Originality, imitation, and plagiarism : teaching writing in the digital age /
Originality, imitation, and plagiarism : teaching writing in the digital age /
Caroline Eisner and Martha Vicinus, editors.
- 1 online resource (269 pages)
Includes bibliographical references (pages 247-251) and index.
Introduction / Originality -- Choosing metaphors / On ethical issues in publishing in the life sciences / Reviewing the author-function in the age of Wikipedia / Internet and open-access publishing in physics research / Do thesis statements short-circuit originality in students' writing? / Cloud gate : challenging reproducibility / Imitation -- Genres as forms of in(ter)vention / When copying is not copying : plagiarism and French composition scholarship / The dynamic nature of common knowledge / Instinctual ballast : imitation and creative writing / The anthology as a literary creation : on innovation and plagiarism in textual collections / Economies of plagiarism : the i-Map and issues of ownership in information gathering / "Fair use," copyright law, and the composition teacher / Plagiarism -- History and the disciplining of plagiarism / Plagiarism and copyright infringement : the costs of confusion / Plagiarism, a Turnitin trial, and an experience of cultural disorientation / Academic plagiarism and the limits of theft / Insider writing: plagiarism-proof assignments / Plagiarism across cultures : is there a difference? / Framing plagiarism / Caroline Eisner Martha Vicinus -- Jessica Litman -- Gilbert S. Omenn -- Amit Ray Erhardt Graeff -- Gordon Kane -- Anne Berggren -- Jeff Ward -- Anis Bawarshi -- Christiane Donahue -- Amy England -- Christina Pugh -- Christopher M. Kuipers -- Kim Walden Alan Peacock -- Martine Courant Rife -- Michael Grossberg -- Laura J. Murray -- Lisa Emerson -- Stefan Senders -- Lynn Z. Bloom -- Joel Bloch -- Linda Adler-Kassner, Chris M. Anson Rebecca Moore Howard. and and and and
Open Access
This collection is a timely intervention in national debates about what constitutes original or plagiarized writing in the digital age. Somewhat ironically, the Internet makes it both easier to copy and easier to detect copying. The essays in this volume explore the complex issues of originality, imitation, and plagiarism, particularly as they concern students, scholars, professional writers, and readers, while also addressing a range of related issues, including copyright conventions and the ownership of original work, the appropriate dissemination of innovative ideas, and the authority and role of the writer/author. Throughout these essays, the contributors grapple with their desire to encourage and maintain free access to copyrighted material for noncommercial purposes while also respecting the reasonable desires of authors to maintain control over their own work.
9780472024445 0472024442 9780472900480 047290048X 9781282445222 1282445227 9786612445224 661244522X 0472070347 9780472070343
9780472070343 10.3998/dcbooks.5653382.0001.001
OverDrive, Inc. http://www.overdrive.com DA64E1CF-CB2D-4817-870E-30FCF7860039 OverDrive, Inc. http://www.overdrive.com 22573/ctv63sghg JSTOR
2020706789
Plagiarism.
Imitation in literature.
Creation (Literary, artistic, etc.)
Authorship--Study and teaching.
Creative writing & creative writing guides.
Language: reference & general.
Literature: history & criticism.
LANGUAGE ARTS & DISCIPLINES--Rhetoric.
REFERENCE--Writing Skills.
LANGUAGE ARTS & DISCIPLINES--Composition & Creative Writing.
LANGUAGE ARTS & DISCIPLINES--General.
Authorship--Study and teaching.
Creation (Literary, artistic, etc.)
Imitation in literature.
Plagiarism.
Writing
Electronic books.
Electronic books.
PN167
808
Includes bibliographical references (pages 247-251) and index.
Introduction / Originality -- Choosing metaphors / On ethical issues in publishing in the life sciences / Reviewing the author-function in the age of Wikipedia / Internet and open-access publishing in physics research / Do thesis statements short-circuit originality in students' writing? / Cloud gate : challenging reproducibility / Imitation -- Genres as forms of in(ter)vention / When copying is not copying : plagiarism and French composition scholarship / The dynamic nature of common knowledge / Instinctual ballast : imitation and creative writing / The anthology as a literary creation : on innovation and plagiarism in textual collections / Economies of plagiarism : the i-Map and issues of ownership in information gathering / "Fair use," copyright law, and the composition teacher / Plagiarism -- History and the disciplining of plagiarism / Plagiarism and copyright infringement : the costs of confusion / Plagiarism, a Turnitin trial, and an experience of cultural disorientation / Academic plagiarism and the limits of theft / Insider writing: plagiarism-proof assignments / Plagiarism across cultures : is there a difference? / Framing plagiarism / Caroline Eisner Martha Vicinus -- Jessica Litman -- Gilbert S. Omenn -- Amit Ray Erhardt Graeff -- Gordon Kane -- Anne Berggren -- Jeff Ward -- Anis Bawarshi -- Christiane Donahue -- Amy England -- Christina Pugh -- Christopher M. Kuipers -- Kim Walden Alan Peacock -- Martine Courant Rife -- Michael Grossberg -- Laura J. Murray -- Lisa Emerson -- Stefan Senders -- Lynn Z. Bloom -- Joel Bloch -- Linda Adler-Kassner, Chris M. Anson Rebecca Moore Howard. and and and and
Open Access
This collection is a timely intervention in national debates about what constitutes original or plagiarized writing in the digital age. Somewhat ironically, the Internet makes it both easier to copy and easier to detect copying. The essays in this volume explore the complex issues of originality, imitation, and plagiarism, particularly as they concern students, scholars, professional writers, and readers, while also addressing a range of related issues, including copyright conventions and the ownership of original work, the appropriate dissemination of innovative ideas, and the authority and role of the writer/author. Throughout these essays, the contributors grapple with their desire to encourage and maintain free access to copyrighted material for noncommercial purposes while also respecting the reasonable desires of authors to maintain control over their own work.
9780472024445 0472024442 9780472900480 047290048X 9781282445222 1282445227 9786612445224 661244522X 0472070347 9780472070343
9780472070343 10.3998/dcbooks.5653382.0001.001
OverDrive, Inc. http://www.overdrive.com DA64E1CF-CB2D-4817-870E-30FCF7860039 OverDrive, Inc. http://www.overdrive.com 22573/ctv63sghg JSTOR
2020706789
Plagiarism.
Imitation in literature.
Creation (Literary, artistic, etc.)
Authorship--Study and teaching.
Creative writing & creative writing guides.
Language: reference & general.
Literature: history & criticism.
LANGUAGE ARTS & DISCIPLINES--Rhetoric.
REFERENCE--Writing Skills.
LANGUAGE ARTS & DISCIPLINES--Composition & Creative Writing.
LANGUAGE ARTS & DISCIPLINES--General.
Authorship--Study and teaching.
Creation (Literary, artistic, etc.)
Imitation in literature.
Plagiarism.
Writing
Electronic books.
Electronic books.
PN167
808