000			04330cam a2200685Mi 4500
001			ocn884508168
003			OCoLC
005			20220517104835.0
006			m d
007			cr uuu---uuuuu
008			140724s2014 aca o 000 0 eng
040			_aAU@ _beng _erda _epn _cAU@ _dOCLCO _dOCLCF _dYDXCP _dEBLCP _dCN3GA _dMERUC _dDEBBG _dZCU _dICG _dOCLCQ _dLVT _dOCLCQ _dDKC _dOCLCQ _dDIPCC _dS2H _dSFB _dOCLCQ _dN$T
019			_a1076722280 _a1159386618
020			_a1925021858
020			_a9781925021837
020			_a1925021831
020			_a9781925021851 _q(electronic bk.)
024	7		_a10.26530/OAPEN_502556 _2doi
035			_a3093514 _b(N$T)
035			_a(OCoLC)884508168 _z(OCoLC)1076722280 _z(OCoLC)1159386618
037			_bJ. B. Chifley Library ANU, ACTON ACT 0200
042			_aanuc
050		4	_aND142 _b.S874 2014
072		7	_aACK _2bicssc
082	0	4	_a759.022 _223
049			_aMAIN
100	1		_aStrezova, Anita, _eauthor. _951484
245	1	0	_aHesychasm and art / _cAnita Strezova.
264		1	_aAnu, Acton, A.C.T. : _bANU Press, _c2014.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
520			_a?Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.?Professor Sasha Grishin AM, FAHAAdjunct Professor of Art HistorySchool of Literature, Languages and LinguisticsThe Australian National University.
546			_aEnglish.
505	0		_aPreliminary pages; Acknowledgements; List of illustrations; Foreword; Epigraph; Introduction; 1. Byzantine Hesychasm in the 14th and 15th Centuries; 2. General Iconographic Changes in the 14th and 15th Centuries; 3. The Transfiguration Miniature of Parisinus Graecus 1242; 4. The Fresco of the Anastasis in the Chora Church; 5. The Icon of the Trinity by Andrei Rublev; Conclusion; Bibliography; Index
590			_aAdded to collection customer.56279.3
650		0	_aHesychasm _vIn art. _951485
650		0	_aMysticism and art. _951486
650		0	_aChristianity and art. _951487
650		7	_aHistory of art: Byzantine & Medieval art c 500 CE to c 1400. _2bicssc _914615
650		7	_aChristianity and art. _2fast _0(OCoLC)fst00859651 _951487
650		7	_aHesychasm. _2fast _0(OCoLC)fst00955717 _951488
650		7	_aMysticism and art. _2fast _0(OCoLC)fst01031663 _951486
653			_atheology.
653			_ahesychasm.
653			_abyzantine art.
653			_achristianity.
655		4	_aElectronic books.
655		7	_aArt. _2fast _0(OCoLC)fst01423702 _916637
776	0	8	_iPrint version: _nDruck-Ausgabe _aStrezova, Anita. Strezova, Anita . _tAppearance of new iconographic trends in Byzantine and Slavic lands in the 14th and 15th centuries
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3093514
938			_aEBL - Ebook Library _bEBLB _nEBL4567402
938			_aYBP Library Services _bYANK _n12354208
938			_aDCS UAT TEST 8 _bTEST _n502556
938			_aEBSCOhost _bEBSC _n3093514
942			_cEBK
994			_a92 _bN$T
999			_c8415 _d8415