000 | 07946cam a2200961 i 4500 | ||
---|---|---|---|
001 | ocn949854435 | ||
003 | OCoLC | ||
005 | 20220517104843.0 | ||
006 | m d | ||
007 | cr cnu---uuuuu | ||
008 | 160510s2016 acaa ob 001 0 eng | ||
010 | _a 2017431011 | ||
040 |
_aAU@ _beng _erda _epn _cAU@ _dOCLCO _dOCLCF _dYDX _dEBLCP _dMERUC _dIDB _dS4S _dORU _dJSTOR _dOTZ _dLOA _dSOI _dCOCUF _dCCO _dAQ3 _dVT2 _dOCLCQ _dLND _dSTF _dCNNOR _dZCU _dK6U _dU3W _dD6H _dWRM _dOCLCQ _dICG _dOAPEN _dICN _dERL _dOCLCQ _dG3B _dLVT _dWYU _dTKN _dOCLCQ _dDKC _dAU@ _dCNTRU _dOCLCQ _dUWK _dOCLCQ _dDIPCC _dVLY _dUKKNU _dOCLCQ _dOCLCO _dSAV _dUEJ _dOCLCQ _dN$T |
||
019 |
_a964403803 _a1005750070 _a1013744518 _a1030818174 _a1048177185 _a1055316671 _a1066628369 _a1076649496 _a1081185866 _a1107355625 _a1110234683 _a1115120098 _a1153289315 _a1159390796 _a1162458633 _a1179891664 _a1224922591 _a1228573046 _a1229587114 _a1290044595 |
||
020 |
_a9781760460419 _q(electronic bk.) |
||
020 |
_a1760460419 _q(electronic bk.) |
||
020 | _z9781760460402 | ||
020 | _z1760460400 | ||
024 | 7 |
_a10.22459/II.08.2016 _2doi |
|
035 |
_a3093584 _b(N$T) |
||
035 |
_a(OCoLC)949854435 _z(OCoLC)964403803 _z(OCoLC)1005750070 _z(OCoLC)1013744518 _z(OCoLC)1030818174 _z(OCoLC)1048177185 _z(OCoLC)1055316671 _z(OCoLC)1066628369 _z(OCoLC)1076649496 _z(OCoLC)1081185866 _z(OCoLC)1107355625 _z(OCoLC)1110234683 _z(OCoLC)1115120098 _z(OCoLC)1153289315 _z(OCoLC)1159390796 _z(OCoLC)1162458633 _z(OCoLC)1179891664 _z(OCoLC)1224922591 _z(OCoLC)1228573046 _z(OCoLC)1229587114 _z(OCoLC)1290044595 |
||
037 |
_a22573/ctt1rq59ss _bJSTOR |
||
042 | _aanuc | ||
050 | 4 |
_aN7575 _b.I434 2016eb |
|
072 | 7 |
_aART000000 _2bisacsh |
|
072 | 7 |
_aSOC002000 _2bisacsh |
|
072 | 7 |
_aAGHF _2bicssc |
|
072 | 7 |
_aJF _2bicssc |
|
072 | 7 |
_aUG _2bicssc |
|
082 | 0 | 4 |
_a757 _223 |
049 | _aMAIN | ||
245 | 0 | 0 |
_aImaging identity : _bmedia, memory and portraiture in the digital age / _cMelinda Hinkson. |
264 | 1 |
_aActon, A.C.T. : _bANU Press, _c2016. |
|
264 | 4 | _c©2016 | |
300 |
_a1 online resource (xvii, 145 pages) : _billustrations |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 | _adata file | ||
490 | 0 | _aOpen Access e-Books | |
490 | 0 | _aKnowledge Unlatched | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: The time of the portrait is now / Melinda Hinkson -- PART I: The work of the imagination. Rembrandt, or the portrait as encounter / Didier Maleuvre -- Pictures for our time and place: Reflections on painting in a digital age / Melinda Hinkson -- Diasporic looking: Portraiture, diaspora and subjectivity / Gali Weiss -- PART II: Interfaces. The self-portrait and the film and video essay / John Conomos -- The mutable face / Michele Barker and Anna Munster -- BarkTV: Portrait of an innovator / Jennifer Deger -- Index. | |
505 | 8 | _aFigure 1.1: Portrait of Johannes Wtenbogaert (detail), Rembrandt Harmensz. van Rijn, 1633, 130 x 103 cm.; Figure 1.2: Self-portrait as the Apostle Paul, Rembrandt Harmensz. van Rijn, 1661, oil on canvas, 91 x 77 cm.; Figure 2.1: Left: Boatmen moored on a lakeshore, Adam Pynacker, 1668; Right: Proposal for landscaped cosmos, Sam Leach, 2010. ; Figure 2.2: Untitled #2, from the series Yooralla at twenty past three, Micky Allan, 1978, watercolour and coloured pencil on silver gelatin print, 27.7 x 35.2 cm. | |
505 | 8 | _aFigure 2.3: Large interior 173 (Micky), Jude Rae, 2005, oil on linen, 180 x 120 cm, winner of the 2005 Portia Geach Memorial Award for portraiture. Figure 2.4: Drawing 101 (naked), Jude Rae, 2010, willow charcoal on Fabriano paper, 220 x 140 cm.; Figure 2.5: Sorcery painting (autumn echidna), Vanessa Barbay, 2011, echidna and rabbit-skin glue on canvas, 84 x 80 cm.; Figure 3.1: An ocean of bright clouds, an ocean of solemn clouds, Lindy Lee, 1995, photocopy and acrylic on board, 205 x 143 cm. | |
