Preserving and exhibiting media art : challenges and perspectives /
Preserving and exhibiting media art : challenges and perspectives /
Julia Noordegraaf, Cosetta G. Saba, Barbara Le Maãitre and Vinzenz Hediger (editions.).
- 1 online resource (428 pages, 16 unnumbered pages of plates) : illustrations (some color).
- Framing film .
- Framing film. .
Includes bibliographical references and index.
Acknowledgements -- Introduction / History, Archaeology, Aesthetics, Archive: Theoretical Paths -- Introduction / Between Art History and Media History: A Brief Introduction to Media Art / Media Archaeology: Where Film History, Media Art, and New Media (Can) Meet / Media Aesthetics / Media Art and the Digital Archive / Analysis, Documentation, Archiving -- Introduction / The Analysis of the Artwork / Methodologies of Multimedial Documentation and Archiving -- Enjoying the Gap: Comparing Contemporary Documentation Strategies / Case Study: No Ghost Just a Shell by Pierre Huyghe, Philippe Parreno, and Many Others / The Artist's Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an Audio-Installation by Roberto Cuoghi in the Museo Del Novecento, Milan / MAXXI Pilot Tests Regarding the Documentation of Installation Art / Technological Platforms, Preservation, and Restoration -- Introduction / Technological Platforms -- Introduction / The History and Technological Characteristics of Cinematographic Production and Reception Devices / The History and Technological Characteristics of Video Production and Reception Devices / Computers and Digital Reception Devices: History and Technological Characteristics / Obsolete Equipment: Ethics and Practices of Media Art Conservation / Theories, Techniques, Decision-making Models: The European Context -- Operational Practices for a Film and Video Preservation and Restoration Protocol / Operational Practices for a Digital Preservation and Restoration Protocol / Case Study: The Conservation of Media Art at Tate: An Interview with Pip Laurenson (Head of Time-Based Media Conservation at Tate) / Access, Reuse, and Exhibition -- Introduction / Exhibition Strategies -- Introduction / From Cinema to the Museum: A State of Affairs -- A "Cinema Effect" in Contemporary Art / Exhibiting Images in Movement -- Exhibiting/Editing: Dominique Pïani and Programming at the Ciénmatèhque fraçnaise at the Turn of the Centenary / The Expanded Archive: The MindFrames exhibition / Exhibiting Film and Reinventing the Painting / The Image Traveling across Territories: Cinema, Video, TV, Museum, the Web, and beyond -- On Passages Between Art and Cinema / Across the Territories: Exhibiting Music Video / Developing, Presenting, and Documenting Unstable Media at V2_ / New Dispositifs, New Modes of Reception -- Video Installations as Experiences in Montage / From the Film to the Map: Patrick Keiller and The City of the Future / Site-specific Exhibition and Reexhibition Strategies: Max Neuhaus's Times Square / From Archival Model to Exhibition Platform? Video Art As a Web Resource and the imai Online Catalogue / On Curating New Media Art / Epilogue / List of contributors -- Index. Julia Noordegraaf -- Vinzenz Hediger -- Chris Wahl -- Wanda Strauven -- Dario Marchiori -- Cosetta G. Saba -- Julia Noordegraaf -- Dario Marchiori -- Annet Dekker -- Vivian Van Saaze -- Iolanda Ratti -- Alessandra Barbuto, Laura Barreca -- Cosetta G. Saba -- Simone Venturini -- Simone Venturini, Mirco Santi -- Alessandro Bordina -- Tabea Lurk, Jorgen Enge -- Gaby Wijers -- Alessandro Bordina, Simone Venturini -- Jorgen Enge, Tabea Lurk -- Julia Noordegraaf -- Barbara Le Maitre -- Barbara Le Maitre, Senta Siewert -- Philippe Dubois -- Sétphanie-Emmanuelle Louis -- Claudia D'alonzo -- Barbara Le Mîatre -- Ariane No︠l De Tilly -- Senta Siewert -- Arie Altena -- éTérsa Faucon -- Teresa Castro -- Elena Biserna -- Renate Buschmann -- Sarah Cook -- Julia Nooroegraaf, Ariane No︠l De Tilly -- Part I. 1. 2. 3. 4. Part II. 5. 6. 6.1. 6.2. 6.3. 6.4. Part III. 7. 7.1. 7.2. 7.3. 74. 8. 8.1. 8.2. 8.3. Part IV. 9. 9.1. 9.1.1. 9.2. 9.2.1. 9.2.2. 9.2.3. 9.3. 9.3.1. 9.3.2. 9.3.3. 9.4. 9.4.1. 9.4.2. 9.4.3. 9.4.4. 10.
Access restricted to authorised ANU users only. OAPEN (Open Access Publishing in European Networks). All rights reserved.
Artists have always experimented with the potentials film, video and digital technology. 'Preserving and Exhibiting Media Art' highlights the challenges these new multimedia works pose to the traditional ways of collecting, preserving and exhibiting art. In addition, it outlines several case studies through the contours of the training and education of professionals in this field. The book offers a historical and theoretical overview and makes an important contribution to the literature on archival theory and practice and is a reference point for anyone concerned with the preservation and presentation of media art.
English.
9789048513833 9048513839
10.26530/OAPEN_530353 doi 530353
22573/ctt6n550h JSTOR
Multimedia (Art)--Preservation.
New media art--Preservation.
Computer art--Preservation.
Motion picture film--Preservation.
Art--Exhibition techniques.
Film production: technical and background skills.
Film, TV and radio.
Films, cinema.
The arts.
PERFORMING ARTS--Reference.
ART--Conservation & Preservation.
