000			05343cam a2200877Mi 4500
001			on1049912220
003			OCoLC
005			20220517104705.0
006			m d
007			cr |n|---|||||
008			180825s2015 gw o 000 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dOCLCQ _dFIE _dOCLCQ _dUKKNU _dVT2 _dN$T _dAUD _dFWR
019			_a1295889992 _a1295918315
020			_a3839408423
020			_a9783839408421 _q(electronic bk.)
024	7		_a10.14361/9783839408421 _2doi
035			_a2970826 _b(N$T)
035			_a(OCoLC)1049912220 _z(OCoLC)1295889992 _z(OCoLC)1295918315
050		4	_aQA76.76.I59
072		7	_aJFD _2bicssc
082	0	4	_a302.231
084			_aAP 11800 _2rvk
049			_aMAIN
100	1		_aSeifert, Uwe, _eauthor _944957
245	1	0	_aParadoxes of Interactivity : _bPerspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations.
264		1	_aBielefeld : _bTranscript Verlag, _c2015.
300			_a1 online resource (344 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aKultur- und Medientheorie Ser.
588	0		_aPrint version record.
505	0		_aIntro; CONTENTS; The Co-Evolution of Humans and Machines: A Paradox of Interactivity; I. Rethinking Interactivity; Does the Body Disappear? A Comment on Computer Generated Spaces; Transparency and Opacity: Interface Technology of Mediation in New Media Art; Where the Action is: Distributed Agency between Humans, Machines, and Programs; Surface, Interface, Subface: Three Cases of Interaction and One Concept; Double Cross Playing Diamonds: Understanding Interactivity in/between Bigraphs and Diamonds; II. Interplay between Art, Science, and Technology.
505	8		_aWhere Art and Science Meet (or Where They Work at Cross-Purposes)Time, Magma, Continuity: Some Remarks on In-Formation and the Fabrication of "Poiesis"; Implications of Unfolding; UNORTKATASTER: An Urban Experiment Towards Participatory Media Development; Modelling and Analysing Expressive Gesture in Multimodal Systems; III. Interactive Media Performances: Past, Present, and Future; Interaction Computer Dance: The Resonance Paradigm 1900/2000; Staging of the Thinking Space: From Immersion to Performative Presence; From Interactive Live Electronic Music to New Media Art.
505	8		_aExtending the Musical Experience: From the Physical to the Digital and BackVirtual Musical Instruments and Robot Music Performances; Authors' Biographies.
520			_aCurrent findings from anthropology, genetics, prehistory, cognitive and neuroscience indicate that human nature is grounded in a co-evolution of tool use, symbolic communication, social interaction and cultural transmission. Digital information technology has recently entered as a new tool in this co-evolution, and will probably have the strongest impact on shaping the human mind in the near future. A common effort from the humanities, the sciences, art and technology is necessary to understand this ongoing co- evolutionary process. Interactivity is a key for understanding the new relationships formed by humans with social robots as well as interactive environments and wearables underlying this process. Of special importance for understanding interactivity are human-computer and human-robot interaction, as well as media theory and New Media Art. "Paradoxes of Interactivity" brings together reflections on "interactivity" from different theoretical perspectives, the interplay of science and art, and recent technological developments for artistic applications, especially in the realm of sound.-- _cProvided by publisher.
546			_aEnglish.
590			_aWorldCat record variable field(s) change: 072
650		0	_aCommunication. Mass media. _921624
650		4	_aDigital Media.
650		4	_aHuman.
650		4	_aHuman-Computer Interaction.
650		4	_aInteractivity. _944958
650		4	_aMedia Art. _99745
650		4	_aMedia Philosophy. _944959
650		4	_aMedia Studies.
650		4	_aMedia Theory. _944960
650		4	_aMedia.
650		4	_aMusic.
650		4	_aTechnology.
650		7	_aSOCIAL SCIENCE / Media Studies. _2bisacsh
650		7	_aMedia studies. _2bicssc
653			_aDigital Media.
653			_aHuman-Computer Interaction.
653			_aHuman.
653			_aInteractivity.
653			_aMedia Art.
653			_aMedia Philosophy.
653			_aMedia Studies.
653			_aMedia Theory.
653			_aMedia.
653			_aMusic.
653			_aTechnology.
655		4	_aElectronic books.
700	1		_aKim, Jin Hyun. _944961
700	1		_aMoore, Anthony. _944962
776	0	8	_iPrint version: _aSeifert, Uwe. _tParadoxes of Interactivity : Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations. _dBielefeld : Transcript Verlag, ©2015
830		0	_aKultur- und Medientheorie Ser. _944963
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2970826
938			_aKnowledge Unlatched _bKNOW _n8dc0fd45-935a-4608-af47-8efe6afcb291
938			_aProQuest Ebook Central _bEBLB _nEBL5494295
938			_aEBSCOhost _bEBSC _n2970826
942			_cEBK
994			_a92 _bN$T
999			_c7494 _d7494