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019 _a1229604594
_a1229625871
020 _a9783839452431
_q(electronic bk.)
020 _a3839452430
020 _a9783837652437
020 _a3837652432
024 7 _a10.14361/9783839452431
_2doi
035 _a2962360
_b(N$T)
050 4 _aML35
_b.F37 2020
072 7 _aBUS041000
_2bisacsh
082 0 4 _a780.794
_223
100 1 _aFarnsworth, Brandon,
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_942398
245 1 0 _aCurating Contemporary Music Festivals :
_bA New Perspective on Music's Mediation /
_cBrandon Farnsworth.
264 1 _aBielefeld :
_btranscript-Verlag,
_c[2020]
264 4 _c©2020
300 _a1 online resource (326 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aMusic and sound culture ;
_vv. 47
505 0 0 _tFrontmatter --
_tContents --
_tImage and Figure Rights --
_t1.1 Establishing the Field --
_t1.2 The State of the Art --
_t1.3 Scope and Overview --
_t2.1 Introduction --
_t2.2 The Anatomy of Festivals and Biennales --
_t2.3 Curating Biennales --
_t2.4 Curatorial Discourse --
_t2.5 Conclusion --
_t3.1 Introduction --
_t3.2 Reading Shannon Jackson --
_t3.3 Curating Dance / Dance Curating --
_t3.4 Curating Theatre / Theatre Curating --
_t3.5 Conclusion --
_t4.1 Introduction --
_t4.2 Hans Werner Henze --
_t4.3 Music Theatre? --
_t4.4 Peter Ruzicka --
_t4.5 Daniel Ott and Manos Tsangaris (DOMTS) --
_t4.6 The 2016 and 2018 Biennale Editions --
_t4.7 Compositional and Curatorial Practices --
_t4.8 The Munich Biennale in Numbers. --
_t4.9 Conclusion --
_t5.1 Introduction --
_t5.2 A Brief Prehistory to the Maerzmusik Festival --
_t5.3 Maerzmusik 2002-2014 --
_t5.4 Berno Odo Polzer --
_t5.5 2017 Opening Concert: Julius Eastman --
_t5.6 Storytelling for Earthly Survival --
_t5.7 Curating and the Maerzmusik Festival --
_t5.8 Decolonizing Time --
_t5.9 Conclusion/Coda/Konzertemacher --
_t6. Conclusion/Curating Music --
_tBibliography --
_tAppendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018
520 _aContemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
536 _afunded by Zürcher Hochschule der Künste
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020).
506 0 _aOpen Access
_5EbpS
650 0 _aMusic festivals.
_942399
650 4 _aBerliner Festspiele.
_942400
650 4 _aCultural Management.
_942401
650 4 _aMunich Biennale For New Music Theatre.
_942402
650 4 _aMusic Management.
_942403
650 4 _aMusic.
650 4 _aMusicology.
650 4 _aMünchner Biennale Für Neues Musiktheater.
_942404
650 4 _aNeue Musik.
_942405
650 4 _aNew Music.
_942406
650 7 _aBUSINESS & ECONOMICS / Management.
_2bisacsh
650 7 _aMusic festivals.
_2fast
_0(OCoLC)fst01030529
_942399
655 0 _aElectronic books.
655 4 _aElectronic books.
710 2 _aZürcher Hochschule der Künste
_efunder.
_4fnd
_4http://id.loc.gov/vocabulary/relators/fnd
_942407
830 0 _aMusik und Klangkultur ;
_vv. 47.
_942408
856 4 0 _3EBSCOhost
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938 _aYBP Library Services
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938 _aKnowledge Unlatched
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938 _aDe Gruyter
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938 _aEBSCOhost
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