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043 _aa-cc---
050 4 _aDS777.5195.W34
_bT39 2021
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082 0 4 _a951.04/2
_223
049 _aMAIN
100 1 _aTaylor, Jeremy E.,
_d1973-
_eauthor.
_937934
245 1 0 _aIconographies of occupation :
_bvisual cultures in Wang Jingwei's China, 1939-1945 /
_cJeremy E. Taylor.
246 3 0 _aVisual cultures in Wang Jingwei's China, 1939-1945
264 1 _aHonolulu :
_bUniversity of Hawaiʻi Press,
_c[2020]
300 _a1 online resource (229 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
588 0 _aPrint version record.
504 _aIncludes bibliographical references and index.
505 0 _aContextualizing the Wang Jingwei Regime -- Visual Cultures under Occupation -- Visualizing the Occupied Leader -- Gendered and Generational Archetypes -- Rivers and Mountains -- Conclusion -- Beyond the Colonial Gaze.
520 _a"Iconographies of Occupation is the first book to address how the "collaborationist" Reorganized National Government (RNG) in Japanese-occupied China sought to visualize its leader, Wang Jingwei (1883-1944); the Chinese people; and China itself. It explores the ways in which this administration sought to present itself to the people over which it ruled at different points between 1939, when the RNG was first being formulated, and August 1945, when it folded itself out of existence. What sorts of visual tropes were used in regime iconography and how were these used? What can the intertextual movement of visual tropes and motifs tell us about RNG artists and intellectuals and their understanding of the occupation and the war? Drawing on rarely before used archival records relating to propaganda and a range of visual media produced in occupied China by the RNG, the book examines the means used by this "client regime" to carve out a separate visual space for itself by reviving pre-war Chinese methods of iconography and by adopting techniques, symbols, and visual tropes from the occupying Japanese and their allies. Ultimately, however, the "occupied gaze" that was developed by Wang's administration was undermined by its ultimate reliance on Japanese acquiescence for survival. In the continually shifting and fragmented iconographies that the RNG developed over the course of its short existence, we find an administration that was never completely in control of its own fate-or its message. Iconographies of Occupation presents a thoroughly original visual history approach to the study of a much-maligned regime and opens up new ways of understanding its place in wartime China. It also brings China under the RNG into dialogue with broader theoretical debates about the significance of "the visual" in the cultural politics of foreign occupation"--
_cProvided by publisher
506 0 _aOpen Access
_5EbpS
590 _aWorldCat record variable field(s) change: 050
600 1 0 _6880-01
_aWang, Jingwei,
_d1883-1944.
_937935
600 1 7 _aWang, Jingwei,
_d1883-1944.
_2fast
_0(OCoLC)fst00117646
_937935
650 0 _aCollaborationists
_zChina.
_937936
650 0 _aPolitical culture
_zChina
_xHistory
_y20th century.
_937937
651 0 _aChina
_xPolitics and government
_y1937-1945.
_94641
650 7 _aHistory
_zAsia
_xChina.
_2bisacsh
_920182
650 7 _aPolitical Science
_xPolitical Process
_xMedia & Internet.
_2bisacsh
_937938
650 7 _aPolitical Science
_xPropaganda.
_2bisacsh
_937939
650 7 _aCollaborationists.
_2fast
_0(OCoLC)fst00867081
_937940
650 7 _aPolitical culture.
_2fast
_0(OCoLC)fst01069263
650 7 _aPolitics and government.
_2fast
_0(OCoLC)fst01919741
651 7 _aChina.
_2fast
_0(OCoLC)fst01206073
648 7 _a1900-1999
_2fast
655 4 _aElectronic books.
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
776 0 8 _iPrint version:
_aTaylor, Jeremy E., 1973-
_tIconographies of occupation.
_dHonolulu : University of Hawaiʻi Press, 2021
_z0824883322
_z9780824883324
_w(DLC) 2020044525
_w(OCoLC)1158790686
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_a汪精衛,
_d1883-1944.
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