000 04461cam a2200553Ki 4500
001 on1260161888
003 OCoLC
005 20220517104537.0
006 m d
007 cr cnu---unuuu
008 210713s2020 enka ob 001 0 eng d
040 _aN$T
_beng
_erda
_epn
_cN$T
_dOCLCO
_dN$T
020 _a9781526131379
_q(electronic bk.)
020 _a1526131374
_q(electronic bk.)
020 _z1526131366
020 _z9781526131362
020 _z9781526131348
020 _z152613134X
035 _a(OCoLC)1260161888
050 4 _aGN347
_b.H46 2020eb
082 0 4 _a301
_223
049 _aN$TA
100 1 _aHenley, Paul,
_eauthor.
_938868
245 1 0 _aBeyond observation :
_ba history of authorship in ethnographic film /
_cPaul Henley.
264 1 _aManchester :
_bManchester University Press,
_c[2020]
264 4 _c©2020
300 _a1 online resource (xx, 542 pages) :
_billustrations (black and white).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aAnthropology, creative practice and ethnography
504 _aIncludes bibliographical references (pages 497-524) and index.
505 0 _aGeneral introduction: authorship, praxis, observation, ethnography -- Part I. Histories: ethnographic film in the twentieth century. -- Introduction -- The long prehistory of ethnographic film -- Travel films, melodrama and the origins of ethnofiction -- The invisible author: films of re-enactment in the post-war period -- Records, not movies: the early films of John Marshall and Timothy Asch -- Reflexivity and participation: the films of David and Judith MacDougall in Africa and Australia -- Entangled voices: the complexities of collaborative authorship -- The subject as author: indigenous media and the Video nas Aldeias project -- Part II. Authors: three key figures. -- Introduction -- Jean Rouch: sharing anthropology -- Robert Gardner: beyond the burden of the real -- Colin Young: the principles of Observational Cinema -- Part III. Television as meta-author: ethnographic film in Britain. -- Introduction -- Ways of doing ethnographic film on British television -- Beyond the 'disappearing world' - and back again -- The decline of ethnographic film on British television -- Part IV. Beyond observation: ethnographic film in the twenty-first century. -- Introduction -- The evolution of Observational Cinema: recent films of David and Judith MacDougall -- Negative capability and the flux of life: films of the Sensory Ethnography Lab -- Participatory perspectives -- An epilogue: return to Kiriwina - the ethnographic film-maker as author -- Appendix: British television documentaries produced in collaboration with ethnographic researchers.
520 8 _aA history of ethnographic film from the birth of cinema in 1895 until 2015 that analyses a large number of films made in a broad range of styles, on a broad range of topics and in many different parts of the world. For the period before the Second World War, it considers films made in reportage, exotic melodrama and travelogue genres as well as more conventionally ethnographic films made for academic and state-funded purposes. It then describes how after the war, ethnographic film-makers developed various different modes of authorship inspired by the ideas of Jean Rouch, Robert Gardner and Colin Young. It also considers films made from the 1970s by the indigenous subjects themselves as well as those made for British television up until the 1990s. In the final part, it examines various possible models for the future of ethnographic film.
588 0 _aPrint version record.
506 0 _aOpen Access
_5EbpS
650 0 _aEthnographic films
_xAuthorship.
_938869
650 0 _aEthnographic films
_xHistory and criticism.
_938870
650 7 _aEthnographic films.
_2fast
_0(OCoLC)fst00916086
_938871
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aHenley, Paul.
_tBeyond observation.
_dManchester : Manchester University Press, [2020]
_z1526131366
_w(OCoLC)1104070201
830 0 _aAnthropology, creative practice and ethnography.
_938872
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2959693
938 _aEBSCOhost
_bEBSC
_n2959693
942 _cEBK
994 _aC0
_bN$T
999 _c6762
_d6762