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006 m d
007 cr |||||||||||
008 210416t20212021miu ob 001 0 eng
010 _a 2021015297
040 _aDLC
_beng
_erda
_epn
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019 _a1262688705
020 _a0472901303
020 _a0472054333
020 _a9780472054336
020 _a9780472901302
_q(electronic bk.)
024 7 _a10.3998/mpub.11374592
_2doi
035 _a2959555
_b(N$T)
035 _a(OCoLC)1245237875
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037 _a22573/ctv1rqnsx6
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082 0 0 _a780.973/0905
_223
049 _aMAIN
245 0 0 _aSounding together :
_bcollaborative perspectives on U.S. music in the 21st century /
_cCharles Hiroshi Garrett and Carol J. Oja, editors.
263 _a2108
264 1 _aAnn Arbor, Michigan :
_bUniversity of Michigan Press,
_c2021.
264 4 _c©2021
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
344 _adigital
_2rdatr
500 _aIncludes index.
520 _a"Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book's essays-written by a diverse and cross-generational group of scholars, performers, and practitioners-demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music"--
_cProvided by publisher
588 0 _aPrint version record and CIP data provided by publisher; resource not viewed.
504 _aIncludes bibliographical references and index.
542 _fThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0
590 _aAdded to collection customer.56279.3
650 0 _aMusic
_zUnited States
_y21st century
_xHistory and criticism.
_938766
650 0 _aMusic
_xInstruction and study
_zUnited States
_xHistory
_y21st century.
_938767
650 0 _aMusic
_xPolitical aspects
_zUnited States
_xHistory
_y21st century.
_916597
650 7 _aMUSIC
_xGeneral.
_2bisacsh
_94443
650 7 _aMusic.
_2fast
_0(OCoLC)fst01030269
650 7 _aMusic
_xInstruction and study.
_2fast
_0(OCoLC)fst01030347
_924311
650 7 _aMusic
_xPolitical aspects.
_2fast
_0(OCoLC)fst01030414
651 7 _aUnited States.
_2fast
_0(OCoLC)fst01204155
648 7 _a2000-2099
_2fast
_9222
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
700 1 _aGarrett, Charles Hiroshi,
_d1966-
_eeditor.
_938768
700 1 _aOja, Carol J.,
_d1953-
_eeditor.
_938769
710 2 _aMichigan Publishing (University of Michigan),
_epublisher.
776 0 8 _iPrint version:
_tSounding together.
_dAnn Arbor, Michigan : University of Michigan Press, 2021
_z9780472054336
_w(DLC) 2021015296
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2959555
938 _aKnowledge Unlatched
_bKNOW
_na0168382-98fd-4b2c-bdb6-e82594210d17
938 _aUniversity of Michigan press
_bUOMP
_n10.3998/mpub.11374592
938 _aProject MUSE
_bMUSE
_nmuse99629
938 _aEBSCOhost
_bEBSC
_n2959555
942 _cEBK
994 _a92
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999 _c6740
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