000			04285cam a22007458i 4500
001			on1281792366
003			OCoLC
005			20220517104729.0
006			m d
007			cr |||||||||||
008			211021s2022 nyu ob 001 0 eng
010			_a 2021041090
040			_aDLC _beng _erda _cDLC _dOCLCF _dOCLCO _dUKMGB _dN$T
015			_aGBC1L3695 _2bnb
016	7		_a020432903 _2Uk
019			_a1281164840
020			_a9781003184034 _q(ebook)
020			_a1003184030
020			_a9781000538472 _q(ePub ebook)
020			_a1000538478
020			_a1000538400
020			_a9781000538403 _q(electronic bk.)
020			_z9781032025841 _q(hardback)
024	8		_a10.4324/9781003184034 _2doi
035			_a3019222 _b(N$T)
035			_a(OCoLC)1281792366 _z(OCoLC)1281164840
037			_a9781000538472 _bIngram Content Group
042			_apcc
050	0	0	_aML3849
082	0	0	_a780/.08 _223
049			_aMAIN
100	1		_aVarga, Zoltan, _eauthor. _946607
245	1	4	_aThe acoustic self in English modernism and beyond : _bwriting musically / _cZoltan Varga.
250			_a[1.].
263			_a2202
264		1	_aNew York : _bRoutledge, _c2022.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction. We Hear Only Ourselves -- Let's Get Lost -- Of Fugue and Other Demons -- Does Beethoven Kill? -- Absolute Music and the Self -- Wagner, Je T'aime ... Moi Non Plus -- The Dispersion of the Acoustic Self.
520			_a"Drawing on the analogy between musical meaning-making and human subjectivity, this book develops the concept of the acoustic self, exploring the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel. The volume is framed around three musical topics-the fugue, absolute music, and Gesamtkunstwerk-arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the acoustic self in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the acoustic self beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices. Probing the analogies in the complex interrelationship between music, representation, and language in fictional texts and the nature of human subjectivity, this book will appeal to scholars interested in the interface of language and music, in such areas as intermediality, multimodality, literary studies, critical theory, and modernist studies"-- _cProvided by publisher.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
590			_aAdded to collection customer.56279.3
650		0	_aMusic and literature.
650		0	_aMusic in literature. _94016
650		0	_aMusic _xPhilosophy and aesthetics. _934336
650		0	_aEnglish literature _y20th century _xHistory and criticism. _926413
650		0	_aLiterature, Modern _y20th century _xHistory and criticism. _922573
650		7	_aEnglish literature. _2fast _0(OCoLC)fst00911989
650		7	_aLiterature, Modern. _2fast _0(OCoLC)fst01000172
650		7	_aMusic and literature. _2fast _0(OCoLC)fst01030479
650		7	_aMusic in literature. _2fast _0(OCoLC)fst01030552 _94016
650		7	_aMusic _xPhilosophy and aesthetics. _2fast _0(OCoLC)fst01030408 _934336
648		7	_a1900-1999 _2fast
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
655		4	_aElectronic books.
776	0	8	_iPrint version: _aVarga, Zoltan. _tAcoustic self in English modernism and beyond _b[1.] _dNew York : Routledge, 2022 _z9781032025841 _w(DLC) 2021041089
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3019222
938			_aEBSCOhost _bEBSC _n3019222
942			_cEBK
994			_a92 _bN$T
999			_c7775 _d7775