000			04241cam a2200805Mi 4500
001			on1135569948
003			OCoLC
005			20220517104614.0
006			m d
007			cr |||||||||||
008			191221s2019 gw fod z000 0 eng d
040			_aDEGRU _beng _erda _epn _cDEGRU _dOCLCQ _dUKKNU _dSFB _dUAB _dVT2 _dUKMGB _dN$T _dOCLCO _dOCLCF
015			_aGBC171824 _2bnb
016	7		_a019706013 _2Uk
019			_a1291322504
020			_a3839448468
020			_a9783839448465 _q(electronic bk.)
024	7		_a10.14361/9783839448465 _2doi
035			_a2962270 _b(N$T)
035			_a(OCoLC)1135569948 _z(OCoLC)1291322504
037			_a9783839448465 _btranscript Verlag
050		4	_aTA1653
072		7	_aSOC052000 _2bisacsh
082	0	4	_a006.3/7 _223
049			_aMAIN
100	1		_aLee-Morrison, Lila, _eauthor _4aut _4http://id.loc.gov/vocabulary/relators/aut _941222
245	1	0	_aPortraits of Automated Facial Recognition : _bOn Machinic Ways of Seeing the Face / _cLila Lee-Morrison.
264		1	_aBielefeld : _bTranscript-Verlag, _c[2019]
264		4	_c©2019
300			_a1 online resource (198 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	1		_aImage ; _v162
505	0	0	_tFrontmatter -- _tTable of Contents -- _tAbstract -- _tAcknowledgements -- _tChapter 1: Introduction -- _tPart I: Aesthetics of an Algorithm -- _tChapter 2: Eigenface -- _tChapter 3: Francis Galton and the Composite Portrait -- _tChapter 4: Wittgenstein and the Composite Portrait -- _tPart II: Artistic Interventions -- _tChapter 5: Portraiture in the Age of AFR -- _tChapter 6: Metaportraits: Thomas Ruff, andere Portraits -- _tChapter 7: Faces in Excess: Zach Blas, Facial Weaponization Suite -- _tChapter 8: An Algorithmic Ready-made: Trevor Paglen, Adversarially Evolved Hallucination and Eigenface (Even The Dead Are Not Safe) -- _tChapter 9: Conclusion -- _tReferences -- _tList of Images
520			_aThrough a critical perspective on visual culture studies, this book offers a unique analysis of the use of automated facial recognition algorithms as they increasingly intervene in society. The first part of this study traces the history of merging statistics and vision by reviewing the example of an early facial recognition algorithm called "eigenface", while the second part addresses contemporary artistic interventions including the work of Thomas Ruff, Zach Blas and Trevor Paglen. This book argues for a closer look at automated facial recognition based on an understanding of its technical processes as not only embedded in historical practices of visuality, but also as redefining what it means to see and be seen in the present.
546			_aIn English.
588	0		_aOnline resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019).
506	0		_aOpen Access _5EbpS
590			_aWorldCat record variable field(s) change: 072
650		0	_aHuman face recognition (Computer science) _941223
650		0	_aFace perception. _941224
650		0	_aPortraits. _941225
650		0	_aMass media.
650		0	_aCommunication. Mass media. _921624
650		7	_aMedia studies. _2bicssc
650		7	_aSOCIAL SCIENCE _xMedia Studies. _2bisacsh
650		7	_aFace perception. _2fast _0(OCoLC)fst00919562 _941224
650		7	_aHuman face recognition (Computer science) _2fast _0(OCoLC)fst00963060 _941223
650		7	_aMass media. _2fast _0(OCoLC)fst01011219
650		7	_aPortraits. _2fast _0(OCoLC)fst01072324 _941225
653			_aImage.
653			_aMedia Aesthetics.
653			_aMedia Art.
653			_aMedia Studies.
653			_aPhotography.
653			_aTechnology.
653			_aVisual Studies.
655		4	_aElectronic books.
776	0		_z3-8376-4846-X
830		0	_aImage Ser. _941226
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2962270
938			_aKnowledge Unlatched _bKNOW _nc06ca023-1d2e-45a7-aa02-34cfe6fe398d
938			_aDe Gruyter _bDEGR _n9783839448465
938			_aEBSCOhost _bEBSC _n2962270
942			_cEBK
994			_a92 _bN$T
999			_c7071 _d7071