Parodies of ownership : hip-hop aesthetics and intellectual property law /
Schur, Richard L,
Parodies of ownership : hip-hop aesthetics and intellectual property law / Richard L. Schur. - 1 online resource -
Includes bibliographical references and index.
From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post -- civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.
Use copy Open Access
"What is the relationship between hip-hop and African American culture in the post-Civil Rights era? Does hip-hop share a criticism of American culture or stand as an isolated and unique phenomenon? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms "hip-hop aesthetics." This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post-Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed."--Publisher's description
Electronic reproduction.
[Place of publication not identified] :
HathiTrust Digital Library,
2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
http://purl.oclc.org/DLF/benchrepro0212
English.
9780472024490 0472024493 9780472900442 0472900447 9786613011596 6613011592
10.3998/dcbooks.6814160.0001.001 https://doi.org/10.3998/dcbooks.6814160.0001.001
22573/ctv63sq87 JSTOR
2020706961
GBA947400 bnb
African Americans in popular culture.
African Americans--Legal status, laws, etc.
Hip-hop--Influence.
Intellectual property--United States.
LAW--Administrative Law & Regulatory Practice.
LAW--Intellectual Property--General.
African Americans in popular culture.
African Americans--Legal status, laws, etc.
Hip-hop--Influence.
Intellectual property.
Geistiges Eigentum
Kultur
United States.
Schwarze.
USA.
African Americans Legal status, laws, etc. Intellectual property United States Hip-hop Influence African Americans in popular culture
Electronic books.
Electronic books.
KF4757
346.7304/82
Parodies of ownership : hip-hop aesthetics and intellectual property law / Richard L. Schur. - 1 online resource -
Includes bibliographical references and index.
From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post -- civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.
Use copy Open Access
"What is the relationship between hip-hop and African American culture in the post-Civil Rights era? Does hip-hop share a criticism of American culture or stand as an isolated and unique phenomenon? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms "hip-hop aesthetics." This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post-Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed."--Publisher's description
Electronic reproduction.
[Place of publication not identified] :
HathiTrust Digital Library,
2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
http://purl.oclc.org/DLF/benchrepro0212
English.
9780472024490 0472024493 9780472900442 0472900447 9786613011596 6613011592
10.3998/dcbooks.6814160.0001.001 https://doi.org/10.3998/dcbooks.6814160.0001.001
22573/ctv63sq87 JSTOR
2020706961
GBA947400 bnb
African Americans in popular culture.
African Americans--Legal status, laws, etc.
Hip-hop--Influence.
Intellectual property--United States.
LAW--Administrative Law & Regulatory Practice.
LAW--Intellectual Property--General.
African Americans in popular culture.
African Americans--Legal status, laws, etc.
Hip-hop--Influence.
Intellectual property.
Geistiges Eigentum
Kultur
United States.
Schwarze.
USA.
African Americans Legal status, laws, etc. Intellectual property United States Hip-hop Influence African Americans in popular culture
Electronic books.
Electronic books.
KF4757
346.7304/82