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001 on1233024341
003 OCoLC
005 20220517104455.0
006 m d
007 cr |||||||||||
008 210121s2021 enka ob 001 0 eng
010 _a 2020447271
040 _aDLC
_beng
_erda
_epn
_cDLC
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_dAUD
_dEBLCP
_dOCLCF
_dN$T
020 _a1800640374
020 _a9781800640382
_q(epub)
020 _a1800640382
020 _a9781800640399
_q(mobi)
020 _a1800640390
020 _a9781800640405
_q(xml)
020 _a1800640404
020 _a9781800640375
_q(electronic bk.)
035 _a2734196
_b(N$T)
035 _a(OCoLC)1233024341
042 _apcc
050 0 0 _aQC225.15
082 0 4 _a534
_223
049 _aMAIN
245 0 0 _aAcoustemologies in contact :
_bSounding Subjects and Modes of Listening in Early Modernity /
_cEdited by Emily Wilbourne and Suzanne G. Cusick.
264 1 _aCambridge, UK :
_bOpen Book Publishers,
_c2021.
300 _a1 online resource (x, 333 pages) :
_billustrations (some color)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references pages (289-321) and index.
588 _aDescription based on online resource; title from PDF title page (Open Book Publishers website; viewed on 2020-01-21).
505 0 _aNotes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery: Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus -- Bibliography -- List of illustrations -- Index.
520 _a"In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence--from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment--this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery."--Publisher's website.
590 _aMaster record variable field(s) change: 082
650 0 _aSound.
650 0 _aAcoustics.
_9993
650 7 _aSound.
_2fast
_0(OCoLC)fst01126935
655 4 _aElectronic books.
700 1 _aWilbourne, Emily,
_eeditor.
_935893
700 1 _aCusick, Suzanne G.,
_eeditor.
_935894
710 2 _aOpen Book Publishers,
_eeditor.
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2734196
938 _aProQuest Ebook Central
_bEBLB
_nEBL6462821
938 _aEBSCOhost
_bEBSC
_n2734196
942 _cEBK
994 _a92
_bN$T
999 _c6229
_d6229