000			04144cam a2200781Mi 4500
001			on1105916920
003			OCoLC
005			20220517104609.0
006			m d
007			cr |||||||||||
008			190620s2019 gw fod z000 0 eng d
040			_aDEGRU _beng _erda _cDEGRU _dJSTOR _dYOU _dOCLCF _dUKMGB _dSNU _dUKKNU _dN$T
015			_aGBC038380 _2bnb
016	7		_a019728596 _2Uk
020			_a3839446678
020			_a9783839446676 _q(electronic bk.)
024	7		_a10.14361/9783839446676 _2doi
035			_a2962240 _b(N$T)
035			_a(OCoLC)1105916920
037			_a22573/ctvnp0r26 _bJSTOR
050		4	_aML3800
072		7	_aMUS020000 _2bisacsh
072		7	_aSOC _x000000 _2bisacsh
082	0	4	_a780.1 _223
049			_aMAIN
245	0	0	_aMusic Practices Across Borders : _b(E)Valuating Space, Diversity and Exchange / _cKonstantin Hondros, Glaucia Peres da Silva.
264		1	_aBielefeld : _btranscript-Verlag, _c[2019]
264		4	_c©2019
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aMusik und Klangkultur ; _v35
505	0	0	_tFrontmatter -- _tContent -- _tIntroduction-Music practices across borders / _rPeres da Silva, Glaucia / Hondros, Konstantin -- _tValuation in a reversed economy / _rFryberger, Annelies -- _tCulture, creativity and practice / _rWafula, Mukasa Situma -- _t"Come and expose yourself to the fantastic music from around the world" / _rLell, Peter -- _tFrom desire for recognition to desire for independence / _rLe Coz, Sandrine -- _tThe invention of African art music / _rRiva, Nepomuk -- _tContemplating musical life in Tunisia under the French protectorate-the society and challenges / _rEl Kahla, Alla -- _tThe construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century / _rAnabel González, Daniela -- _tBrazilian grooves and cultured clichés / _rBoy Bystron, Janco / Santana, Chico -- _tAbout the authors
520			_aReconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Jun 2019).
506	0		_aOpen Access _5EbpS
590			_aAdded to collection customer.56279.3
650		0	_aMusic.
650		0	_aMusicology.
650		0	_aEthnomusicology.
650		4	_aEvaluation.
650		4	_aGlobalization.
650		4	_aInterculturalism. _940937
650		4	_aMigration.
650		4	_aMusic.
650		4	_aMusicology.
650		4	_aSociology of Culture. _923549
650		4	_aTransnational.
650		7	_aTheory of music & musicology. _2bicssc _940938
650		7	_aMUSIC / History & Criticism. _2bisacsh _912642
650		7	_aSOCIAL SCIENCE / General _2bisacsh
650		7	_aEthnomusicology. _2fast _0(OCoLC)fst00916186
650		7	_aMusic. _2fast _0(OCoLC)fst01030269
650		7	_aMusicology. _2fast _0(OCoLC)fst01030893
655		4	_aElectronic books.
700	1		_aHondros, Konstantin, _eeditor. _940939
700	1		_aPeres da Silva, Glaucia, _eeditor. _940940
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2962240
938			_aKnowledge Unlatched _bKNOW _na18a5623-202e-4107-a2f6-d226fdd1c7e1
938			_aDe Gruyter _bDEGR _n9783839446676
938			_aEBSCOhost _bEBSC _n2962240
942			_cEBK
994			_a92 _bN$T
999			_c7041 _d7041