000			03990cam a2200685Mi 4500
001			on1046617096
003			OCoLC
005			20220517104557.0
006			m d
007			cr |||||||||||
008			180725s2018 gw fod z000 0 eng d
040			_aDEGRU _beng _erda _cDEGRU _dOCLCO _dOCLCF _dNLE _dOCLCQ _dDEGRU _dUKMGB _dOCLCQ _dSFB _dN$T
015			_aGBB8E3342 _2bnb
016	7		_a018878643 _2Uk
020			_a3839437628
020			_a9783839437629 _q(electronic bk.)
024	7		_a10.14361/9783839437629 _2doi
035			_a2962136 _b(N$T)
035			_a(OCoLC)1046617096
037			_a9783839437629 _btranscript Verlag
050		4	_aN8790 _b.F35 2018
072		7	_aART009000 _2bisacsh
072		7	_aHIS054000 _2bisacsh
072		7	_aLIT000000 _2bisacsh
082	0	4	_a700
049			_aMAIN
245	0	0	_aFaking, Forging, Counterfeiting : _bDiscredited Practices at the Margins of Mimesis / _cYola Schmitz, Annalisa Fischer, Daniel Becker.
264		1	_aBielefeld : _bTranscript-Verlag, _c[2018]
264		4	_c©2018
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aEdition Kulturwissenschaft ; _v128
505	0	0	_tFrontmatter -- _tTable of Contents -- _tPreface / _rFischer, Annalisa -- _tSix Degrees of Separation / _rKeazor, Henry -- _tForgery: The Art of Deception / _rBach, Friedrich Teja -- _tThe Artist and the Mountebank / _rHylkema, Jacqueline -- _tAping the Master / _rMühlbacher, Manuel -- _tFracture, Facture and the Collecting of Islamic Art / _rGraves, Margaret S. -- _tShape-shifters of Transculturation / _rÖcal, Tina -- _tFake Supreme / _rBenesch, Klaus -- _tReflections on Plagiarism in Jorge Luis Borgesʼs Works / _rSannders, Florencia -- _t"I have chosen to write notes on imaginary books" / _rKohlrausch, Laura -- _tFaked Translations / _rSchmitz, Yola -- _tCreating a Cult, Faking Relics / _rFenelli, Laura -- _tDesiring Fakes / _rBecker, Daniel -- _tUnmasking the Fake / _rNiehoff, Simone -- _tContributors -- _tIllustration Credits.
520			_aForgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.
546			_aIn English.
588	0		_aOnline resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018).
506	0		_aOpen Access _5EbpS
590			_aAdded to collection customer.56279.3
650		0	_aArt _xForgeries _vCongresses. _940053
650		0	_aMimesis in art _vCongresses. _940054
650		7	_aSocial & cultural history. _2bicssc
650		7	_aArt _xForgeries. _2fast _0(OCoLC)fst00815252 _940055
650		7	_aMimesis in art. _2fast _0(OCoLC)fst01896117 _940056
655		7	_aConference papers and proceedings. _2fast _0(OCoLC)fst01423772
655		4	_aElectronic books.
700	1		_aBecker, Daniel, _eeditor. _940057
700	1		_aFischer, Annalisa, _eeditor. _940058
700	1		_aNiehoff, Simone. _940059
700	1		_aSannders, Florencia. _940060
700	1		_aSchmitz, Yola, _eeditor. _940061
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2962136
938			_aDe Gruyter _bDEGR _n9783839437629
938			_aEBSCOhost _bEBSC _n2962136
942			_cEBK
994			_a92 _bN$T
999			_c6940 _d6940