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_a9783839452431 _q(electronic bk.) |
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020 | _a9783837652437 | ||
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_a10.14361/9783839452431 _2doi |
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_aML35 _b.F37 2020 |
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_aBUS041000 _2bisacsh |
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082 | 0 | 4 |
_a780.794 _223 |
100 | 1 |
_aFarnsworth, Brandon, _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _942398 |
|
245 | 1 | 0 |
_aCurating Contemporary Music Festivals : _bA New Perspective on Music's Mediation / _cBrandon Farnsworth. |
264 | 1 |
_aBielefeld : _btranscript-Verlag, _c[2020] |
|
264 | 4 | _c©2020 | |
300 | _a1 online resource (326 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 1 |
_aMusic and sound culture ; _vv. 47 |
|
505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tImage and Figure Rights -- _t1.1 Establishing the Field -- _t1.2 The State of the Art -- _t1.3 Scope and Overview -- _t2.1 Introduction -- _t2.2 The Anatomy of Festivals and Biennales -- _t2.3 Curating Biennales -- _t2.4 Curatorial Discourse -- _t2.5 Conclusion -- _t3.1 Introduction -- _t3.2 Reading Shannon Jackson -- _t3.3 Curating Dance / Dance Curating -- _t3.4 Curating Theatre / Theatre Curating -- _t3.5 Conclusion -- _t4.1 Introduction -- _t4.2 Hans Werner Henze -- _t4.3 Music Theatre? -- _t4.4 Peter Ruzicka -- _t4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- _t4.6 The 2016 and 2018 Biennale Editions -- _t4.7 Compositional and Curatorial Practices -- _t4.8 The Munich Biennale in Numbers. -- _t4.9 Conclusion -- _t5.1 Introduction -- _t5.2 A Brief Prehistory to the Maerzmusik Festival -- _t5.3 Maerzmusik 2002-2014 -- _t5.4 Berno Odo Polzer -- _t5.5 2017 Opening Concert: Julius Eastman -- _t5.6 Storytelling for Earthly Survival -- _t5.7 Curating and the Maerzmusik Festival -- _t5.8 Decolonizing Time -- _t5.9 Conclusion/Coda/Konzertemacher -- _t6. Conclusion/Curating Music -- _tBibliography -- _tAppendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 |
520 | _aContemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be. | ||
536 | _afunded by Zürcher Hochschule der Künste | ||
546 | _aIn English. | ||
588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020). | |
506 | 0 |
_aOpen Access _5EbpS |
|
650 | 0 |
_aMusic festivals. _942399 |
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650 | 4 |
_aBerliner Festspiele. _942400 |
|
650 | 4 |
_aCultural Management. _942401 |
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650 | 4 |
_aMunich Biennale For New Music Theatre. _942402 |
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650 | 4 |
_aMusic Management. _942403 |
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650 | 4 | _aMusic. | |
650 | 4 | _aMusicology. | |
650 | 4 |
_aMünchner Biennale Für Neues Musiktheater. _942404 |
|
650 | 4 |
_aNeue Musik. _942405 |
|
650 | 4 |
_aNew Music. _942406 |
|
650 | 7 |
_aBUSINESS & ECONOMICS / Management. _2bisacsh |
|
650 | 7 |
_aMusic festivals. _2fast _0(OCoLC)fst01030529 _942399 |
|
655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
710 | 2 |
_aZürcher Hochschule der Künste _efunder. _4fnd _4http://id.loc.gov/vocabulary/relators/fnd _942407 |
|
830 | 0 |
_aMusik und Klangkultur ; _vv. 47. _942408 |
|
856 | 4 | 0 |
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