000			04151cam a22006498i 4500
001			on1261768488
003			OCoLC
005			20220517104719.0
006			m d
007			cr |||||||||||
008			210723s2021 enk ob 001 0 eng
010			_a 2021036337
040			_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dTYFRS _dN$T _dYDX
020			_a9781003183648 _q(ebook)
020			_a1003183646
020			_a9781000509496 _q(electronic bk. : EPUB)
020			_a1000509494 _q(electronic bk. : EPUB)
020			_a100050946X _q(electronic bk. : PDF)
020			_a9781000509465 _q(electronic bk.)
020			_z9781032025032 _q(hardback)
035			_a2992469 _b(N$T)
035			_a(OCoLC)1261768488
037			_a9781003183648 _bTaylor & Francis
042			_apcc
050	0	0	_aML3921.8.P67
072		7	_aMUS _x048000 _2bisacsh
072		7	_aMUS _x054000 _2bisacsh
072		7	_aAV _2bicssc
082	0	0	_a781.64/112 _223
049			_aMAIN
100	1		_aKärjä, Antti-Ville, _eauthor. _945971
245	1	4	_aThe popular and the sacred in music / _cAntti-Ville Kärjä.
250			_a[01.].
263			_a2112
264		1	_aAbingdon, Oxon ; _aNew York : _bRoutledge, _c2021.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- Origins and effects -- Ingenuity and authenticity -- Religion and moral ambiguities -- Subcultures and generations -- Politics and resistance -- Conclusion.
520			_a"Music, as the form of art whose name derives from ancient myths, is often thought of as pure symbolic expression and associated with transcendence. Music is also a universal phenomenon and thus a profound marker of humanity. These features make music a sphere of activity where sacred and popular qualities intersect and amalgamate. In an era characterised by postsecular and postcolonial processes of religious change, re-enchantment and alternative spiritualities, the intersections of the popular and the sacred in music have become increasingly multifarious. In the book, the cultural dynamics at stake are approached by stressing the extended and multiple dimensions of the sacred and the popular, hence challenging conventional, taken-for-granted and rigid conceptualisations of both popular music and sacred music. At issue are the cultural politics of labelling music as either popular or sacred, and the disciplinary and theoretical implications of such labelling. Instead of focussing on specific genres of popular music or types of religious music, consideration centres on interrogating musical situations where a distinction between the popular and the sacred is misleading, futile and even impossible. The topic is discussed in relation to a diversity of belief systems and different repertoires of music, including classical, folk and jazz, by considering such themes as origin myths, autonomy, ingenuity and stardom, authenticity, moral ambiguity, subcultural sensibilities and political ideologies"-- _cProvided by publisher.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
545	0		_aAntti-Ville Kr̃j ̃is Professor of Cultural Music Research, University of the Arts Helsinki, Finland.
590			_aAdded to collection customer.56279.3
650		0	_aPopular music _xReligious aspects. _945972
650		7	_aMUSIC / Religious / General _2bisacsh _945973
650		7	_aPopular music _xReligious aspects. _2fast _0(OCoLC)fst01071454 _945972
655		4	_aElectronic books.
776	0	8	_iPrint version: _aKärjä, Antti-Ville. _tPopular and the sacred in music _b[01.] _dAbingdon, Oxon ; New York : Routledge, 2021 _z9781032025032 _w(DLC) 2021036336
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2992469
938			_aYBP Library Services _bYANK _n302671664
938			_aEBSCOhost _bEBSC _n2992469
942			_cEBK
994			_a92 _bN$T
999			_c7637 _d7637