Art--Exhibition techniques.
Motion picture film--Preservation.
Mediakunst.
Tentoonstellingen.
Conservatie.
Media art Preservation
Electronic books.
Electronic books.
791.4301
Includes bibliographical references and index.
Acknowledgements -- Introduction / History, Archaeology, Aesthetics, Archive: Theoretical Paths -- Introduction / Between Art History and Media History: A Brief Introduction to Media Art / Media Archaeology: Where Film History, Media Art, and New Media (Can) Meet / Media Aesthetics / Media Art and the Digital Archive / Analysis, Documentation, Archiving -- Introduction / The Analysis of the Artwork / Methodologies of Multimedial Documentation and Archiving -- Enjoying the Gap: Comparing Contemporary Documentation Strategies / Case Study: No Ghost Just a Shell by Pierre Huyghe, Philippe Parreno, and Many Others / The Artist's Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an Audio-Installation by Roberto Cuoghi in the Museo Del Novecento, Milan / MAXXI Pilot Tests Regarding the Documentation of Installation Art / Technological Platforms, Preservation, and Restoration -- Introduction / Technological Platforms -- Introduction / The History and Technological Characteristics of Cinematographic Production and Reception Devices / The History and Technological Characteristics of Video Production and Reception Devices / Computers and Digital Reception Devices: History and Technological Characteristics / Obsolete Equipment: Ethics and Practices of Media Art Conservation / Theories, Techniques, Decision-making Models: The European Context -- Operational Practices for a Film and Video Preservation and Restoration Protocol / Operational Practices for a Digital Preservation and Restoration Protocol / Case Study: The Conservation of Media Art at Tate: An Interview with Pip Laurenson (Head of Time-Based Media Conservation at Tate) / Access, Reuse, and Exhibition -- Introduction / Exhibition Strategies -- Introduction / From Cinema to the Museum: A State of Affairs -- A "Cinema Effect" in Contemporary Art / Exhibiting Images in Movement -- Exhibiting/Editing: Dominique Pïani and Programming at the Ciénmatèhque fraçnaise at the Turn of the Centenary / The Expanded Archive: The MindFrames exhibition / Exhibiting Film and Reinventing the Painting / The Image Traveling across Territories: Cinema, Video, TV, Museum, the Web, and beyond -- On Passages Between Art and Cinema / Across the Territories: Exhibiting Music Video / Developing, Presenting, and Documenting Unstable Media at V2_ / New Dispositifs, New Modes of Reception -- Video Installations as Experiences in Montage / From the Film to the Map: Patrick Keiller and The City of the Future / Site-specific Exhibition and Reexhibition Strategies: Max Neuhaus's Times Square / From Archival Model to Exhibition Platform? Video Art As a Web Resource and the imai Online Catalogue / On Curating New Media Art / Epilogue / List of contributors -- Index. Julia Noordegraaf -- Vinzenz Hediger -- Chris Wahl -- Wanda Strauven -- Dario Marchiori -- Cosetta G. Saba -- Julia Noordegraaf -- Dario Marchiori -- Annet Dekker -- Vivian Van Saaze -- Iolanda Ratti -- Alessandra Barbuto, Laura Barreca -- Cosetta G. Saba -- Simone Venturini -- Simone Venturini, Mirco Santi -- Alessandro Bordina -- Tabea Lurk, Jorgen Enge -- Gaby Wijers -- Alessandro Bordina, Simone Venturini -- Jorgen Enge, Tabea Lurk -- Julia Noordegraaf -- Barbara Le Maitre -- Barbara Le Maitre, Senta Siewert -- Philippe Dubois -- Sétphanie-Emmanuelle Louis -- Claudia D'alonzo -- Barbara Le Mîatre -- Ariane No︠l De Tilly -- Senta Siewert -- Arie Altena -- éTérsa Faucon -- Teresa Castro -- Elena Biserna -- Renate Buschmann -- Sarah Cook -- Julia Nooroegraaf, Ariane No︠l De Tilly -- Part I. 1. 2. 3. 4. Part II. 5. 6. 6.1. 6.2. 6.3. 6.4. Part III. 7. 7.1. 7.2. 7.3. 74. 8. 8.1. 8.2. 8.3. Part IV. 9. 9.1. 9.1.1. 9.2. 9.2.1. 9.2.2. 9.2.3. 9.3. 9.3.1. 9.3.2. 9.3.3. 9.4. 9.4.1. 9.4.2. 9.4.3. 9.4.4. 10.
Access restricted to authorised ANU users only. OAPEN (Open Access Publishing in European Networks). All rights reserved.
Artists have always experimented with the potentials film, video and digital technology. 'Preserving and Exhibiting Media Art' highlights the challenges these new multimedia works pose to the traditional ways of collecting, preserving and exhibiting art. In addition, it outlines several case studies through the contours of the training and education of professionals in this field. The book offers a historical and theoretical overview and makes an important contribution to the literature on archival theory and practice and is a reference point for anyone concerned with the preservation and presentation of media art.
English.
9789048513833 9048513839
10.26530/OAPEN_530353 doi 530353
22573/ctt6n550h JSTOR
Multimedia (Art)--Preservation.
New media art--Preservation.
Computer art--Preservation.
Motion picture film--Preservation.
Art--Exhibition techniques.
Film production: technical and background skills.
Film, TV and radio.
Films, cinema.
The arts.
PERFORMING ARTS--Reference.
ART--Conservation & Preservation.
Art--Exhibition techniques.
Motion picture film--Preservation.
Mediakunst.
Tentoonstellingen.
Conservatie.
Media art Preservation
Electronic books.
Electronic books.
791.4301