000			05361cam a2200673 i 4500
001			on1150165536
003			OCoLC
005			20220517104446.0
006			m d
007			cr cnu---unuuu
008			200414s2020 enka ob 001 0 eng
010			_a 2019452862
040			_aDLC _beng _erda _epn _cDLC _dOCLCO _dN$T _dYDX
020			_a9781783748891 _qelectronic book
020			_a1783748893 _qelectronic book
020			_a9781783748600 _qelectronic book
020			_a1783748621 _qelectronic book
020			_a1783748605
020			_a9781783748617 _qmobi
020			_a1783748613
020			_a9781783748624 _qxml
035			_a2412803 _b(N$T)
035			_a(OCoLC)1150165536
041	1		_aeng _hita
042			_apcc
050	0	4	_aN7570 _b.G3513 2020
082	0	4	_a704.9/42 _223
049			_aMAIN
100	1		_aGallucci, Giovanni Paolo, _d1538-1621? _eauthor. _935344
245	1	0	_aGallucci's commentary on Dürer's Four books on human proportion : _brenaissance proportion theory / _ctranslated with an introduction by James Hutson.
264		1	_a[Cambridge, UK] : _bOpen Book Publishers, _c[2020]
300			_a1 online resource (xiii, 208 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	2		_aIntro -- Contents -- Acknowledgments -- On the Translation -- Introduction -- 1. Proportion Theory: Disciplinary Intersections -- 2. Gallucci: Translator, Academician, Pedagogue -- 3. Ut pictura poesis: Sister Arts -- 4. Physiognomics: The Science of Passion -- 5. From Microcosm to Macrocosm -- 6. Proportion Studies: Reception and Legacy -- Contents -- Dedication -- Life of Albrecht Dürer -- Preface to Readers -- Book Five -- 1. On the Utility of this Doctrine -- 2. On the Differences of Humans with Respect to Countries, Sex, and Age -- 3. On the Beauty of Human Bodies, Especially Women
505	8		_a4. The Figure of a Strong Man -- 5. How the Figure of a Timid Man Should Be Painted -- 6. How One Should Paint a Furious and Angry Man -- 7. The Figure of a Man, Who Is by Nature Cold and Wet, therefore, Meek and Humble, Feeble, Slow, Quiet, and Effeminate -- 8. How an Ingenious Man Should Be Painted -- 9. The Figure of an Uncouth Man Compared to One with Great Intelligence -- 10. The Figure and Painting of an Effeminate Man, Soft by Nature and also through Incident -- 11. How a Humble Man Should Be Painted, and One Who Is Shameful, either by Nature or Chance, and a Woman Again
505	8		_a12. The Figure of an Insolent and Presumptuous Man -- 13. The Figure of a Cheerful Man -- 14. The Figure of a Melancholic and Grieved Man -- 15. The Figure of a Cruel and Inhumane Man -- 16. The Figure of a Flatterer -- 17. The Figure of a Desperate Woman -- 18. The Figure of a Man Full of Astonishment -- 19. The Figure of Beastly or Savage Men -- 20. The Figure of a Fraud -- 21. The Figure of a Deceitful Man, and of a Mean, Miserable, and Cowardly Man -- 22. The Figure of a Wicked Man, Who, in Speaking, Says Impertinent Things -- 23. The Figure of an Insane Man Who Is, at the Same Time, Wicked
505	8		_a24. The Figure of Big Eater, and of One of Great Memory -- 25. The Figure of a Loquacious Man -- 26. The Figure of a Drowsy Man -- 27. The Figure of a Libidinous Man -- 28. The Figure of an Envious Man -- 29. The Figure of an Ugly Man and Woman -- 30. On the Different Feet of Men, and Those Which Are Suitable -- 31. On the Diversity of Heels or Ankles Compared to the Figure that [the Painter] Wishes to Represent -- 32. On the Diversity of Legs with Respect to the Different Figures They Want to Make -- 33. On the Diversity of Knees Appropriate to Different Figures
505	8		_a34. Which Thighs and Buttocks are Appropriate for Which Figures -- 35. Which Limbs and Stomachs Belong to Which Figures -- 36. Which Back and Ribs Suit Which Figures -- 37. Different Measures of the Stomach, Chest, and Belly that Suit Different Figures -- 38. On Some Correspondences that Some Members Have between Them -- 39. How the Chest and Shoulders Should Be Done in Several Different Figures -- 40. On the Shoulders and Chest Most Appropriate to Different Figures -- 41. On Arms and Hands Appropriate to Different Figures -- 42. Which Fingernails Are Appropriate to Different Figures
500			_a43. On the Diversity of Necks Appropriate to Different Figures.
504			_aIncludes bibliographical references and index.
588			_aDescription based on online resource; title from digital title page (viewed on May 06, 2020).
590			_aMaster record variable field(s) change: 050, 082
600	1	0	_aDürer, Albrecht, _d1471-1528. _tLes quatre liures d'Albert Durer. _935345
650		0	_aHuman figure in art. _935346
650		0	_aHuman anatomy.
650		0	_aProportion (Art) _935347
655		4	_aElectronic books.
700	1		_aHutson, James, _etranslator, _eauthor of introduction, etc. _935348
776	0	8	_iPrint version: _z9781783748877
776	0	8	_iPrint version: _z9781783748884
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2412803
938			_aProQuest Ebook Central _bEBLB _nEBL6148188
938			_aEBSCOhost _bEBSC _n2412803
942			_cEBK
994			_a92 _bN$T
999			_c6118 _d6118