000			05822cam a2200745Mi 4500
001			on1248759235
003			OCoLC
005			20220517104622.0
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007			cr |||||||||||
008			210421t20212021gw fod z000 0 eng d
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020			_a3839450950
020			_a9783839450956 _q(electronic bk.)
024	7		_a10.14361/9783839450956 _2doi
035			_a2962325 _b(N$T)
035			_a(OCoLC)1248759235
050		4	_aML197.2
072		7	_aMUS020000 _2bisacsh
082	0	4	_a780
084			_aLP 19507 _2rvk _0(DE-625)rvk/105954:13535
049			_aMAIN
100	1		_aUtz, Christian, _eauthor _4aut _4http://id.loc.gov/vocabulary/relators/aut _941859
245	1	0	_aMusical Composition in the Context of Globalization : _bNew Perspectives on Music History in the 20th and 21st Century / _cChristian Utz.
264		1	_aBielefeld : _bTranscript-Verlag, _c[2021]
264		4	_c©2021
300			_a1 online resource (528 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file
347			_bPDF
490	0		_aMusik und Klangkultur ; _v43
505	0	0	_tFrontmatter -- _tTable of Contents -- _tPreface -- _tPreface to the Revised and Expanded English Edition -- _tAcknowledgements -- _tList of Examples, Figures, and Tables -- _tI. Introduction: Art Music, Identity, and Reflexive Globalization -- _t1. Art Music in a Global Context -- _t2. Identity Criticism and Reflexive Globalization -- _t3. Discourses of Intercultural Composition -- _tII. Toward an Entangled History of Twentieth-Century Music in a Global Context -- _t1. Preliminaries of an Intercultural Music Historiography -- _t2. Internationalism and Universalism: Repercussions of Political and Cultural History -- _t3. The Ambivalence of the Local in Twentieth-Century Music -- _t4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- _t5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- _t6. Categories of Intercultural Reception in Western Composition -- _tIII. Studies on the History and Analysis of New East Asian Music -- _t1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- _t2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- _t3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- _t4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- _t5. Intercultural Narrativity in East Asian Art Music since the 1990s -- _t6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- _tIV. The shō Context -- _t1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- _t2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- _tV. New Music and Beyond: Music-Historical and Cultural Entanglements -- _t1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- _t2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- _t3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- _tVI. Reflections on My Own Composing as a Search for Traces in the In-Between -- _t1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- _t2. Stratification and Analysis -- _t3. Intercultural and Multilingual Trajectories of the Human Voice -- _t4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- _tBibliography -- _tAppendix -- _tIndex
520			_aSince the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st centuries. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society is placed at the center of attention and considered a pivotal music-historical dynamic.
546			_aIn English.
588	0		_aOnline resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021).
506	0		_aOpen Access _5EbpS
590			_aAdded to collection customer.56279.3
650		0	_aMusic.
650		7	_aMUSIC _xHistory & Criticism. _2bisacsh _929390
650		7	_aMusic. _2fast _0(OCoLC)fst01030269
653			_a20th Century.
653			_aAsia.
653			_aChina.
653			_aCultural History.
653			_aCultural Studies.
653			_aEntangled Histories.
653			_aGlobalization.
653			_aInterculturalism.
653			_aJapan.
653			_aKorea.
653			_aMusic.
653			_aMusicology.
653			_aTransnationalism.
655		4	_aElectronic books.
700	1		_aLaurence Sinclair Willis. _941860
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2962325
938			_aDe Gruyter _bDEGR _n9783839450956
938			_aKnowledge Unlatched _bKNOW _nfb5a041f-4520-454f-be3c-4ace70812268
938			_aEBSCOhost _bEBSC _n2962325
942			_cEBK
994			_a92 _bN$T
999			_c7122 _d7122