505 | 8 | _aFigure 3.2: Birth and death, Lindy Lee, 2003, Installation Artspace, Sydney, inkjet print and acrylic on Chinese accordion books, installation dimensions variable. Figure 3.3: Aaron, Gali Weiss, 2000, solvent transfer, charcoal, graphite, 76 x 56.5 cm.; Figure 3.4: MotherDaughter (as self-portrait), Gali Weiss, 2008, watercolour, solvent transfer, charcoal, graphite, 75 x 75 cm each of 6 panels.; Figure 3.5: FatherDaughter, Gali Weiss, 2008, ink and watercolour wash, solvent transfer, charcoal, graphite, 52.5 x 37 cm each of 14 panels. | |
505 | 8 | _aFigure 3.5a: FatherDaughter (detail), Gali Weiss, 2008, ink and watercolour wash, solvent transfer, charcoal, graphite, 52.5 x 37 cm each of 14 panels. Figure 3.6: MotherSon, Gali Weiss, 2008, solvent transfer, graphite, 37 x 30 cm each of 15 panels.; Figure 3.7: MotherSon II, Gali Weiss, 2008, black and white and colour solvent transfer, 60 x 40.5 cm each of four panels.; Figure 3.8: MotherSon III, Gali Weiss, 2008, black and white and colour solvent transfer, 60 x 40.5 cm each panel.; Figure 4.1: Autumn song (still), John Conomos, 1998, SP Beta, 23 mins duration ... | |
520 | _aImaging Identity presents potent reflections on the human condition through the prism of portraiture. Taking digital imaging technologies and the dynamic and precarious dimensions of contemporary identity as critical reference points, these essays consider why portraits continue to have such galvanising appeal and perform fundamental work across so many social settings. This multidisciplinary enquiry brings together artists, art historians, art theorists and anthropologists working with a variety of media. Authors look beyond conventional ideas of the portrait to the wider cultural contexts, governmental practices and intimate experiences that shape relationships between persons and pictures. Their shared purpose centres on a commitment to understanding the power of images to draw people into their worlds. Imaging Identity tracks a fundamental symbiosis -- to grapple with the workings of images is to understand something vital of what it is to be human. | ||
588 | 0 | _aOnline resource; title from pdf title page (ProQuest Ebook Central, viewed April 27, 2017). | |
546 | _aEnglish. | ||
590 | _aAdded to collection customer.56279.3 | ||
650 | 0 |
_aPortraits. _951964 |
|
650 | 0 |
_aPersonality and culture. _951965 |
|
650 | 0 |
_aDigital images. _937291 |
|
650 | 0 | _aComputer art. | |
650 | 7 |
_aArt treatments and subjects. _2bicssc _932924 |
|
650 | 7 |
_aComputing and information technology. _2bicssc _925703 |
|
650 | 7 |
_aGraphical and digital media applications. _2bicssc _951966 |
|
650 | 7 |
_aHuman figures depicted in art. _2bicssc _951967 |
|
650 | 7 |
_aPortraits in art. _2bicssc _951968 |
|
650 | 7 |
_aSociety and culture: general. _2bicssc |
|
650 | 7 |
_aSociety and social sciences Society and social sciences. _2bicssc |
|
650 | 7 |
_aThe arts. _2bicssc |
|
650 | 7 |
_aART _xGeneral. _2bisacsh |
|
650 | 7 |
_aComputer art. _2fast _0(OCoLC)fst00872033 |
|
650 | 7 |
_aDigital images. _2fast _0(OCoLC)fst01739927 _937291 |
|
650 | 7 |
_aPersonality and culture. _2fast _0(OCoLC)fst01058705 _951965 |
|
650 | 7 |
_aPortraits. _2fast _0(OCoLC)fst01072324 _951964 |
|
653 | _aAustralian | ||
655 | 4 | _aElectronic books. | |
700 | 1 |
_aHinkson, Melinda, _eeditor. _951969 |
|
776 | 0 | 8 |
_iPrint version: _tImaging Identity : Media, memory and portraiture in the digital age. _dActon, A.C.T. : ANU Press, 2016 _z9781760460402 _w(OCoLC)949854467 |
856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3093584 |
938 |
_aProQuest Ebook Central _bEBLB _nEBL4743575 |
||
938 |
_aKnowledge Unlatched _bKNOW _nd322fb88-2866-49dc-94fd-ac5e8052642e |
||
938 |
_aOAPEN Foundation _bOPEN _n619477 |
||
938 |
_aDCS UAT TEST 8 _bTEST _n619477 |
||
938 |
_aYBP Library Services _bYANK _n13267086 |
||
938 |
_aEBSCOhost _bEBSC _n3093584 |
||
942 | _cEBK | ||
994 |
_a92 _bN$T |
||
999 |
_c8482 _d8482 |