000			05905cam a2200661Mi 4500
001			on1076287479
003			OCoLC
005			20220517104430.0
006			m d
007			cr |n|||||||||
008			181008t20182018enka ob 001 0 eng d
040			_aAUD _beng _erda _cAUD _dAUD _dEBLCP _dJSTOR _dICN _dN$T
020			_a9781783745319 _q(electronic bk.)
020			_a1783745312 _q(electronic bk.)
020			_a9781783745326 _q(electronic bk.)
020			_a1783745320 _q(electronic bk.)
020			_a9781783745722 _q(electronic bk.)
020			_a178374572X _q(electronic bk.)
020			_z9781783745302 (Hardback)
020			_z9781783745296 (Paperback)
035			_a1947417 _b(N$T)
035			_a(OCoLC)1076287479
037			_a22573/ctv8dhxmj _bJSTOR
050		4	_aPQ1534.T5 _bZ56 2018eb
072		7	_aPOE _x005030 _2bisacsh
082	0	4	_a841/.109 _223
049			_aMAIN
100	1		_aZiolkowski, Jan M., _d1956- _eauthor. _934161
245	1	4	_aThe juggler of Notre Dame and the medievalizing of modernity. _nVolume 4, _pPicture that : making a show of the jongleur / _cJan M. Ziolkowski.
246	3		_aPicture that : making a show of the jongleur
264		1	_aCambridge : _bOpen Book Publishers, _c2018.
264		4	_c©2018
300			_a1 online resource (520 pages) : _b340 colour illustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aAvailable through Open Book Publishers.
504			_aIncludes bibliography (pages 445-476) and index.
505	0		_aNote to the Reader -- 1. The Composer ; The Jongleur in the Circle of Richard Wagner ; Tannhäuser ; The Medievalesque Oeuvre of Jules Massenet ; The Tall Tale of the Libretto ; The Middle Ages of the Opera ; Sage Wisdom ; Juggling Secular and Ecclesiastical ; The Jongleur of Monte Carlo ; Jean, Bénédictine, and Selling Gothic ; The Musician of Women ; The All-Male Cast -- 2. The Diva ; Mary Garden Takes America ; Oscar Hammerstein I ; Making a Travesti of Massenet's Tenor ; Selling the Jongleur ; Mary Garden Dances the Role ; The Role of Dance ; Sexless, Sexy... and What Sex? ; The Jongleur Goes to Notre Dame ; The College Woman as Jongleur: Skirting the Issue ; From Opera to Vaudeville -- 3. Images of the Virgin ; The Power of Madonnas in the Round ; Madonnas in Majesty ; Animated Images ; Miracles of Madonnas -- 4. The Crypt ; Grottoes and Crypts ; Madonnas in Crypts ; Cistercian Crypts ; Gothic Crypts -- 5. Enlightening the Virgin ; The Incandescent Virgin ; Dressing Madonnas: What Are You Wearing? ; Carrying a Torch for Mary ; Lighting Effects: Lights, Camera, Action! ; Voyeurism and Performance Art -- 6. Cloistering the USA: Everybody Must Get Stones ; Stony Silence ; Collecting Clusters of Cloisters ; A Gothic Room of Her Own: Vanderbilt and Gardner ; Raymond Pitcairn and the "New Church" ; The Hearst Castle ; The Last Hurrah -- 7. The Great War and Its Aftermath ; Ruining Europe ; Reims: Martyr City and Cathedral ; Rebuilding Europe in America ; German Expressionism ; French Piety ; Painting the Juggler ; American Gothic -- Notes -- Notes to Chapter 1 -- Notes to Chapter 2 -- Notes to Chapter 3 -- Notes to Chapter 4 -- Notes to Chapter 5 -- Notes to Chapter 6 -- Notes to Chapter 7 -- Bibliography -- Abbreviations -- Referenced Works -- List of Illustrations -- Index.
520			_a"This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 4 examines the famous Le jongleur de Notre Dame by the French composer Jules Massenet, which took Europe by storm after premiering in 1902 and then crossed the Atlantic to the impresario Oscar Hammerstein and the diva Mary Garden, who gave the opera new legs as a female juggler. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies."--Publisher's website.
590			_aAdded to collection customer.56279.3 - Master record variable field(s) change: 072
630	0	0	_aTombeor Nostre Dame. _lFrench. _934162
600	1	0	_aGarden, Mary, _d1874-1967. _934163
650		0	_aOpera _xHistory _y19th century. _934164
650		0	_aMedievalism. _929152
650		0	_aCivilization, Medieval _xInfluence. _934165
650		0	_aMiddle Ages _xHistoriography. _926428
650		0	_aMiddle Ages _xInfluence. _934166
650		7	_aPOETRY / Continental European _2bisacsh
655		4	_aElectronic books.
710	2		_aOpen Book Publishers, _epublisher.
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1947417
938			_aEBL - Ebook Library _bEBLB _nEBL5607110
938			_aEBSCOhost _bEBSC _n1947417
942			_cEBK
994			_a92 _bN$T
999			_c5903 _d5903