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| 049 | _aMAIN | ||
| 245 | 0 | 0 |
_aNegotiating the sacred II : _bblasphemy and sacrilege in the arts / _cElizabeth Burns Coleman and Maria Suzette Fernandes-Dias (editors). |
| 246 | 3 | _aNegotiating the sacred 2 | |
| 264 | 1 |
_aCanberra, ACT : _bANU E Press, _c[2008] |
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| 264 | 4 | _c©2008 | |
| 264 | 4 | _c©2008 | |
| 300 | _a1 online resource (xi, 210 pages) | ||
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_tIntroduction: Lines in the sand / _rElizabeth Burns Coleman and Maria Suzette Fernandes-Dias -- _gSection I: _tUnderstanding Blasphemy and Sacrilege. _tBlasphemy and sacrilege: A challenge to secularisation and theories of the modern? / _rDavid Nash -- _t'The devil's centres of operation': English theatre and the charge of blasphemy, 1698-1708 / _rDavid Manning -- _tMadonna and piano accordion: Disrupting the order of the world / _rElizabeth Burns Coleman -- _tMaterialising the sacred / _rDianne McGowan -- _gSection II: _tMotivations for Artistic Blasphemy. _tBlasphemy and sacrilege in the novel of magic realism: Grass, Bulgakov, and Rushdie / _rPeter Arnds -- _tLes fees ont soif: Feminist, iconoclastic or blasphemous? / _rMaria-Suzette Fernandes-Dias -- _tThe body of Christ: Blasphemy as a necessary transgression? / _rCarolyn D'Cruz and Glenn D'Cruz -- _gSection III: _tReinterpreting Freedom of Expression. _tThe monologue of liberalism and its imagination of the sacred in minority cultures / _rJasdev Singh Rai -- _tBlasphemy in a pluralistic society / _rJeremy Shearmur -- _gSection IV: _tSelf-expression and Restriction. _tBlasphemy and the art of the political and devotional / _rChristopher Braddock -- _tNegotiating the sacred body in Iranian cinema(s): National, physical and cinematic embodiment in Majid Majidi's Baran (2002) / _rMichelle Langford -- _tSilence as a way of knowing in Yolngu Indigenous Australian storytelling / _rCaroline Josephs. |
| 520 | _aBlasphemy and other forms of blatant disrespect to religious beliefs have the capacity to create significant civil and even international unrest. Consequently, the sacrosanctity of religious dogmas and beliefs, stringent laws of repression and codes of moral and ethical propriety have compelled artists to live and create with occupational hazards like uncertain audience response, self-censorship and accusations of deliberate misinterpretation of cultural production looming over their heads. Yet, in recent years, issues surrounding the rights of minority cultures to recognition and respect have raised new questions about the contemporariness of the construct of blasphemy and sacrilege. Controversies over the aesthetic representation of the sacred, the exhibition of the sacred as art, and the public display of sacrilegious or blasphemous works have given rise to heated debates and have invited us to reflect on binaries like artistic and religious sensibilities, tolerance and philistinism, the sacred and the profane, deification and vilification. Endeavouring to move beyond 'simplistic' points about the rights to freedom of expression and sacrosanctity, this collection explores how differences between conceptions of the sacred can be negotiated. It recognises that blasphemy may be justified as a form of political criticism, as well as a sincere expression of spirituality. But it also recognises that within a pluralistic society, blasphemy in the arts can do an enormous amount of harm, as it may also impair relations within and between societies. This collection evolved out a two-day conference called 'Negotiating the Sacred: Blasphemy and Sacrilege in the Arts' held at the Centre for Cross Cultural Research at The Australian National University in November 2005. This is the second volume in a series of five conferences and edited collections on the theme 'Negotiating the Sacred'. The first conference, 'Negotiating the Sacred: Blasphemy and Sacrilege in a Multicultural Society' was held at The Australian National University's Centre for Cross-Cultural Research in 2004, and published as an edited collection by ANU E Press in 2006. Other conferences in the series have included Religion, Medicine and the Body (ANU, 2006), Tolerance, Education and the Curriculum (ANU, 2007), and Governing the Family (Monash University, 2008). Together, the series represents a major contribution to ongoing debates on the political demands arising from religious pluralism in multicultural societies. | ||
| 588 | 0 | _aPrint version record. | |
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_aReligion and beliefs. _2bicssc _923526 |
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_aSOCIAL SCIENCE _xSociology of Religion. _2bisacsh _917792 |
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_aArts and religion. _2fast _0(OCoLC)fst00817852 _950918 |
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| 655 | 4 | _aElectronic books. | |
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_aColeman, Elizabeth Burns, _d1961- _950922 |
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_aFernandes Dias, Maria Suzette. _950923 |
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_iPrint version: _tNegotiating the sacred 2. _dActon, A.C.T. : ANU E Press, 2008 _z9781921536267 _w(OCoLC)277161451 |
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