000			04192cam a2200661 i 4500
001			on1155054442
003			OCoLC
005			20220517104452.0
006			m d
007			cr un|||||||||
008			200520s2021 onc ob 001 0 eng
040			_aNLC _beng _erda _cNLC _dOCLCF _dYDX _dN$T _dYDX
015			_a2020025572X _2can
019			_a1227788563
020			_a9781487536244 _qEPUB
020			_a1487536240 _qEPUB
020			_z9781487536237 _qelectronic book
020			_z9781487507435
035			_a2702434 _b(N$T)
035			_a(OCoLC)1155054442 _z(OCoLC)1227788563
042			_alac
050		4	_aPR2986 _b.E58 2021
055		0	_aPR2986 _b.E58 2021
082	0	4	_a822.3/3 _223
084			_acci1icc _2lacc
049			_aMAIN
245	0	0	_aEntertaining the idea : _bShakespeare, philosophy, and performance / _cedited by Lowell Gallagher, James Kearney, and Julia Reinhard Lupton.
264		1	_aToronto : _bUniversity of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library, _c[2021]
300			_a1 online resource (240 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aUCLA/Clark Memorial Library series ; _v29
504			_aIncludes bibliographical references and index.
520			_a"To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized around key words shared by philosophy and performance, the editors suggest that Shakespeare's plays supply readers, listeners, viewers, and performers with equipment for living. In plays ranging from A Midsummer Night's Dream to King Lear and The Winter's Tale, Shakespeare invites readers and audiences to be more responsive to the texture and meaning of daily encounters, whether in the intimacies of love, the demands of social and political life, or moments of ethical decision. Entertaining the Idea features established and emerging scholars, addressing key words such as role play, acknowledgment, judgment, and entertainment as well as curse and care. The volume also includes longer essays on Shakespeare, Kant, Husserl, and Hegel as well as an afterword by theatre critic Charles McNulty on the philosophy and performance history of King Lear."-- _cProvided by publisher.
588			_aDescription based on online resource; title from digital title page (viewed on January 15, 2021).
590			_aMaster record variable field(s) change: 050, 082
600	1	0	_aShakespeare, William, _d1564-1616 _xCriticism and interpretation.
600	1	0	_aShakespeare, William, _d1564-1616 _xPhilosophy. _935708
600	1	7	_aShakespeare, William, _d1564-1616. _2fast _0(OCoLC)fst00029048
650		0	_aPhilosophy in literature.
650		0	_aThought and thinking in literature. _935709
650		7	_aPhilosophy. _2fast _0(OCoLC)fst01060777
650		7	_aPhilosophy in literature. _2fast _0(OCoLC)fst01060836
650		7	_aThought and thinking in literature. _2fast _0(OCoLC)fst01150273 _935709
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
700	1		_aGallagher, Lowell, _d1953- _eeditor. _935710
700	1		_aKearney, James _q(James Joseph), _eeditor. _935711
700	1		_aLupton, Julia Reinhard, _d1963- _eeditor. _912782
776	0	8	_iPrint version: _tEntertaining the idea. _dToronto : University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library, 2020 _z1487507437 _z9781487507435 _w(OCoLC)1146562751
830		0	_aUCLA Clark Memorial Library series ; _v29. _935712
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2702434
938			_aYBP Library Services _bYANK _n301802954
938			_aEBSCOhost _bEBSC _n2702434
942			_cEBK
994			_a92 _bN$T
999			_c6201 _d6201