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Crossing Central Europe : continuities and transformations, 1900 and 2000 / edited by Helga Mitterbauer and Carrie Smith-Prei.

Contributor(s): Material type: TextTextSeries: German and European studiesPublisher: Toronto ; Buffalo ; London : University of Toronto Press, 2017Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442619548
  • 1442619546
  • 9781487514686
  • 1487514689
Subject(s): Genre/Form: Additional physical formats: Print version:: Crossing Central Europe.DDC classification:
  • 943.0009/049 23
LOC classification:
  • D652
Online resources:
Contents:
""Cover""; ""Copyright""; ""Contents""; ""Introduction: Crossings and Encounters""; ""Part One: 1900""; ""1 Beyond Aesthetic Borders: Theory â#x80;#x93; Media â#x80;#x93; Case Study""; ""2 The Aesthetics of Change: Women Writers of the Austro-Hungarian Monarchy""; ""3 Border, Transborder, and Unification: Music and Its Divergent Roles in the Nineteenth-Century Habsburg Territories""; ""4 History without End(s): The Aesthetics and Politics of the Reading Play""; ""5 Kitchen Stories: Literary and Architectural Reflections on Modern Kitchens in Central Europe""; ""Part Two: 2000""
""6 Spaces of Unhomeliness: Rereading Post-Imperial Urban Heterotopias in East Central Europe""""7 Interdependences: Migration, (Trans-)Cultural Codes and the Writing of Central Europe in Texts by Doron Rabinovici, Julya Rabinowich, and Vladimir Vertlib""; ""8 Cultures of Memory, Migration, and Masculinity: Dimitré Dinevâ#x80;#x99;s Engelszungen""; ""9 Remixing Central European Culture: The Case of Laibach""; ""10 Bottled Messages for Europeâ#x80;#x99;s Future? The Danube in Contemporary Transnational Cinema""; ""11 Ilija Trojanow and the Cosmopolitical Public Intellectual""; ""Contributors""
Summary: "Crossing Central Europe is a pioneering volume that focuses on the complex networks of transcultural interrelations in Central Europe from 1900 to 2000. Scholars from Canada, the United States, and Europe identify the motifs, topics, and ways of artistic creation that define this cross-cultural region. This interdisciplinary volume is divided into two historical periods and includes analyses of literature, film, music, architecture, and media. By focusing first on the interrelations in the nineteenth and early twentieth-century, the contributors reveal a complex trans-ethnic network at play that disseminated aesthetic ideals. This network continued to be a force of aesthetic influence leading into the twenty-first century despite globalization and the influence of mass media. Helga Mitterbauer and Carrie Smith-Prei have embarked on a study of the overlapping artistic influences that have outlasted both the National Socialist regime and the Cold War."-- Provided by publisher.
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Includes bibliographical references and index.

"Crossing Central Europe is a pioneering volume that focuses on the complex networks of transcultural interrelations in Central Europe from 1900 to 2000. Scholars from Canada, the United States, and Europe identify the motifs, topics, and ways of artistic creation that define this cross-cultural region. This interdisciplinary volume is divided into two historical periods and includes analyses of literature, film, music, architecture, and media. By focusing first on the interrelations in the nineteenth and early twentieth-century, the contributors reveal a complex trans-ethnic network at play that disseminated aesthetic ideals. This network continued to be a force of aesthetic influence leading into the twenty-first century despite globalization and the influence of mass media. Helga Mitterbauer and Carrie Smith-Prei have embarked on a study of the overlapping artistic influences that have outlasted both the National Socialist regime and the Cold War."-- Provided by publisher.

Print version record.

""Cover""; ""Copyright""; ""Contents""; ""Introduction: Crossings and Encounters""; ""Part One: 1900""; ""1 Beyond Aesthetic Borders: Theory â#x80;#x93; Media â#x80;#x93; Case Study""; ""2 The Aesthetics of Change: Women Writers of the Austro-Hungarian Monarchy""; ""3 Border, Transborder, and Unification: Music and Its Divergent Roles in the Nineteenth-Century Habsburg Territories""; ""4 History without End(s): The Aesthetics and Politics of the Reading Play""; ""5 Kitchen Stories: Literary and Architectural Reflections on Modern Kitchens in Central Europe""; ""Part Two: 2000""

""6 Spaces of Unhomeliness: Rereading Post-Imperial Urban Heterotopias in East Central Europe""""7 Interdependences: Migration, (Trans-)Cultural Codes and the Writing of Central Europe in Texts by Doron Rabinovici, Julya Rabinowich, and Vladimir Vertlib""; ""8 Cultures of Memory, Migration, and Masculinity: Dimitré Dinevâ#x80;#x99;s Engelszungen""; ""9 Remixing Central European Culture: The Case of Laibach""; ""10 Bottled Messages for Europeâ#x80;#x99;s Future? The Danube in Contemporary Transnational Cinema""; ""11 Ilija Trojanow and the Cosmopolitical Public Intellectual""; ""Contributors""

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