000 04090cam a22006737i 4500
001 on1198929269
003 OCoLC
005 20220517104558.0
006 m d
007 cr |n|||||||||
008 200915t20202019gw a fob z001 0 eng d
040 _aDEGRU
_beng
_erda
_cDEGRU
_dUAB
_dUEJ
_dUIU
_dEMU
_dOCLCO
_dSFB
_dN$T
019 _a1229455866
020 _a3839439027
020 _a9783839439029
_q(electronic bk.)
020 _z9783837639025
020 _z3837639029
024 7 _a10.14361/9783839439029
_2doi
035 _a2962144
_b(N$T)
035 _a(OCoLC)1198929269
_z(OCoLC)1229455866
050 4 _aTR267
_b.G86 2019
072 7 _aART015110
_2bisacsh
082 0 4 _a771
_223
049 _aMAIN
100 1 _aGunti, Claus,
_eauthor.
_940122
245 1 0 _aDigital image systems :
_bphotography and new technologies at the Düsseldorf School /
_cClaus Gunti.
264 1 _aBielefeld :
_btranscript-Verlag,
_c[2020]
264 4 _c©2019
300 _a1 online resource (350 pages) :
_billustrations, portraits.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aImage ;
_v[116]
546 _aIn English.
500 _aSeries number missing in the book.
504 _aIncludes bibliographical references (pages 334-344) and index.
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_tA FRAMING THE DÜSSELDORF SCHOOL --
_tB WHAT IS DIGITAL PHOTOGRAPHY? --
_tIntroduction --
_tA EMERGENCE OF A GERMAN DOCUMENTARY TRADITION --
_tB THE END OF PHOTOGRAPHY --
_tC DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY --
_tIntroduction --
_tA PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S --
_tB SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN --
_tIntroduction --
_tA DIGITAL RETOUCHING TOOLS --
_tB DIGITAL STITCHING --
_tC EARLY DIGITAL COMPOSITIONS --
_tD THOMAS RUFF'S ANALOGUE AND DIGITAL EXPERIMENTS WITH THE PORTRAIT --
_tIntroduction --
_tA COMPLEX COMPOSITES: ANDREAS GURSKY'S GENERIC WORLD --
_tB IMAGE RECYCLING AND APPROPRIATIVE POSITIONS --
_tC THOMAS RUFF'S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION --
_tD GENERIC PICTURE REALITIES --
_t5 Conclusion --
_tA BIBLIOGRAPHY --
_tB INDEX --
_tC ACKNOWLEDGEMENTS
520 _aHow have digital technologies affected the truth claim of photography? What has been the artistic response to the technological and societal transformations the digital revolution has brought about?Claus Gunti explores the widespread implications of the digital in the work of renowned photographers of the Düsseldorf School, Thomas Ruff, Andreas Gursky and Jörg Sasse, stretching from ties to conceptual art to the development of a globalized visual culture. The study provides a model for understanding the digital revolution in photography and shows that it ought to be understood beyond a strictly technological perspective.
536 _aFunded by Swiss National Science Foundation (SNSF)
588 0 _aOnline resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020).
506 0 _aOpen Access
_5EbpS
590 _aAdded to collection customer.56279.3
610 2 0 _aDüsseldorfer Photoschule.
_940123
650 0 _aPhotography
_xDigital techniques.
_9944
650 0 _aImage processing
_xDigital techniques.
_91111
650 7 _aART / History / Contemporary (1945-).
_2bisacsh
_940124
650 7 _aImage processing
_xDigital techniques.
_2fast
_0(OCoLC)fst00967508
_91111
650 7 _aPhotography
_xDigital techniques.
_2fast
_0(OCoLC)fst01061736
_9944
655 4 _aElectronic books.
710 2 _aSwiss National Science Foundation (SNSF)
_efunder.
_4fnd
_4http://id.loc.gov/vocabulary/relators/fnd
_940125
830 0 _aImage (Transcript (Firm)) ;
_vv. 116.
_929580
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2962144
938 _aDe Gruyter
_bDEGR
_n9783839439029
938 _aEBSCOhost
_bEBSC
_n2962144
942 _cEBK
994 _a92
_bN$T
999 _c6948
_d6948