000 | 06198cam a2201105Mi 4500 | ||
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001 | on1302166167 | ||
003 | OCoLC | ||
005 | 20220517104935.0 | ||
006 | m d | ||
007 | cr ||||||||||| | ||
008 | 220306t20222022gw fod z000 0 eng d | ||
040 |
_aDEGRU _beng _erda _cDEGRU _dN$T |
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019 | _a1304788600 | ||
020 | _a3839456819 | ||
020 |
_a9783839456811 _q(electronic bk.) |
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024 | 7 |
_a10.1515/9783839456811 _2doi |
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035 |
_a3179238 _b(N$T) |
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035 |
_a(OCoLC)1302166167 _z(OCoLC)1304788600 |
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050 | 4 | _aML3800 | |
072 | 7 |
_aMUS020000 _2bisacsh |
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082 | 0 | 4 |
_a780.1 _223 |
049 | _aMAIN | ||
245 | 0 | 0 |
_aTuning up! The Innovative Potential of Musikvermittlung / _ced. by Axel Petri-Preis, Sarah Chaker. |
264 | 1 |
_aBielefeld : _btranscript Verlag, _c[2022] |
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264 | 4 | _c©2022 | |
300 | _a1 online resource (216 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 0 |
_aForum Musikvermittlung - Perspektiven aus Forschung und Praxis ; _v1 |
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505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tWelcome Notes -- _tMusikvermittlung and Its Innovative Potential -- _tListening Twice to Bernhard Gander's "Peter Parker" -- _tThe Big Bang of Musikvermittlung -- _tOn the Translation of Music -- _tSlam Poetry Meets Classical Music -- _tUnder a Preservation Order? -- _tThe Promotion of Pleasure in Individual Perception -- _tMusikvermittlung as Everyday Practice -- _tPractical Intelligence and the Limitations of Practitioners -- _tEngaging with New Audiences -- _tHear -- Taste -- See: UISGE BEATHA -- Waters of Life -- _tArtful Innovation -- _tJust join in? Audience Participation in Classical Contemporary Music |
520 | _aProfessional musicians who perform in hospitals, retirement homes, and prisons, creatively stimulated by the residents; babies crawling over exercise mats, enjoying classical music together with their parents; concert-goers who take their seats between the musicians in order to experience music with all their senses up close - the opportunities to make and experience music are almost unlimited. Various actors in the field of classical music have taken this as a chance to develop a wide range of new artistic and educational practices over the last two decades, aiming to facilitate in-depth aesthetic experiences, to bond with new audiences, and to encourage active cultural participation. The contributors focus on the innovative potentials of Musikvermittlung as a social bridge-builder for concert life, (higher) music education, research, and social life. | ||
536 | _afunded by mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musiksoziologie | ||
546 | _aIn English. | ||
588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022). | |
590 | _aWorldCat record variable field(s) change: 050, 082, 650 | ||
650 | 0 |
_aMusic _xPhilosophy and aesthetics. _934336 |
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650 | 0 |
_aMusic _xSocial aspects. |
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650 | 4 |
_aAudience Engagement. _956116 |
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650 | 4 |
_aClassical Musicians. _956117 |
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650 | 4 |
_aCommunity Engagement. _956118 |
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650 | 4 |
_aConcert Studies. _956119 |
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650 | 4 |
_aCultural Education. _935749 |
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650 | 4 |
_aCultural and Social Participation. _956120 |
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650 | 4 | _aCulture. | |
650 | 4 | _aEducation. | |
650 | 4 |
_aEducational Research. _934096 |
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650 | 4 | _aInnovation. | |
650 | 4 |
_aMusic Education. _956121 |
|
650 | 4 |
_aMusic Management. _956122 |
|
650 | 4 | _aMusic. | |
650 | 4 | _aMusicology. | |
650 | 4 |
_aNew Audiences. _956123 |
|
650 | 4 |
_aNew Concert Formats. _956124 |
|
650 | 7 |
_aMUSIC / History & Criticism. _2bisacsh _912642 |
|
653 | _aAudience Engagement. | ||
653 | _aClassical Musicians. | ||
653 | _aCommunity Engagement. | ||
653 | _aConcert Studies. | ||
653 | _aCultural Education. | ||
653 | _aCultural and Social Participation. | ||
653 | _aCulture. | ||
653 | _aEducation. | ||
653 | _aEducational Research. | ||
653 | _aInnovation. | ||
653 | _aMusic Education. | ||
653 | _aMusic Management. | ||
653 | _aMusic. | ||
653 | _aMusicology. | ||
653 | _aNew Audiences. | ||
653 | _aNew Concert Formats. | ||
655 | 4 | _aElectronic books. | |
700 | 1 |
_aBenschop, Ruth, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956125 |
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700 | 1 |
_aChaker, Sarah, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956126 |
|
700 | 1 |
_aChaker, Sarah, _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt _956126 |
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700 | 1 |
_aEve, Imogen, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956127 |
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700 | 1 |
_aNaske, Matthias, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956128 |
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700 | 1 |
_aPeters, Peter, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956129 |
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700 | 1 |
_aPetri-Preis, Axel, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956130 |
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700 | 1 |
_aPetri-Preis, Axel, _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt _956130 |
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700 | 1 |
_aSmilde, Rineke, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956131 |
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700 | 1 |
_aStaples, Ronald, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956132 |
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700 | 1 |
_aToelle, Jutta, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956133 |
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700 | 1 |
_aWerff, Ties van de, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956134 |
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700 | 1 |
_aWimmer, Constanze, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956135 |
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700 | 1 |
_aZembylas, Tasos, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb _956136 |
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710 | 2 |
_amdw - Universität für Musik und darstellende Kunst Wien, Institut für Musiksoziologie _efunder. _4fnd _4http://id.loc.gov/vocabulary/relators/fnd _956137 |
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856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3179238 |
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_aDe Gruyter _bDEGR _n9783839456811 |
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