Performing grief : bridal laments in rural China /

McLaren, Anne E.

Performing grief : bridal laments in rural China / Anne E. McLaren. - 1 online resource (x, 209 pages) : map - Online access: De Gruyter De Gruyter Open Books. .

Includes bibliographical references (pages 189-200) and index.

Imagining Jiangnan -- The people of the sands -- The hollow cotton spool : women and labour in Nanhui -- Seizing a slice of heaven : the lament cycle of Pan Cailian -- Weeping and wailing in Chinese history -- Shaking heaven : laments and ritual power.

Use copy Open Access

This is the first in-depth study of Chinese bridal laments, a ritual and performative art practiced by Chinese women in premodern times that gave them a rare opportunity to voice their grievances publicly. Drawing on methodologies from numerous disciplines, including performance arts and folk literatures, the author suggests that the ability to move an audience through her lament was one of the most important symbolic and ritual skills a Chinese woman could possess before the modern era. Performing Grief provides a detailed case study of the Nanhui region in the lower Yangzi delta. Bridal laments, the author argues, offer insights into how illiterate Chinese women understood the kinship and social hierarchies of their region, the marriage market that determined their destinies, and the value of their labor in the commodified economy of the delta region. The book not only assesses and draws upon a large body of sources, both Chinese and Western, but is grounded in actual field work, offering both historical and ethnographic context in a unique and sophisticated approach. Unlike previous studies, the author covers both Han and non-Han groups and thus contributes to studies of ethnicity and cultural accommodation in China. She presents an original view about the ritual implications of bridal laments and their role in popular notions of "wedding pollution." The volume includes an annotated translation from a lament cycle. This important work on the place of laments in Chinese culture enriches our understanding of the social and performative roles of Chinese women, the gendered nature of China's ritual culture, and the continuous transmission of women's grievance genres into the revolutionary period. As a pioneering study of the ritual and performance arts of Chinese women, it will be of interest to scholars and students in the fields of anthropology, social history, gender studies, oral literature, comparative folk religion, and performance arts


Electronic reproduction.
[Place of publication not identified] :
HathiTrust Digital Library,
2011.


Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
http://purl.oclc.org/DLF/benchrepro0212


In English.

9781441619853 1441619852 9780824863920 0824863925 9780824869366 0824869362

10.21313/9780824863920 doi

22573/ctt62t6d5 JSTOR


Marriage customs and rites--China.
Arranged marriage--China.
Brides--Social conditions.--China
Women--Social conditions.--China
Rural families--Social conditions.--China
Laments--China.
Oral tradition--China.
Country life--Social life and customs.--China
REFERENCE--Weddings.
POETRY--Anthologies (multiple authors)
Arranged marriage
Laments
Manners and customs
Marriage customs and rites
Oral tradition
Rural families--Social conditions
Women--Social conditions
Trauerritual
Braut


China--Social life and customs.
China
Jiangnan.


Electronic books.

GT2783.A2 / M35 2008eb

392.50951