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| 049 | _aMAIN | ||
| 100 | 1 |
_aStone, Jonathan W., _eauthor. _948767 |
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| 245 | 1 | 0 |
_aListening to the Lomax Archive : _bthe sonic rhetorics of African American folksong in the 1930s / _cJonathan W. Stone. |
| 264 | 1 |
_aAnn Arbor, Michigan : _bUniversity of Michigan Press, _c2021. |
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| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource (xvii, 232 pages) : _billustrations |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 221-232) and index. | ||
| 520 | 3 | _aIn 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content | |
| 536 | _aSponsored by the National Endowment for the Humanities and the University of Utah's Department of Writing and Rhetoric Studies and J. Willard Marriott Library | ||
| 542 | 1 |
_fThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License _uhttps://creativecommons.org/licenses/by-nc-nd/4.0 |
|
| 588 | 0 | _aInformation from the publisher. | |
| 590 | _aAdded to collection customer.56279.3 | ||
| 600 | 1 | 0 |
_aLomax, John A. _q(John Avery), _d1867-1948. _948768 |
| 600 | 1 | 0 |
_aLomax, Alan, _d1915-2002. _948769 |
| 600 | 1 | 1 |
_aLomax, Alan, _d1915-2002. _948769 |
| 600 | 1 | 1 |
_aLomax, John A. _q(John Avery), _d1867-1948. _948768 |
| 600 | 1 | 7 |
_aLomax, Alan, _d1915-2002. _2fast _0(OCoLC)fst00013477 _948769 |
| 600 | 1 | 7 |
_aLomax, John A. _q(John Avery), _d1867-1948. _2fast _0(OCoLC)fst01757083 _948768 |
| 650 | 0 |
_aAfrican Americans _xMusic _xHistory and criticism. _932847 |
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| 650 | 0 |
_aFolk music _zUnited States _xHistory and criticism. _948770 |
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| 650 | 6 |
_aMusique folklorique _zÉtats-Unis _xHistoire et critique. _948771 |
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| 650 | 7 |
_aMUSIC / General _2bisacsh |
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| 650 | 7 |
_aAfrican Americans _xMusic. _2fast _0(OCoLC)fst00799648 |
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| 650 | 7 |
_aFolk music. _2fast _0(OCoLC)fst00929383 _948772 |
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| 651 | 7 |
_aUnited States. _2fast _0(OCoLC)fst01204155 |
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| 655 | 4 | _aElectronic books. | |
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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| 710 | 2 |
_aMichigan Publishing (University of Michigan), _epublisher. |
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_iSupplement (work): _aStone, Jonathan W. _tListening to the Lomax Archive _h1 online resource (41 audio files) |
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_iPrint version: _aStone, Jonathan W. _tListening to the Lomax Archive. _dAnn Arbor, Michigan : University of Michigan Press, 2021 _z0472038559 _z9780472038558 _w(OCoLC)1228008218 |
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