambiguity of Ben Lewis's Reportage-Series ART SAFARI (2003-2006) ; Authors. | |
520 | _aNewsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a "biopic of the nation", and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel. | ||
504 | _aIncludes bibliographical references. | ||
542 | 1 |
_fThis work is licensed under a Creative Commons license _uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
|
546 | _aEnglish. | ||
542 | 1 |
_fThis work is licensed by Knowledge Unlatched under a Creative Commons license _uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
|
506 | 0 |
_aOpen Access _5EbpS |
|
650 | 0 |
_aMotion picture theaters. _931522 |
|
650 | 7 |
_aMedia studies. _2bicssc |
|
650 | 7 |
_aSociety and culture: general. _2bicssc |
|
650 | 7 |
_aSociety and social sciences Society and social sciences. _2bicssc |
|
650 | 7 |
_aPERFORMING ARTS _xReference. _2bisacsh |
|
650 | 7 |
_aSOCIAL SCIENCE _xMedia Studies. _2bisacsh |
|
650 | 7 |
_aMotion picture theaters. _2fast _0(OCoLC)fst01027261 _931522 |
|
653 | _aMedia & Communications. | ||
653 | _aNewsreel. | ||
653 | _aFilm. | ||
653 | _aTelevision. | ||
653 | _aArchive. | ||
653 | _aNational Identity. | ||
653 | _aCultural Identity. | ||
653 | _aContemporary Art. | ||
653 | _aMedia. | ||
653 | _aCultural History. | ||
653 | _aMedia History. | ||
653 | _aMedia Studies. | ||
655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
655 | 7 |
_aConference papers and proceedings. _2fast _0(OCoLC)fst01423772 |
|
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
|
655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
655 | 7 |
_aConference papers and proceedings. _2lcgft |
|
776 | 0 | 8 |
_iPrint version: _z9783837629750 _z3837629759 _w(DLC) 2016592559 _w(OCoLC)962484124 |
830 | 0 |
_aMedienAnalysen ; _vBd. 17. _931523 |
|
856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1435767 |
938 |
_aEBSCOhost _bEBSC _n1435767 |
||
942 | _cEBK | ||
994 |
_aC0 _bN$T |
||
999 |
_c5420 _d5420 |