000			05685cam a2200613 i 4500
001			on1276901821
003			OCoLC
005			20220517104851.0
006			m d
007			cr |||||||||||
008			211015s2021 enka ob 001 0 eng
010			_a 2020479107
040			_aDLC _beng _erda _epn _cDLC _dEQO _dYDX _dEBLCP _dOCLCF _dUKBRU _dOCLCO _dN$T _dOCLCQ
019			_a1277181707 _a1280389399 _a1280459672 _a1280602322 _a1291711766
020			_a1800641486
020			_a9781800641488 _q(electronic bk.)
020			_z9781800641471 _q(hbk.)
035			_a3093811 _b(N$T)
035			_a(OCoLC)1276901821 _z(OCoLC)1277181707 _z(OCoLC)1280389399 _z(OCoLC)1280459672 _z(OCoLC)1280602322 _z(OCoLC)1291711766
042			_apcc
050	0	0	_aK1420.5
082	0	4	_a700
049			_aMAIN
245	0	0	_aCirculation and control : _bartistic culture and intellectual property in the nineteenth century / _cedited by Marie-Stéphanie Delamaire and Will Slauter.
246	3	0	_aArtistic culture and intellectual property in the nineteenth century
264		1	_aCambridge, UK : _bOpen Book Publishers, _c2021.
300			_a1 online resource xiv (524 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
588	0		_aOnline resource; title from PDF title page (Open Book Publishers website; viewed on 2020-10-15).
505	0		_aIntro -- Contents -- Contributor Biographies -- Acknowledgements -- 1. Law, Culture, and Industry: Toward a History of Intellectual Property for Visual Works in the Long Nineteenth Century -- New Visual Media and Artistic Practices -- Existing Studies and New Lines of Inquiry -- Structure and Common Themes -- Bibliography -- 2. The First Copyright Case under the 1735 Engravings Act: The Germination of Visual Copyright? -- Introduction -- The Statutory Background: The Statute of Anne (1710) and the Engravings Act (1735) -- The Meaning of Invention and Design -- Who Was Elizabeth Blackwell?
505	8		_aMaking and Selling A Curious Herbal -- The Proceedings in Chancery -- Conclusion -- Bibliography -- 3. Who Owns Washington? Gilbert Stuart and the Battle for Artistic Property in the Early American Republic -- Stuart volume Sword: Controlling Copying in Early Nineteenth-Century Philadelphia -- Painting as Intellectual Property in Eighteenth-Century London: Art Theory and its Intersection with Artistic and Trade Practices -- Stuart and the Visual Economy of the Young Republic -- Bibliography -- 4. The Scope of Artistic Copyright in Nineteenth-Century England -- Bibliography -- Statutes -- Legal Cases
505	8		_a5. The 'Death of Chatterton' Case: Reproductive Engraving, Stereoscopic Photography, and Copyright for Paintings circa 1860 -- The Poet and the Painting -- The Rise of Stereography -- Photography and tableaux vivants -- Reproductive Engravings and the Threat of Photography -- Turner's Stand on Behalf of Engraving Rights -- Robinson's Defense -- What Constitutes 'Publication' of a Painting? -- Gallery Rules Related to Copying -- What Constitutes an Illegal Copy? -- Legal Significance volume Commercial and Cultural Effects -- Conclusion -- Bibliography
505	8		_a6. Before an Image Was Worth a Thousand Words: Ben-Hur and Copyright's Right of Derivatives -- All the Profits of Publication Which the Book Can, in Any Form, Produce -- Ben-Hur: My God, Did I Set All of This in Motion? -- The Masterpiece of the Nineteenth-Century Illustrated -- It Is a Very Valuable Property -- Aftermath: Harper volume Kalem and the Logic of Derivative Works -- Bibliography -- 7. The Frame Maker/Picture Dealer: A Crucial Intermediary in the Nineteenth-Century American Popular Print Market -- Philadelphia Frame Makers' Role in the Print Market
505	8		_a'Growing Taste for Beauty in Forms and Colors': Philadelphia Frame Makers and Subscription Art Unions -- Frame Maker/Picture Dealers, Print Values, and Copyright -- Conclusion -- Bibliography -- 8. Piracy, Copyright, and the Transnational Trade in Illustrations of News in the Mid-Nineteenth Century -- Trading Visual News, 1842-1860 -- The Parties -- The Case -- Conclusion -- Bibliography -- 9. (Re)Assembling Reference Books and Recycling Images: The Wood Engravings of the W. and R. Chambers Firm -- Sources for Visual Material in Chambers's Encyclopaedia
520			_aWith contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.
590			_aWorldCat record variable field(s) change: 650
650		0	_aIntellectual property and creative ability. _952496
650		0	_aAugmented reality _xLaw and legislation. _952497
650		0	_aArt, Modern _y19th century. _920698
650		7	_aAugmented reality _xLaw and legislation. _2fast _0(OCoLC)fst01921871 _952497
650		7	_aIntellectual property and creative ability. _2fast _0(OCoLC)fst02002797 _952496
655		4	_aElectronic books.
700	1		_aDelamaire, Marie-Stéphanie, _eeditor. _952498
700	1		_aSlauter, Will, _d1977- _eeditor. _952499
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3093811
938			_aEBSCOhost _bEBSC _n3093811
938			_aYBP Library Services _bYANK _n17683977
942			_cEBK
994			_a92 _bN$T
999			_c8545 _d8545