Musical Composition in the Context of Globalization : (Record no. 7122)
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| 000 -LEADER | |
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| fixed length control field | 05822cam a2200745Mi 4500 |
| 001 - CONTROL NUMBER | |
| control field | on1248759235 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20220517104622.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr ||||||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 210421t20212021gw fod z000 0 eng d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DEGRU |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | DEGRU |
| Modifying agency | UKKNU |
| -- | OCLCO |
| -- | OCLCQ |
| -- | OCLCF |
| -- | N$T |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 3839450950 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9783839450956 |
| Qualifying information | (electronic bk.) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.14361/9783839450956 |
| Source of number or code | doi |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | 2962325 |
| -- | (N$T) |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1248759235 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML197.2 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | MUS020000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 780 |
| 084 ## - OTHER CLASSIFICATION NUMBER | |
| Classification number | LP 19507 |
| Number source | rvk |
| Authority record control number or standard number | (DE-625)rvk/105954:13535 |
| 049 ## - LOCAL HOLDINGS (OCLC) | |
| Holding library | MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Utz, Christian, |
| Relator term | author |
| Relationship | aut |
| -- | http://id.loc.gov/vocabulary/relators/aut |
| 9 (RLIN) | 41859 |
| 245 10 - TITLE STATEMENT | |
| Title | Musical Composition in the Context of Globalization : |
| Remainder of title | New Perspectives on Music History in the 20th and 21st Century / |
| Statement of responsibility, etc. | Christian Utz. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Bielefeld : |
| Name of producer, publisher, distributor, manufacturer | Transcript-Verlag, |
| Date of production, publication, distribution, manufacture, or copyright notice | [2021] |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2021 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (528 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS | |
| File type | text file |
| 347 ## - DIGITAL FILE CHARACTERISTICS | |
| Encoding format | |
| 490 0# - SERIES STATEMENT | |
| Series statement | Musik und Klangkultur ; |
| Volume/sequential designation | 43 |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Title | Frontmatter -- |
| -- | Table of Contents -- |
| -- | Preface -- |
| -- | Preface to the Revised and Expanded English Edition -- |
| -- | Acknowledgements -- |
| -- | List of Examples, Figures, and Tables -- |
| -- | I. Introduction: Art Music, Identity, and Reflexive Globalization -- |
| -- | 1. Art Music in a Global Context -- |
| -- | 2. Identity Criticism and Reflexive Globalization -- |
| -- | 3. Discourses of Intercultural Composition -- |
| -- | II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- |
| -- | 1. Preliminaries of an Intercultural Music Historiography -- |
| -- | 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- |
| -- | 3. The Ambivalence of the Local in Twentieth-Century Music -- |
| -- | 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- |
| -- | 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- |
| -- | 6. Categories of Intercultural Reception in Western Composition -- |
| -- | III. Studies on the History and Analysis of New East Asian Music -- |
| -- | 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- |
| -- | 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- |
| -- | 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- |
| -- | 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- |
| -- | 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- |
| -- | 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- |
| -- | IV. The shō Context -- |
| -- | 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- |
| -- | 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- |
| -- | V. New Music and Beyond: Music-Historical and Cultural Entanglements -- |
| -- | 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- |
| -- | 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- |
| -- | 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- |
| -- | VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- |
| -- | 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- |
| -- | 2. Stratification and Analysis -- |
| -- | 3. Intercultural and Multilingual Trajectories of the Human Voice -- |
| -- | 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- |
| -- | Bibliography -- |
| -- | Appendix -- |
| -- | Index |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st centuries. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society is placed at the center of attention and considered a pivotal music-historical dynamic. |
| 546 ## - LANGUAGE NOTE | |
| Language note | In English. |
| 588 0# - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Online resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021). |
| 506 0# - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Open Access |
| Institution to which field applies | EbpS |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Added to collection customer.56279.3 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | MUSIC |
| General subdivision | History & Criticism. |
| Source of heading or term | bisacsh |
| 9 (RLIN) | 29390 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music. |
| Source of heading or term | fast |
| Authority record control number or standard number | (OCoLC)fst01030269 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | 20th Century. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Asia. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | China. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Cultural History. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Cultural Studies. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Entangled Histories. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Globalization. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Interculturalism. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Japan. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Korea. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Music. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Musicology. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Transnationalism. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Laurence Sinclair Willis. |
| 9 (RLIN) | 41860 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | EBSCOhost |
| Uniform Resource Identifier | <a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2962325">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2962325</a> |
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| -- | De Gruyter |
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| -- | 2962325 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | E-books |
| 994 ## - | |
| -- | 92 |
| -- | N$T |
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