000 | 04090cam a22006737i 4500 | ||
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001 | on1198929269 | ||
003 | OCoLC | ||
005 | 20220517104558.0 | ||
006 | m d | ||
007 | cr |n||||||||| | ||
008 | 200915t20202019gw a fob z001 0 eng d | ||
040 |
_aDEGRU _beng _erda _cDEGRU _dUAB _dUEJ _dUIU _dEMU _dOCLCO _dSFB _dN$T |
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019 | _a1229455866 | ||
020 | _a3839439027 | ||
020 |
_a9783839439029 _q(electronic bk.) |
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020 | _z9783837639025 | ||
020 | _z3837639029 | ||
024 | 7 |
_a10.14361/9783839439029 _2doi |
|
035 |
_a2962144 _b(N$T) |
||
035 |
_a(OCoLC)1198929269 _z(OCoLC)1229455866 |
||
050 | 4 |
_aTR267 _b.G86 2019 |
|
072 | 7 |
_aART015110 _2bisacsh |
|
082 | 0 | 4 |
_a771 _223 |
049 | _aMAIN | ||
100 | 1 |
_aGunti, Claus, _eauthor. _940122 |
|
245 | 1 | 0 |
_aDigital image systems : _bphotography and new technologies at the Düsseldorf School / _cClaus Gunti. |
264 | 1 |
_aBielefeld : _btranscript-Verlag, _c[2020] |
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264 | 4 | _c©2019 | |
300 |
_a1 online resource (350 pages) : _billustrations, portraits. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 1 |
_aImage ; _v[116] |
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546 | _aIn English. | ||
500 | _aSeries number missing in the book. | ||
504 | _aIncludes bibliographical references (pages 334-344) and index. | ||
505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction -- _tA FRAMING THE DÜSSELDORF SCHOOL -- _tB WHAT IS DIGITAL PHOTOGRAPHY? -- _tIntroduction -- _tA EMERGENCE OF A GERMAN DOCUMENTARY TRADITION -- _tB THE END OF PHOTOGRAPHY -- _tC DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY -- _tIntroduction -- _tA PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S -- _tB SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN -- _tIntroduction -- _tA DIGITAL RETOUCHING TOOLS -- _tB DIGITAL STITCHING -- _tC EARLY DIGITAL COMPOSITIONS -- _tD THOMAS RUFF'S ANALOGUE AND DIGITAL EXPERIMENTS WITH THE PORTRAIT -- _tIntroduction -- _tA COMPLEX COMPOSITES: ANDREAS GURSKY'S GENERIC WORLD -- _tB IMAGE RECYCLING AND APPROPRIATIVE POSITIONS -- _tC THOMAS RUFF'S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION -- _tD GENERIC PICTURE REALITIES -- _t5 Conclusion -- _tA BIBLIOGRAPHY -- _tB INDEX -- _tC ACKNOWLEDGEMENTS |
520 | _aHow have digital technologies affected the truth claim of photography? What has been the artistic response to the technological and societal transformations the digital revolution has brought about?Claus Gunti explores the widespread implications of the digital in the work of renowned photographers of the Düsseldorf School, Thomas Ruff, Andreas Gursky and Jörg Sasse, stretching from ties to conceptual art to the development of a globalized visual culture. The study provides a model for understanding the digital revolution in photography and shows that it ought to be understood beyond a strictly technological perspective. | ||
536 | _aFunded by Swiss National Science Foundation (SNSF) | ||
588 | 0 | _aOnline resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020). | |
506 | 0 |
_aOpen Access _5EbpS |
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590 | _aAdded to collection customer.56279.3 | ||
610 | 2 | 0 |
_aDüsseldorfer Photoschule. _940123 |
650 | 0 |
_aPhotography _xDigital techniques. _9944 |
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650 | 0 |
_aImage processing _xDigital techniques. _91111 |
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650 | 7 |
_aART / History / Contemporary (1945-). _2bisacsh _940124 |
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650 | 7 |
_aImage processing _xDigital techniques. _2fast _0(OCoLC)fst00967508 _91111 |
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650 | 7 |
_aPhotography _xDigital techniques. _2fast _0(OCoLC)fst01061736 _9944 |
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655 | 4 | _aElectronic books. | |
710 | 2 |
_aSwiss National Science Foundation (SNSF) _efunder. _4fnd _4http://id.loc.gov/vocabulary/relators/fnd _940125 |
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830 | 0 |
_aImage (Transcript (Firm)) ; _vv. 116. _929580 |
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856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2962144 |
938 |
_aDe Gruyter _bDEGR _n9783839439029 |
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938 |
_aEBSCOhost _bEBSC _n2962144 |
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942 | _cEBK | ||
994 |
_a92 _bN$T |
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999 |
_c6948 _d6948 |